In an oppressive future, a fireman whose duty is to destroy all books begins to question his task.In an oppressive future, a fireman whose duty is to destroy all books begins to question his task.In an oppressive future, a fireman whose duty is to destroy all books begins to question his task.
- Nominated for 1 BAFTA Award
- 4 nominations total
Gillian Aldam
- Judoka Woman
- (uncredited)
Alfie Bass
- Book Person: 'The Prince'
- (uncredited)
Yvonne Blake
- Book Person: 'The Jewish Question'
- (uncredited)
Arthur Cox
- Male Nurse
- (uncredited)
Frank Cox
- Book Person: 'Prejudice'
- (uncredited)
Fred Cox
- Book Person: 'Pride'
- (uncredited)
Noel Davis
- Cousin Midge - TV Personality
- (uncredited)
Judith Drinan
- Book Person - Plato's 'Republic'
- (uncredited)
Kevin Eldon
- Robert - First Schoolboy
- (uncredited)
Storyline
Did you know
- TriviaAccording to producer Lewis M. Allen, François Truffaut and Oskar Werner hated each other by the end of filming. For the last two weeks, they didn't speak to one another.
- GoofsAfter Montag comes out of the first raid to burn the books, the placement of the fire protective clothing (helmet and gloves) are unnatural movements and appear to be a reverse run of film footage. This is further compounded by the fact that he walks backwards to get the flamethrower which has flame entering the nozzle instead of leaving the nozzle.
- Quotes
Guy Montag: To learn how to find, one must first learn how to hide.
- Crazy creditsThe beginning credits are spoken instead of written on the screen.
- Alternate versionsOriginally Noel Davis (who plays Cousin Midge) did the opening voice over. In the current version it is done by Alex Scott ("The Life of Henry Brulard" Book Person).
- ConnectionsFeatured in Night Gallery: The Different Ones/Tell David.../Logoda's Heads (1971)
Featured review
As an avid reader and lifelong book lover, there's no way this movie couldn't affect me personally! A world without books??? NEVER!!! Whether paper, online or audio, they'd better be here to stay!!!!
The movie gets off to a good start, by showing the firemen off to what at first you may think is to fight a fire, when actually they're going to start one, by searching for and burning books! In this society, they're banned (why make people think and learn, when the soulless robots on what passes for TV can do your thinking for you and teach you enough to live in their one-dimensional society?)
The number 451 pops up all over: at the fire station, at the address of the fireman-turned-rebel, Montag (Oskar Werner), and of course, it's the temperature that paper from those outlawed books will burn! You see conflagration after conflagration of precious volumes and titles set to flame, all for your own good, of course!
Oskar does a good job as a dedicated servant of this braindead society, who comes to realize how wrong it is, and starts fighting back, even if it means committing an unforgivable crime.
Julie Christie also does good in a dual role; as Montag's wife, Linda, who listens more to the "family" on the TV screen than to her husband, and as Clarisse, a nonconformist schoolteacher that Montag gets to know while commuting to and from work. Through her, he learns there's more to life than he's been living, and much of that can be learned through those volumes he keeps destroying. When Clarisse asks if he ever read any of those confiscated books, he soon finds himself looking through a volume of "David Copperfield", and nothing's the same after that.
It's worth noting how something as simple as a hairstyle can enhance characterization. As Linda, Julie's hair is long and stylish (as are her clothes) and she gives a fashion model appearance. Her character, however, is vapid and bland. Aside from her addiction to TV and pills, she seems soulless and unfeeling. Even her seduction of Montag (not long after getting her stomach pumped) comes across as mechanical, without any real desire. She can't even remember when they first met, which gives you an idea of her true feelings for her husband!
As the short haired, plainly dressed Clarisse, Julie really becomes a whole other person, one who thinks for herself, feels strongly, and cries when a little boy at the school from where she's been fired (Mark Lester, two years before "Oliver") runs away from her. Unlike all the other modern, fireproof structures, she lives in an older building, that may be flammable but has a lot of character.
What stands out most is the solution a group of nonconformists found to the problem of destroyed books, a way to ensure they live on!! It gives what could have been a dismal film an upbeat ending.
Well worth watching!
The movie gets off to a good start, by showing the firemen off to what at first you may think is to fight a fire, when actually they're going to start one, by searching for and burning books! In this society, they're banned (why make people think and learn, when the soulless robots on what passes for TV can do your thinking for you and teach you enough to live in their one-dimensional society?)
The number 451 pops up all over: at the fire station, at the address of the fireman-turned-rebel, Montag (Oskar Werner), and of course, it's the temperature that paper from those outlawed books will burn! You see conflagration after conflagration of precious volumes and titles set to flame, all for your own good, of course!
Oskar does a good job as a dedicated servant of this braindead society, who comes to realize how wrong it is, and starts fighting back, even if it means committing an unforgivable crime.
Julie Christie also does good in a dual role; as Montag's wife, Linda, who listens more to the "family" on the TV screen than to her husband, and as Clarisse, a nonconformist schoolteacher that Montag gets to know while commuting to and from work. Through her, he learns there's more to life than he's been living, and much of that can be learned through those volumes he keeps destroying. When Clarisse asks if he ever read any of those confiscated books, he soon finds himself looking through a volume of "David Copperfield", and nothing's the same after that.
It's worth noting how something as simple as a hairstyle can enhance characterization. As Linda, Julie's hair is long and stylish (as are her clothes) and she gives a fashion model appearance. Her character, however, is vapid and bland. Aside from her addiction to TV and pills, she seems soulless and unfeeling. Even her seduction of Montag (not long after getting her stomach pumped) comes across as mechanical, without any real desire. She can't even remember when they first met, which gives you an idea of her true feelings for her husband!
As the short haired, plainly dressed Clarisse, Julie really becomes a whole other person, one who thinks for herself, feels strongly, and cries when a little boy at the school from where she's been fired (Mark Lester, two years before "Oliver") runs away from her. Unlike all the other modern, fireproof structures, she lives in an older building, that may be flammable but has a lot of character.
What stands out most is the solution a group of nonconformists found to the problem of destroyed books, a way to ensure they live on!! It gives what could have been a dismal film an upbeat ending.
Well worth watching!
- ldeangelis-75708
- Feb 16, 2023
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Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Farenhajt 451
- Filming locations
- Châteauneuf-sur-Loire, Loiret, France(Monorail)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $1,500,000 (estimated)
- Gross US & Canada
- $509
- Opening weekend US & Canada
- $11,206
- Apr 25, 1999
- Gross worldwide
- $581
- Runtime1 hour 52 minutes
- Aspect ratio
- 1.66 : 1
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