A young Catholic priest from Boston confronts bigotry, Nazism, and his own personal conflicts as he rises to the office of cardinal.A young Catholic priest from Boston confronts bigotry, Nazism, and his own personal conflicts as he rises to the office of cardinal.A young Catholic priest from Boston confronts bigotry, Nazism, and his own personal conflicts as he rises to the office of cardinal.
- Nominated for 6 Oscars
- 3 wins & 13 nominations total
- Ramon Gongaro
- (as Jose Duval)
- Bobby
- (as Robert {Morse} and His Adora-Belles)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe Vatican bankrolled some of the film, and the Vatican liaison was a young Joseph Ratzinger, who in 2005 became the 265th Catholic Pope as Benedict XVI.
- GoofsAll along the movie, we see, leading to St Peter's square, the Via della Conciliazione and its palazzi, built for the Holy Year of 1950, under the pontificate of Pius XII, whose election Cardinal Fermoyle is supposed to take part at the very end of the movie.
- Quotes
Cardinal Glennon: We've never had a priest working with the Mafia before. But I suppose you made some interesting contacts in Rome.
Stephen Fermoyle: I had no choice, Your Eminence. I had to work my way through the seminary by selling opium in St. Peter's Square.
Cardinal Glennon: You're not afraid of me.
Stephen Fermoyle: No.
Cardinal Glennon: Why not? Most people are.
Stephen Fermoyle: I think it's because you remind me of my father. He was known as "Den the Down Shouter," but I soon learned his roar was the only fierce thing about him.
Cardinal Glennon: He's a lucky man to have a son who's not afraid of him.
- ConnectionsFeatured in Preminger: Anatomy of a Filmmaker (1991)
- SoundtracksThey Haven't Got the Girls in the U.S.A.
Lyrics by Al Stillman
Music by Jerome Moross (uncredited)
Performed by Robert Morse (uncredited)
I was a student at a Catholic high school in 1963. To many of us who hoped to see significant and even radical changes toward a more modern Church, the Cardinal dramatized many of the problems that we believed needed correcting. The Second Vatican Council didn't go as far as some of us would like, and the Church hasn't seen much reform since, but when I see the Cardinal today, I'm reminded how much more confining Church doctrine was before the Council did its work.
By the way, in response to the comment that no one could have done all the things that the Cardinal was portrayed as doing in the film, my understanding is that the story is based on the life of Cardinal Spellman of New York. The details are changed, but in fact Cardinal Spellman was from Boston and did undertake many of the same roles in his career, including working as a Vatican diplomat from 1925-1932.
Details
- Runtime2 hours 55 minutes
- Color
- Aspect ratio
- 2.35 : 1