Knives of the Avenger (1966) User Reviews

Sword And Sandal Film for Bava-Enthusiasts

[Witchfinder-General-666 · 6/10 · 2 November 2009]

"I Coltelli Del Vendicatore" aka. "Knives of the Avenger" (1966) is a somewhat cheesy, but doubtlessly fun 'Sword and Sandal' flick by the arguably greatest Horror director of all-time, the brilliant Mario Bava. I may be slightly biased. If I was to select one all-time favorite director of mine it would quite possibly be Mario Bava, as no other director has ever been capable of combining beauty and terror and creating a haunting and overwhelming atmosphere as it was the case with the supreme master of Gothic Horror and inventor of the Giallo. The man's repertoire includes more masterpiece than that of any other Horror director. His ultimate masterpiece, "La Maschera Del Demonio" (aka. "Black Sunday", 1960) is doubtlessly one of the greatest Horror films of all-time, and his filmography includes so many brilliant that it is hard to pick favorites: Gothic tales like "La Frusta E Il Corpo"(The Whip and the Body", 1963), "I Tre Volti Della Paura" ("Black Sabbath", 1963) and "Operazione Paura" ("Kill Baby Kill", 1966), the Giallo-milestone "Sei Donne Per L'Assassino" ("Blood And Black Lace", 1964) or the ingenious Crime-Thriller "Cani Arrabiati" ("Rabid Dogs", 1974) are only some of the many brilliant films this man has made, and I could probably go on praising Bava forever. This being said, "Knives of the Avenger" certainly isn't a masterpiece or must-see, and definitely ranges among the lesser films in Bava's impressive filmography. While anybody unfamiliar with this great director's work should definitely start their journey into the fascinating world of Mario Bava with another film, this one is yet a fun little film that is recommendable to my fellow fans of the man.

"Knives of the Avenger" is a vengeance-themed Sword and Sandal film that was made in 1966, several years after the genre's heyday in the 50s and early 60s. Cameron Mitchell stars as Rurik, a Barbarian (Viking?) warrior, who saves the young beauty Karin (Elissa Pichelli) and her son from the clutches of an evil warlord (Fausto Tozzi)... I do not want to give any parts of the story away, but I can say that it is pretty random classic stuff. Bava, as always, succeeds in giving his film a great look and nice atmosphere. For its time and genre the film also has quite a bunch of violent and somewhat gory moments, and the hero is quite dark and vengeful. This one's cast includes the leading men from two of Bava's greatest achievements, Cameron Mitchell (who starred in "Blood and Black Lace"), and Giacomo Rossi-Stuart (who starred in "Kill Baby... Kill!" and who is credited as "Jack Stuart" here). Mitchell, who is the leading man here, is a very good actor; while this role doesn't need great acting skills, he has what it takes - a grim look. The revenge-story isn't exactly unique, but it's entertaining enough and well-executed by Bava's skillful direction. The film is nicely shot and supported by a cool, genre-typically heroic score. This is a cheesy film, of course, and by no means a masterpiece. It certainly ranges among the least important films Bava has ever made and doesn't nearly play in the same league as any of his Horror films (including the director's personal least favorite of his films, the somewhat weird "Five Dolls For An August Moon"). Yet it is fun enough and warmly recommended to my fellow Bava fans who have seen most of the man's many masterpieces.

For Bava completists

[morganmpoet · 7/10 · 7 January 2015]

This is a good film, Bava & Cameron Mitchell both do good work imo, the soundtrack is excellent & there are a couple real gems in this film regarding Bava's visual strengths. One such scene shows the bad guy galloping off linearly away from the screen zig zagging through hills descending into a valley as the soundtrack thunders & his descent has a strange visual extrapolation to it that I'm still not sure how Bava achieved, you have to see it.

Another such scene is when Mitchell reveals his face from under his helmet with the burning village surrounding him, very impressive visuals! Again, the music & Bava's commanding sense of visual style come together for a moment of perfection.

This is really Shane redone as a Viking film & it's actually quite good. I recommend it however not to neophytes of Bava, there are other obviously more well known titles in his filmography that one should start with.

At some point every Bava fan should see this film. I need to see Eric the Conqueror, that one I still have not seen, I think Bava did 3 Viking themed films. BTW he was the special effects director for Steve Reeves original 'Hercules' film!

KNIVES OF THE AVENGER (Mario Bava, 1966) ***

[Bunuel1976 · 7/10 · 4 July 2007]

The last of Mario Bava's various peplums for the silver screen – although he would still have a couple more stabs at the genre for Italian TV – is also the last of four films (one of them in an uncredited capacity) he made with second-tier Hollywood star Cameron Mitchell. It seems rather incredible to me now that Italian producers were still trying, at this late stage, to emulate the commercially successful formula of THE VIKINGS (1958) – even down to dyeing their leading man's hair blonde like Kirk Douglas'.

