The Tempest

The reality of Schaefer's Tempest is so much less than its possibilities that it seems more tragedy than romance. Running time is seventy-six minutes, which means more slashing rather than cutting. For instance, the first scene is replaced with narration, the masque of the goddesses is gone, and Prospero's speech from 4.1 that begins "Our revels now are ended" is transplanted to the end of the play, where it replaces the epilogue.

The costumes are eclectic, with Ferdinand in an embarrassingly skimpy gladiatorial outfit.

On the other hand, the best actors in the film, Richard Burton as Caliban and Roddy McDowall as Ariel, are so completely covered either by fabric or makeup that their facial expressions are largely concealed. Still, their voices are memorable, and Lee Remick makes a beautiful and effective Miranda.

Maurice Evans as Prospero is disappointing. He ranges from underplaying to posturing, only occasionally getting the truly magical verse right.

This TV production is highly abridged but gives a good idea of the play. The actors come from every part of the acting spectrum from the Shakespearian actor Maurice Evans and the Welsh actor and Elizabeth Taylor husband (twice) Richard Burton to the comedian Tom Poston.

It strikes me that, though Mr. Evans perhaps had a more musical sense of the lines than Michael Hordern in another production I reviewed, the results of loving your voice too much approaches bombast. I could easily imagine a much more introverted approach in character with a man like Prospero who was a private practitioner of the magical arts not a public one. (Especially in a film or video production where projection is not so important.)

In short, a very old-fashioned oratorical approach which this video preserves well.

In keeping with a 1960 version of the play, Roddy McDowell who plays Ariel is, like David Dixon in the other version, not overdressed but he wears briefs and not a thong like Mr. Dixon. He seems to me much more comfortable in the part and reads his lines more convincingly.

All the more reason I wonder why Tom Poston as Trinculo was encouraged to camp it up (with a lisp in his case.) and this is true of some of the other characters as well.

Lee Remick was fine as Miranda but I thought Pippa Guard was even better in the other version. And William Bassett in briefs and a sort of Roman top for some reason was perhaps overly "manly" and here also I preferred Christopher Guard, who was more poetic, in the other version. Richard Burton as Caliban was fine as well.

The "masque" towards the end with Juno, Ceres etc. was cut to shreds but Lehman Engel's music was more than adequate. The sets were also quite serviceable.

Perhaps I might add a paragraph or two concerning the part of Ariel and the "girlie-man" comment by another reviewer: This is not off the mark since Ariel is supposed to be sexually neutral. In Shakespeare's day, he would have undoubtedly been played by one of the boy actors who also did the women's parts.

More recently, it has been done by adult male actors who are sexually ambivalent to some extent, at least in appearance. (Roddy McDowell was certainly a gay man but I really don't know anything about David Dixon in the other version I reviewed.) The part has also commonly been played by women.

This is a production for Junior High students. The text has been bowlderized (all `improper' material is excised), all the language has been simplified so that no obscure words are used, and non-essential plot devices are eliminated. As an example of the last is any mention of Claribel, the daughter from whose marriage in Tunis they return from.

The production is of a play, shot by one video camera. Costumes are fantastic, but with the anachronism that Prospero wears Ben Franklin specs. The sets are minimalist and mildly interesting. The whole effect has more of a junior educational tone than one which unleashes the power of the play.

Some well-known actors are employed, and that is the only remarkable thing about this affair, and that only as passing curiosity.

The Sebastian is a doofus from several TeeVee comedies. The Ariel is the `Psycho' guy, Roddie McDowell, which gives a strange air to his performance. The Caliban is Richard Burton, heavily disguised. Such an actor! This is from a period during which he describes himself as a hopeless, continual drunk who had sex with countless partners with great emphasis on costars. Makes you constantly aware of the Miranda, here Lee Remick, and whether the sexual approach in the play was mirrored in real life and what happened.

Hollywood has never done justice to William Shakespeare's The Tempest, and it is this 1960 TV version which I recommend to this day. It is short, to the point and has an amateurishness about it although the cast is superb. The lovely Lee Remick is in the role of Prospero's daughter, Miranda. Richard Burton plays the evil Caliban. If it were up to me, I would have cast Burton as Prospero. Burton was a heavyweight and would have brought a dignity to the character which is otherwise lacking. Roddy McDowell fits the part of Ariel. He prances around like one of Arnold's "girlie-men." The Tempest is one of Shakespeare's most likable plays. There is something comforting about its island setting, the storm and an old man working his magic to ensure his daughter's future. We know beforehand that good will triumph over evil.

I saw this on TV when it came out. I would have been 6 years old. I was enchanted, and to this day, The Tempest is still my favorite Shakespeare play, which I credit to this production. No, you wouldn't want it to be your only experience of the play, as the previous post points out. But if you get a chance to see it, give it a look. It's a good introduction, and a good way to "get your feet wet" if you feel challenged (as I confess I often do) by more authentic presentations of Elizabethan drama.