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9/10
Bibi Aur Ghulam
Peter_Young14 August 2010
For years, Sahib Bibi Aur Ghulam has been known as an inalienable asset in the history of the Hindi film industry, and not without a reason. The movie fully deserves to be called a timeless classic and its story is relevant and fascinating even today, almost half a century after its release. It is an artistic and intriguing presentation of the nature of passion and desire. Guru Dutt was a master of his craft. Sahib Bibi Aur Ghulam is excellent in story, writing, execution and acting. The music is sublime, the sets are fantastic, and the movie exemplifies what true cinematographic excellence of those times was. It is shot beautifully, with a background score that enlightens the film's melancholic mood. The film is quiet, focused and balanced, and has a very subtle feel to it thanks to all these aspects. Abrar Alvi's direction is superb - he captures the atmosphere of those times with great skill, his script is marvelous, and many of his rich dialogues remain memorable even today and are often cited by lovers of Hindi cinema.

All said and done, Sahib Bibi Aur Ghulam wouldn't have been what it is if not for the transcendent performance of the divine Meena Kumari. Her mesmerising beauty, grace and screen presence cannot be described in words, but to put it simply, when she was on-screen, no one else existed. Her portrayal of the tormented and deeply frustrated Chhoti Bahu is both heartfelt and artistic. Chhoti Bahu's desire to get her estranged husband's affection and become a mother and her attempts to please him by taking to alcohol only to become a fervent alcoholic herself and remain the same neglected wife, are all aptly displayed. Kumari plays the role with great mastery; her appearances in songs, like "Piya Aiso Jiya Mein" in which she dresses for her husband and particularly the seductive "Na Jao Saiyan..." are astonishing; her big, expressive and often tearful eyes, her brilliant dialogue delivery, her emotional outbursts, her breaks into anguished and sarcasm laden laughs, and ultimately her nostalgic monologue towards the end, are unforgettable.

While Kumari dominates the show utterly, one must not forget the great job done by the rest of the cast members. Guru Dutt, playing the role of the innocent Bhootnath, who later becomes Chooti Bahu's confidant and close friend, acted like only an actor acting in his own film could. Rumour had it that he was actually the one who directed the movie, simply because the movie is identified with his own style of filmmaking. This rumour was disproved by people associated with the film, but Guru Dutt, the actor, still played his role exceedingly well probably due to his involvement with the film as its producer. My most favourite scenes of his are those in which we see Bhootnath as a middle-aged architect. There is a kind of yearning and sadness in his eyes which is real and easy to relate to. Waheeda Rehman played Jaba wonderfully and her character's transformation from an arrogant and careless young lady into a suffering and loving woman was natural and convincing. Rehman, as Chhote Sarkar was restrained and effective.

As mentioned, Hemant Kumar's music for the film is great. Shakeel Badayuni wrote fantastic lyrics for the songs, and so every song has a story of its own and comes at the right places fitting the situations. Every song is very much a part of the narration and contributes to the story. Geeta Dutt and Asha Bhosle were the voices of the ladies, and did a great job. Among my favourite scenes in the movie is the one right after the "Na Jao Saiyan..." number in which Chhoti Bahu bursts out at her husband after he criticises her of becoming mad as a result of her heavy drinking, while she turns on him to reproach him for being the only reason because of which she sacrificed her basic values and all just to please him. A frequent quote in the film, that of Chhoti Bahu asserting that she is not like other landowners' wives, being much more devoted and caring, is very memorable, particularly because it's well delivered by the lady. All in all, Sahib Bibi Aur Ghulam is a gem of Hindi films. It is an all-time great movie, and much of it because it has an all-time great performance by Meena Kumari.
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9/10
Intriguing, mysterious, and absolutely lovable.
snowite_glows23 March 2010
Not very often do we see films which leave a great impact on the mind after wards and leave you craving for more. SBAG is one such film. Meena Kumari's very appearance on the screen leaves you in shock, it has to be one the most beautiful screen presence on Indian screen ever. Waheeda is charming, Guru is absolutely adorable and the story is very intriguing. The scene of the pigeon game comes across as so natural that you feel yourself standing there in b/w them. An absolute gem of Hindi cinema.

I always wondered why Meena Kumari is given so much love and respect by old audience of Hindi films. After watching this film, I can safely say, that no one comes close to her if we talk about the combination of beauty and talent.

One film, which no cinema lover should ever miss.