The film starts atmospherically enough with a witch on a sandy beach waxing metaphysically about the doom-laden future lying in wait for a vanquished Queen (the rather wooden Lisa Wagner) and her treacherous pursuer (Fausto Tozzi, a forceful if decidedly one-note portrayal). Despite the expected bouts of lively action, the film is surprisingly intimate for this director and genre; in fact, an even stronger influence is that of SHANE (1953), complete with adulating kid – an aspect which is further reinforced by the various scenes of horsemanship and showdowns in dark taverns. Besides, even the action sequences rarely involve more than a couple of characters (including the climax set inside a cave), and the fact that it employs flashbacks (which help render the two male leads – the stoic and, decidedly, ambivalent Mitchell and the rugged Giacomo Rossi Stuart – more rounded than is par for the course) is largely a departure for this kind of film.

On the debit side, one must certainly note the sluggish pace. All in all, even if still perhaps his best peplum, this is a lesser Bava film – which I rather enjoyed more the first time around (ironically, watched via a pan-and-scan print on Italian TV!).

Tight Bava swordfest

[funkyfry · 6/10 · 6 November 2002]

*****SPOILERS******

Italian "epic" of revenge provides for lots of viking combat with axes and swords. Mitchell makes a surprisingly good viking despite the ridiculous costume and directionless story (the villains are supposedly searching for the supermodel mom and son but can't find them even though they seem to live just outside of town).

Nice atmospheric lighting and colors in classic Bava style. Not as good as "Hercules in the Haunted World" or Bava's horror and suspense films, but worth seeing for fans of 60s Italian muscleman films.

Cam doesn't ham in this one

[Bezenby · 7/10 · 3 February 2018]

Cameron Mitchell and his stunt double take on the Viking hordes in this cheaply made Mario Bava film that carries a little more emotional weight than usual. This film cost $75,000 to make, which is surely really cheap even for 1966?

The story is this: jerk Viking Hagen has just returned from exile to his home town to claim the throne from himself, as the previous King, Arald, has seemingly drowned at sea. The only way Hagen can become King is to marry Arald's wife, Karin, but she has gone into hiding to get away from him, hiding with her son in a remote cottage. Hagen has his men scour the land looking for her, and ignores the prophecy of a strange old woman that a man is on his way to kill Hagen.

One day, hunky Cameron Mitchell turns up at the cottage looking for shelter and some food, and ends up saving Karin from two of Hagen's men in a rather violent fight. Turns out Cameron is a drifter who offers his services to Karin and starts training her son to be a fierce fighter, but also falls in love with Karin and sees the kid as some sort of surrogate son. This is all heading somewhere!

Everyone has a past and it's the past that comes back to haunt the characters in this film, as Cameron seeks both revenge and redemption and is actually quite believable as a man torn between his conflicting emotions. He's also hard as nails and takes down quite a few of Hagen's men with his throwing knives, even if his stunt double has a totally different colour of hair.

You can tell this was made cheaply, due to the limited sets, most of the action on the beach taking place in the one area, and a general sparse feel to the whole film, but then again you've got Mario Bava behind the camera, so everything looks better than any big budget film made last week with the most hi-tech CGI you can imagine. Plenty of action too, mainly Cameron taking on gurff Viking types.

He also gets a good performance out of Cameron Mitchell, who is prone to hamming it up in most of his roles. Here he exudes warmth and regret and finally, resignation, and his character does go on some kind of personal journey that ends in a bitter victory.

Lesser Bava movie - for die-hard fans

[RonAltman · 3/10 · 20 August 2001]

Rating: ** (max. ****)

Poorly paced Viking epic about Mitchell, who comes to protect the wife of a dead king from an usurper, unaware that she has reason to exact vengeance on him. Storyline is unusually complex but going-ons seem stretched out unnecessarily. Some consider this a western - well, if it wasn't for that setting they may be right. Score, photography, acting is quite nice, but, to reiterate, sluggish story-telling diminishes the effect. For Bava completists. Stick with OPERAZIONE PAURA, LISA E IL DIAVOLO, CANI ARRABBIATI or CINQUE BAMBOLE...

Afterword:

In the liner notes, Bava historian Tim Lucas considers this film "the genre's last hurrah" and sees it as a "distinct forerunner of the sword and sorcery genre". A "hurrah" it ain't, and Schwarzenegger's CONAN was inspired by HERCULES (Bava was involved!). For more Bava reviews, please visit my homepage.

Dark Norse saga

[Leofwine_draca · 6/10 · 13 August 2016]

A typically dark and brooding Norse saga from Mario Bava, who had previously successfully contributed to the costume adventure genre with 1961's ERIK THE VIKING (and also uncredited on the same year's LAST OF THE VIKINGS). Although this is a small-scale film lacking in the spectacular battle sequences which highlighted many other European adventure films of the period, KNIVES OF THE AVENGER is nonetheless a powerful, human-focused drama with complex characterisation and a great visual look. Bava inserts lots of footage of the lonely and desolate countryside which gives the movie a really good setting and plenty of atmosphere, enhanced by some lush music.

