Yesterday, Today and Tomorrow (1963)
Ieri, oggi, domani (original title)Reference View | Change View
- Not Rated
- 1h 58min
- Comedy, Romance
- 17 Mar 1964 (USA)
- Movie
- Won 1 Oscar. Another 7 wins & 3 nominations.
- See more »
Photos and Videos
Complete, Cast awaiting verification
| Sophia Loren | ... |
Adelina Sbaratti / Anna Molteni / Mara
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| Marcello Mastroianni | ... |
Carmine Sbaratti / Renzo / Augusto Rusconi
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| Aldo Giuffrè | ... |
Pasquale Nardella (segment "Adelina")
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Agostino Salvietti | ... |
Dr. Verace (segment "Adelina")
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Lino Mattera | ... |
Amedeo Scapece (segment "Adelina")
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Tecla Scarano | ... |
Verace's sister (segment "Adelina")
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Silvia Monelli | ... |
Elivira Nardella (segment "Adelina")
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| Carlo Croccolo | ... |
Auctioneer (segment "Adelina")
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Pasquale Cennamo | ... |
Chief Police (segment "Adelina")
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Tonino Cianci | ... |
(segment "Adelina")
(as Antonio Cianci)
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| Armando Trovajoli | ... |
Giorgio Ferrario (segment "Anna")
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| Tina Pica | ... |
Grandmother Ferrario (segment "Mara")
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| Gianni Ridolfi | ... |
Umberto (segment "Mara")
(as Giovanni Ridolfi)
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Gennaro Di Gregorio | ... |
Grandfather (segment "Mara")
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Directed by
| Vittorio De Sica | ||
Written by
| Eduardo De Filippo | ... | (segment "Adelina") (story) |
| Eduardo De Filippo | ... | (segment "Adelina") (screenplay) & |
| Isabella Quarantotti | ... | (segment "Adelina") (screenplay) |
| Alberto Moravia | ... | (segment "Anna") (novella "Troppo Ricca") |
| Cesare Zavattini | ... | (segment "Anna") (screenplay) & |
| Billa Billa | ... | (segment "Anna") (screenplay) |
| Cesare Zavattini | ... | (segment "Mara") (story) |
| Cesare Zavattini | ... | (segment "Mara") (screenplay) |
Produced by
| Carlo Ponti | ... | producer |
Music by
| Armando Trovajoli | ||
Cinematography by
| Giuseppe Rotunno | ||
Editing by
| Adriana Novelli | ||
Editorial Department
| Marisa Letti | ... | assistant editor |
Production Design by
| Ezio Frigerio | ||
Set Decoration by
| Ezio Altieri | ||
Costume Design by
| Piero Tosi | ||
Production Management
| Mario Abussi | ... | production supervisor: Naples |
| Antonio Altoviti | ... | general manager |
| Mario Di Biase | ... | production supervisor: Rome and Milan |
Second Unit Director or Assistant Director
| Luisa Alessandri | ... | assistant director |
| Nino Segurini | ... | assistant director (as Antonio Segurini) |
Art Department
| Andrea Crisanti | ... | assistant art director |
Sound Department
| Ennio Sensi | ... | sound supervisor |
Camera and Electrical Department
| Aldo Bonifazi | ... | key grip |
| Giuseppe Di Biase | ... | assistant camera |
| Giuseppe Maccari | ... | camera operator |
| Abdus Samad | ... | apprentice cinematographer |
| Luciano Tovoli | ... | assistant camera (as Luciano Tavoli) |
Costume and Wardrobe Department
| Cesare Rovatti | ... | costume assistant (as Cesare Rovati) |
Music Department
| Armando Trovajoli | ... | conductor |
Script and Continuity Department
| Carla Fierro | ... | script girl |
Additional Crew
| Jacques Ruet | ... | (segment "Mara") choreographer |
| Matteo Spinola | ... | publicist |
Production Companies
Distributors
- Cocinor (1964) (France) (theatrical)
- Embassy Pictures (1964) (United States) (theatrical) (dubbed) (subtitled)
- Paramount British Pictures (1964) (United Kingdom) (theatrical) (subtitled)
- Interfilm (1964) (West Germany) (theatrical)
- Triangel Produksjon A/S (1964) (Norway) (theatrical)
- Wivefilm (1964) (Sweden) (theatrical)
- Transocean Films (1964) (Argentina) (theatrical)
- Lii-Filmi (1969) (Finland) (theatrical)
- Cine Internacional de la Argentina (CIA) (1973) (Argentina) (theatrical) (re-release)
- Exclusivas Floralva Distribución S.A. (1975) (Spain) (theatrical)
- France 3 (1979) (France) (tv) (dubbed version)
- Yleisradio (YLE) (1983) (Finland) (tv)
- Beverly Video (West Germany) (VHS)