RIP Guru Dutt, Meena Kumari, Rehman and Abrar Alvi. You have given us a rare gem. God bless Waheeda.
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9/10
A real 'Oscar' nominee
dhrvmankad27 December 2011
Sahib Bibhi aur Ghulam is a heart-rending, releasing and refreshing film. The struggling of Chhoti Bahu, the cultural decadence of feudal bade log(there are still remnants of this decadence - See Page 3, Corporate etc.)and her demise are shocking situation. Relationship of Bhoothnath and Jaba as well as with Chhoti Bahu so subtly built up and musical flirting with Jaba(Bhavara bada nadaan) releases the gloomy heart within the same story, seeing Chhoti Bahu's bangle and Jaba's appearance at the end makes your heart fresh when going out of the theater. Use of dialogue (Salaam, Alvi saab), underplaying the hero's role (hats off, Guru Dutt, the producer), keeping equal space to all the four main characters - Chhoti Bahu, Chhote Sarkar, Bhootnath, Jaba - Bhootnath, first entry, Jaba second, Chhoti Bahu third and last to Chhote Sarkar. Chhote Sarkar the most important person around whom the story has written, appears the last. The stupidity of feudalism is depicted through the pigeon race as a cause of conflict!! Use of light as a mode of expression-Jaba always white except when Bhootnath leaves Kolkata. The last scene between Chhoti Bahu and Bhootnath in the horse cart has waves of light and dark from the window contextualizing the situation. Kya baat hai!
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Subtle And Sublime
Dawn_Assayas13 May 2006
This is not only one of the best Hindi films that I have ever seen, it is also one of the greatest movies I have seen.

But first things first, MEENA KUMARI, a queen among beautiful women, looks so breath-taking, sometimes you really have to catch your breath and stop staring at her face in wonder. The soft sensuality of her sari clad figure is unparalleled. Which other women I say, clothed from head to feet , can look so alluring, beguiling, mysterious, lovable. The movie with lush black and white cinematography showcases her spell binding beauty flawlessly. My oh my, the scene where she first appears on the screen, some half an hour into the film, we see her from the feet upwards and hear her beautiful voice that could have anything from any man in the world. From the first instant, she wins your heart and your heart goes out to her as the inevitable tragedy unfolds.

Set in the affluent house of high society Bengal Family, the story tells the tale of ruin of a household when all the people in the house are blinded by their many conflicting ambitions. Of particular interest to us is the story of the servant Bhoothnath(Guru Dutt) who falls in love with his mistress, the enigmatic Choti Bahu(Meena Kumari), wife of the youngest wayward son (Rehman)in the house who spends most of his time drinking at whore-houses. The ploys employed by the young wife with the help of the faithful and loyal servant to bring her husband lead nowhere. Soon she to turns alcoholic and very soon has her own problems with the bottle to add to the troubles. All the men in the house blinded by joys of money ignore the family business completely which ultimately brings about the the ruin of the house.

The movie also has the wonderful subplot of Bhoothnath and Jaba(Waheeda Rehman), another beautiful and gifted actress. Their little tale also unfolds with the tragedy occurring in the big house.