The numerous fights in the movie are invariably suspenseful and well-staged, with a cat and mouse battle in a tavern being particularly suspenseful. Bava wrings above average performances from his cast, in particular Mitchell once again as the would-be "hero" of the film, who has a dark and deadly secret in his past this time. Mitchell undeniably bears traces of Eastwood's Man With No Name and Nero's Django with his mysterious stranger on horseback character and his performance strengthens the film as a whole. Elissa Pichelli is a strong-willed female (the only in the cast, aside from a wizened old crone) and David Warbeck lookalike Fausto Tozzi has fun playing the slimy villain, Aagen. Giacomo Rossi-Stuart also makes a dashing Harald, King of Norway.

Bava tends to keep the gore to a minimum in the film (aside from a couple of shocking severed heads) but has fun with some minor moments, like a playful scene in which a dog hides and whimpers under a table when the villain enters the room. KNIVES OF THE AVENGER is an intense and gripping saga worth seeking for fans of the costume adventure film, Mario Bava addicts, or just simply those looking to see lots of bad guys being killed by having knives thrown at them.

Mario Bava to the Rescue!

[Coventry · 5/10 · 17 September 2021]

Yours truly hasn't got any affection with the Sword & Sandal whatsoever, but hey, since it's a Mario Bava film, and since I consider him the greatest director of all times, "Knives of the Avenger" somehow became a must-see after all. I stand corrected, though, as this wasn't initially meant to be a Bava-film. It became a Bava-film when the production badly ran into trouble, and he was needed for re-writes and a timely delivery. The fact that one man was capable or replacing a fired director, alter an entire script and finish a reasonably okay film in less than a week proves once more that Mario Bava was the ultimate cinematic genius.

The plot and set-up are extremely simple, but fairly efficient. A mysterious, blond-haired warrior protects a fugitive mother and her son from a merciless gang of outlaws led by the cruel Hagen. The story is supposedly set in the Viking era, but I didn't spot anything (costumes, ships, Northern locations) to emphasize this. Bava worked with what he had available, clearly, namely a fairly good cast (with adequate performances from Cameron Mitchell and Fausto Tozzi) and violent battle sequences. Unless you have - like me - a specific interest in the work of the director, "Knives of the Avenger" is a dull and unmemorable period piece, NOT worth tracking down.

Kind of dull but not nearly as bad as I'd assumed

[planktonrules · 4/10 · 2 February 2015]

Cameron Mitchell stars in this Viking film that essentially is a traditional western plot but set in the Middle Ages. Mitchell plays the hero--a guy who comes to town and finds that a local baddie is tormenting folks. So, being a noble sort of guy, he comes to the aid of a woman and her son--not realizing that she is a queen living in hiding. While all this sounds pretty exciting, it really isn't. Despite Mitchell tossing knives about and acting manly, it's pretty dull. BUT, I really expected much worse. Considering the zillions of Samson/Hercules/Machiste Italian films (most of which were terrible), I assumed this dubbed film would be just horrible. Perhaps having the talented director Mario Bava (known for horror films) helped a bit. Still, it's far from a must-see film and is easy to skip or see if you've got nothing better to do.

A nifty period action drama

[Woodyanders · 8/10 · 18 April 2008]

Noble Viking warrior Rurik (a strong and credible portrayal by Cameron Mitchell) vows to protect the fiery Karin (well played by the lovely Lisa Wagner) and her spunky son Moki (the charming Louis Polletin) from the vile clutches of the savage Hagen (a perfectly hateful Frank Ross) and his army of nasty brutes. Director/co-writer Mario Bava takes a welcome break from his usual horror fare to deliver a surprisingly complex and low-key, but still occasionally exciting period action drama that's essentially a thoughtful and inspired variant on the classic Western "Shane." Bava relates the absorbing story about revenge, betrayal and loyalty at a steady pace and stages the down'n'dirty fight scenes with considerable brio (a protracted confrontation between Rurik and Hagen in a tavern rates as a definite thrilling highlight). Antonio Rinaldi's breathtaking widescreen cinematography takes full advantage of the beautiful seaside scenery. Marcello Giombini's robust, rousing score likewise does the trick. The cast all give sound performances: Mitchell excels in one of his best roles, with sturdy support from Wagner, Ross, and Jack Stuart as Karin's gallant husband Harald. Best of all, the main characters are refreshingly complicated and genuinely engaging. A fun film.

