Brennus, Enemy of Rome

Italian peplum film about the "Gaul catastrophe" with Gordon Mitchell and Tony Kendall

This film by Giacomo Gentilomo takes place in 387 BC. The city of Rome is threatened by various Celtic tribes led by the Gaul Brenno (Gordon Mitchell, 1923-2003), who acts with unrestrained brutality. Under the leadership of the still young Quintus Fabius (Tony Kendall, 1936-2009), the shocked Romans defend themselves against the impending defeat. Of course, love in the form of the beautiful Nissia (Ursula Davis) is not neglected either.

This sword and sandal film from the late phase of the genre is definitely a pleasant surprise. The plot focuses on the conflict on the Tiber tributary Allia between the Celts and the Romans, which was described by the Roman historian Livy as the "unfortunate day" (dies ater). This event went down in the collective memory of the Romans as the "Gaul catastrophe", and from then on they did not allow their city to be plundered for 800 years. Massimo Serato (1916-1989), the partner of Oscar winner Anna Magnani for several years, and the Greek-born Vassili Karis (*1938) can be seen in other roles.

Produced by Luigi Mondello from a screenplay by Adriano Bolzoni and Arpad DeRiso, this work impresses with great battle scenes (with a surprising number of extras) and an absolutely nasty villain. With his impressive physicality, Gordon Mitchell creates a frightening villain and that alone elevates this sandal film above the genre average. The muscle-bound Peplum star has rightly remained successful as an actor in other genres over the decades.

In contrast, the Italian Cinecitta Divo Tony Kendall still seems a bit too young (and inexperienced) for his leading role as a good antagonist. His big time came a few years later as a woman-eating private detective in the "KOMMISSAR X" films with Brad Harris.

Interesting and successful historical excursion into the early years of the Roman world power!

Brennus of Gaul moves on Rome in 391 BC. Unfortunately the one man who can save the empire has been dismissed and wants nothing to do with the empire. Three brothers are dispatched to try to make peace and then...

Brennus, a stone faced golem of a man was a real individual. Here, played by Gordon Mitchell he is a frightening monster of a villain. Here at last is a bad guy who is the worthy equal to the type of hero that walks through movies like this.

Amazingly this film is wonderfully plot heavy. More goes on in the first half hour than most two films of this kind combined. You watch the movie because what is happening is interesting, not because you're waiting for the next silly bit.

If this should come on some late night, watch it, it'll hold your interest enough to keep you up until dawn.

Brennus, Enemy of Rome (aka Battle of the Valiant) is several cuts above most films in its genre. The well drawn characters and intricate plot are mostly responsible for its superiority, not to mention the fact that most of the story is historically accurate. A brisk pace with lots of action account for more of its success. But primarily it is the two main characters so well portrayed with superior acting by the fierce Gordon Mitchell (Brennus) and the handsome, urbane Tony Kendall as Quintus Fabius. All these elements add up to a rousing tale that will keep viewers enthralled culminating in a grand duel mano a mano by the principals. It is hard to believe that Kendall was not cast in more roles of this sort, he looks perfect for the part of a patrician military officer and is entirely natural and comfortably credible in acting the part. Mitchell, of course, did many roles of this sort and was at his best in them. Brennus is one of his best; see also "The Fury of Achilles" and "Julius Caesar Against the Pirates" for two more of his best. Films such as these are both exciting and entertaining, sometimes even educational like this one. A resurgence of them would be welcome.

I saw "Brennus, Enemy of Rome" quite some time ago and it was one of the first Italian Sword & Sandal flicks i ever saw. The dubbing is always an eyesore with Italian films, but this particular film seemed a cut above many other low budget movies in the same genre. Gordon Mitchell is the title character (Brenno/Brennus) who historically did lay siege to Rome. Gordon manages to look imposing (in part due to his muscled physique!) as he scowls at everybody he encounters in the film and fills the screen by prowling like a big cat. There is more story and less action than this kind of film usually has which is not a bad thing. The Roman nobles appear suitably refined and cerebral compared to the barbarians and their direct action approach which is why i liked this film.

Although the cult Italian TV program "Fuori Orario" (which translates to "After Hours") shown every weekend during night-time is usually taken up by rare art-house stuff, occasionally it lowers its standards to include a tribute to the native journeymen which passed through the portals of Cinema throughout its 116-year history; one such contender was Giacomo Gentilomo and, after 2 satisfactory encounters with his mostly unknown work – THE LAST OF THE VIKINGS and, just last week, GOLIATH AGAINST THE VAMPIRES (both 1961 and of the peplum variety) – this is yet another above-average example in the same mould and which was released in the U.K. under the misleading title BATTLE OF THE SPARTANS.

Since the budget allocated to such pseudo-historical fare was typically on the low side, barbarian conqueror Brennus' marauding march on Rome is often economically depicted via battle montages with star Gordon Mitchell's scowling features superimposed over them! Following the willful exile to a peaceful retirement in the countryside of disillusioned Roman hero Massimo Serato (disgusted by the egotistical political machinations of self-serving Senators), it is left for the likes of leading man Tony Kendall (as one of a band of three brothers) to oppose Brennus; eventually, two of them (and Serato's own young adopted son) are killed which, naturally enough, paves the way for the banished legionnaire's return to (and fateful intervention in) the ultimate salvation of his beloved Rome.

The usual quota of tried-and-tested elements such as damsels-in-distress and duplicitous but ultimately ill-fated senators are to be found here as well but, frankly, the one single incident in the entire film that has remained with me a full 10 days since I saw it is the uproarious sequence of Mitchell 'invading' the heroine's tent and, after taking a sip from the first vessel he finds lying about, he enquires whether it is some rare wine due to the odd taste it has…to which she nonchalantly informs him that what he just drank had been her new perfume!