- Sunrise Tapes (Netherlands) (VHS)
- Sunrise Tapes (Netherlands) (video) (Betamax)
- United American Video (1988) (United States) (VHS)
- Anthony-Borgese Communications (United States) (VHS)
- Castle Communications (1993) (Finland) (VHS)
- Off Hollywood Video (United States) (VHS)
- Studio Entertainment (United States) (VHS)
- France 3 Corse Via Stella (2009) (France) (tv)
- Aquarius TV (2004) (Greece) (DVD)
- Aquarius TV (2004) (Greece) (tv)
- Entertainment Programs Inc. (2004) (United States) (DVD)
- Homescreen (2005) (Netherlands) (DVD)
- NoShame Films (2005) (United States) (DVD)
- Another World Entertainment (2008) (Denmark) (DVD)
- Cecchi Gori Home Video (2008) (Italy) (DVD)
- Future Film (2008) (Finland) (DVD) (5-disc Vittorio de Sica Masterpiece Collection)
- Sony Pictures Home Entertainment (2009) (France) (DVD) (restaured master)
- S.A.D. Home Entertainment (2010) (Germany) (DVD)
- S.A.D. Home Entertainment (2010) (Germany) (Blu-ray) (DVD)
- Alambique Filmes (2011) (Portugal) (DVD)
- Divisa Home Video (2011) (Spain) (DVD)
- Infopictures (2012) (Germany) (DVD)
- Infopictures (2012) (Germany) (Blu-ray) (DVD)
- ARTE (2015) (France) (tv)
- Chain Production (2015) (United Kingdom) (VOD)
- Rai 3 (2016) (Italy) (tv)
- Cult Films (2017) (United Kingdom) (Blu-ray)
- Sony Pictures Home Entertainment (2017) (France) (DVD)
- El 9 Besepi S.L. (2019) (Spain)
- C8 (2021) (France) (tv) (restaured master)
- Herald Film Company (1964) (Japan) (theatrical)
- Century Vídeo (Brazil) (VHS)
- Epoca (Argentina) (VHS)
- NHK Sôgô (1973) (Japan) (tv) (dubbed version)
- NHK-BS2 (1992) (Japan) (tv)
- Tohokushinsha (2001) (Japan) (DVD)
- Versátil (Brazil) (DVD)
Special Effects
Other Companies
- Annamode (costumes)
- Christian Dior (Miss Loren's dress) (episode "Anna")
Storyline
| Plot Summary |
Three different stories of Italian social mores are presented. In "Adelina", unemployed Carmine Sbaratti and his wife Adelina Sbaratti survive through Adelina selling black market cigarettes on the street. They are unable to pay for the furniture they bought (which is under Adelina's name), but are able to avoid the bailiff when he comes for the money or to repossess. They come up with a longer term solution to avoid Adelina being prosecuted for non-payment, but that solution has a profound effect on the family, especially Carmine. In "Anna", Anna Molteni, the spoiled wife of a successful businessman, and an artist named Renzo are on the cusp of an affair. Anna is feeling neglected in the marriage, as her husband seems more concerned about success and money than her. But a car accident shows both Anna and Renzo if an affair with each other is really what they want. In "Mara", Mara is a prostitute who works out of her apartment. She befriends Umberto, a young man visiting his grandparents who live in the adjacent apartment, the balconies of the two apartments which are adjoined. Umberto, a seminary student, seems to be attracted to Mara as a woman without really knowing what she does. Umberto's grandmother, who knows what Mara does, believes Umberto's seeming romantic infatuation with Mara will be his downfall. As Mara and Umberto's grandmother ultimately join forces to get Umberto to do the right thing in life, Augusto Rusconi, one of Mara's regular clients who is in town from Bologna, does whatever he can to get Umberto's family issues out of the way so that he can get on with his own wants with Mara. Written by Huggo |
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| Taglines | Together! The Most Rib-Tickling Team Since Adam and Eve! See more » |
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| Parents Guide | View content advisory » |
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Did You Know?
| Trivia | The red car that picks up Mara after the accident is an extremely rare 1960 Ferrari 250 GT California Spyder SWB. Only 56 of these cars were made and some have sold for over $10M at auction in the 2010's. See more » |
| Goofs | As Anna and Renzo talk while driving, the windshield of her Rolls-Royce Silver Cloud II shakes because the little side windows are gone, but the little side windows are intact in the wide shots. See more » |
| Movie Connections | Edited into Marcello, una vita dolce (2006). See more » |
| Soundtracks | Abat-jour (Salomé) See more » |
| Quotes |
Carmine Sbaratti:
The people of Forcella are out of this world. They've risen up in a gesture of solidarity! Verace's sister: I must say, it almost makes you forget how filthy and ignorant they are. See more » |