Bava Takes on the Vikings

[gavin6942 · 5/10 · 11 March 2013]

A mysterious knife-throwing viking warrior protects a young peasant woman and her young son from the clutches of a evil regent bent on claiming the title of king and the woman for himself.

Although a certified fan of Mario Bava's work (particularly his horror films), what actually got me interested in watching this was Giacomo Rossi-Stuart. For American audiences, non-American (or at least non-English speaking) actors rarely get noticed. The number of Italians famous in America can be counted on one hand. And this is a shame -- Italy has its share of stars, and Rossi-Stuart is one of them.

He is not top billed here (Cameron Mitchell is), but still attracts notice. His look is so distinctive, I just really appreciate him for the presence he brings to the screen.

I have nothing to say about the actual movie... it is pretty good, but not a genre I feel confident making strong judgments about.

Underrated Tale of Revenge and Redemption

[claudio_carvalho · 8/10 · 5 July 2009]

In the ancient times, the savage and cruel warrior Hagen (Frank Ross) is chasing Queen Karin (Lisa Wagner) and her son Moki (Louis Polletin) to marry her and usurp the kingdom of her husband, King Arald (Jack Stuart). Karin and Moki are hid in a cottage in the woods living like peasants and they are protected by a stranger, the warrior Helmut (Cameron Mitchell), who is an expert in knives. Moki gets close to Helmut that teaches him how to hunt and fight and later Karin discloses to him that three years ago, her husband traveled in a ship to overseas to seek grains to his starving people. The vessel wrecked in the coast of Britain and since then they have had no news about Arald. Further she tells that Hagen was the responsible for the starvation since he had broken the truce between the kingdoms of Arald and King Rurik and killed his wife and son. Thirsty for revenge, King Rurik had invaded her kingdom with his warriors and killed the people and raped the women including her in her honeymoon, but spared the life of Arald. Helmut, who is actually King Rurik, falls in love for Karin and questions whether Moki is his son.

This is the first action movie of Mario Bava that I have seen and I found it an underrated tale of revenge and redemption. The screenplay is very well written, disclosing a dramatic story, and supported by great direction and acting and magnificent cinematography. In the end, the viewer is never sure whether Moki is the son of Rurik or Arald but the tears of Karin might indicate that she knows the truth about the fatherhood of Moki. My vote is eight.

Title (Brazil): Not Available

Bava and Mitchell!

[BandSAboutMovies · 6 December 2020]

You can't really judge Mario Bava's work on this film, as he entered a troubled production and rewrote and reshot it in just six days.

After the apparent death of her husband King Arald (Giacomo Rossi Stuart, The Crimes of the Black Cat, here called Frank Stewart), Karin (Elissa Pichelli, using the Americanized name Lisa Wagner) has run from the murderous Hagen (Fausto Tozzi, billed as Frank Ross). Now, Rurik, a knife-throwing stranger (Cameron Mitchell, using the name...well...Cameron Mitchell) has ridden into town like a Roman Shane and is defending her and her son Moki. Of course, Moki may also have been his son and he could very well have assaulted Karin in the past, but I guess him learning how to throw knives - and aiming them at the right people - is some kind of redemption?

This is much closer to a western than a peblum, but when you think that Bava pretty much fixed this movie - or at least got it done - in less than a week, you have to admire his talent. That said, this is not one of his best.

This played on double bills with Gamera the Invincible, which seems like a pairing I'd never put together.

Bavs's Talents Save the Story

[Michael_Elliott · 27 April 2014]

Knives of the Avenger (1966)

** 1/2 (out of 4)

Mario Bava directed this viking tale about a Queen (Lisa Wagner) and her son on the run from a ruthless warrior (Frank Ross) but a stranger (Cameron Mitchell) comes to their rescue. KNIVES OF THE AVENGER was apparently started by a different director but it was going so badly that Bava was brought on to clean things up. From what I've read, he pretty much re-shot the majority of the film and that's a good thing because once again his talent is head and shoulders above the rather standard screenplay. After the success of THE VIKINGS nearly everyone was throwing in these types of stories and the one being told here is rather bland and doesn't really stand out against the others. I watched this with my young son and he was confused as to why these vikings didn't have ships but I wasn't about to open up a conversation about budgets. For the most part the film remains entertaining thanks to the technical genius of Bava as well as Mitchell. Now I'm not going to sit here and say that Mitchell turned in a great performance but as a fan of his, it was rather fun seeing him in this role. I'm not certain he was the greatest choice for it but it was still fun seeing him. Ross is also very good in the role of the villain, although leading lady Wagner was a bit too stiff for her own good. There's some nice cinematography throughout the film and there's one brilliant sequence where we're in the dark, a man goes through a wall and then we're in the bright outdoors. How this was filmed and shot is certainly the highlight of the picture. KNIVES OF THE AVENGER has a pretty standard and boring story but it's brought to life by the positive aspects so fans of Bava will want to check this out.