All in all, an outstanding movies comparable to Citizen Kane, Casblanca, Sunset Boulevard and All Aboue Eve for the style, narration, and of course superb acting all around. Particularly by the amazing Meena Kumari, who excels in her drunken outbursts towards the end of the movie. The ending of the movie is also sublime. Go watch the movie tho know what great movies are capable off. This is a gem produced in India that is not widely discovered and acknowledged.
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10/10
The Greatest classic in Indian film history
shovon-122 December 2002
Surely a Masterpiece and the Greatest classic in Indian film history with 'Sholay' taking the next rung in this list. Great story, absolutely no holes in the story(very hard to find in the current genre) and perhaps the greatest female acting ever portrayed on the Indian screen, and I am talking about Meena kumari. The scene that really takes off is the part where she charges back at her husband when he calls her 'mad' and scoffs her desire to have children. That scene , every time I see just leaves me shaken and I wonder how can someone put up such an intense performance like that in front of spotboys, cameramen, assistants and other such 20 people, staring at you,huddled in one room, mind blowing stuff..!! Should have been the Oscar nominee for the best foreign film of that year...if the system still existed in India at that time. No other movie, except 'Sholay' comes close to this ever green untouchable.
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10/10
Truly a movie for Future Generations of India
santoshini90821 June 2010
Sahib Bibi Aur Ghulam is truly a movie for future generations of India.Even after forty eight years this movie truly lives in the heart of everybody.Frequently everybody sees during Sundays this movie. Even the future generations will be astonished when they see this one due to its great Screenplay,Realistic plot and Legend Performances.Nobody can avoid this one by saying this as a Black&White old film.Persons aspiring to become great artists must first definitely see this movie.The hearts will really feel joyful after seeing this wonderful meaningful film.I would say as a must for every Indian irrespective of language etc.Really I believe this movie well be remembered even after 100 years.Salute for the souls who had made this movie.
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10/10
Meena Kumari and Guru Dutt at their best.
emailbajaj24 October 2003
One of the Greatest films ever made, a Classic in every sense. Meena Kumari did a great job in this Guru Dutt directed social Drama. The storyline itself is very compelling, the story as rightly told a servant falls in love with his master's wife. This one to definately watch it for an Indian Classic.
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10/10
Sahib Bibi Aur Ghulam and Bimal Roy's Devdas
sriksp29 June 2008
when asked i always reply "there are only two Indian films that i adore and first one is Bimal Roy's Devdas and second guru Dutt's sahib Bibi Aur Ghulam. generally speaking Indian films are pretty bad. but these two gems are absolute beauties. but that was the golden age of Hindi films. films of that era really had some class. current Indian films are absolutely pathetic at best. Devdas: why was it great - brilliant direction of Bimal Roy. he actually was the cinematographer for the earlier version by Pc Barua. and second Dilip Kumar's portrayal of devdas. i believe it is mainly due to Bimal Roy's direction, he knew how to utilize dilip kumar's talents. secondly it ms. Suchitra Sen's portrayal of Parvati. sahib Bibi Aur Ghulam: guru Dutt's direction, brilliant performances by Meena Kumari, Rehman and guru Dutt.
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10/10
Watched it many a time and still can't get off it.
braddugg20 September 2014
Watched it many a time and still can't get off it. There are so many new things observed this time too. The use of lighting when Bhootnath explores the hums coming across in the Palace. It was typical Guru Dutt style the narrative being told from the perspective of a servant (ghulam) and it is conveyed as if only what he sees and not what happens when he is not there. Even the typical item song of the dancer (if I may call so) is showed as an observation of Bhootnath.

Acting is so superb and so into the character. Bhootnath is the innocent bihari villager who does not have a great deal of worldly knowledge. He does have a dialect of the villager who is fascinated by the city life. The enticing and naughty girl Jaba played by Waheeda Rehman is so endearing and charming. The conversations of Waheeda and Gurus Dutt and very lively and enthusiastic. The chemistry for sure is so great and in subtle nuances there is a huge lot of meaning.

Music is actually not up to the standard if I can say, expect for very two special and exceptional songs Bhawara Bada Nadaan and Na Jaao Saiyyan.

All the performances are apt but one that stands out and is so very awesome that I like to watch it again for it, that was Meena Kumari's Choti Bahu portrayal. So royal, that it hid the pain so gracefully but she wants to give her wish, a chance and since she could not, she resorts to a much terrifying habit that later ruins not just her but the whole family and the palace.

Meena Kumari had the royal grace and presence and Guru Dutt had that innocence charm. This acting was extracted mostly by Guru Ditt as he could only derive such expressions. Another notable thing is Make Up. The first scene and the immediate next scene are so much contrast that it took a while to realize what make up can do if used properly.

The art direction is superb as the movie transcends from the once royal to the now bereaved family, the soul of palace also diminishes. The climax scene in which Bhootnath finds truth speaks a great deal of what happened to place and also the first scene where construction is happening.

Watch it for the dialogues, the expressions and yes for Meena Kumari. My rating is 5/5 for one of the best films ever made.
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8/10
One Of The Best Of Guru Dutt Team
ravisinger8628 March 2014
Sahib Biwi Aur Ghulam Directed By Abrar Alvi Is Based On Bengali Novel "Shaheb Bibi Golam" By Bimal Mitra...Screenplay Is Fine As Per The Script..The Story Is Set In The Last Years Of The 19th Century, It About The Sumptuous Lifestyle & Decay Of A Feudal Family...Chhoti Bahu, A Woman Who Wants To Experience Romance, To Be A Real Wife... Bhootnath A Lowly Servant Is Struck By Her Beauty, Sadness & Inadvertently Becomes Chhoti Bahu's Secret Confidante... The Story Is About Their Relationship ...

Guru Dutt As Bhootnath Gives A Different Kind Of Performance Than His Earlier Movies ....Acting More With Eyes & Facial Expressions ...He Was A Great Talent Altogether...Rehman As Chhote Sarkar Who Is Unfaithful To His Wife Is Alcoholic & Hardly Comes Home.....He Does Well...Waheeda Rehman Is As Usual....Meena Kumari As Chhoti Bahu ...One Of Her Best Performance... Her Few Scenes With Rehman Are Mind Blowing...She is Brilliant....

Music Of The Movie Is Composed By Hemant Kumar....All The Songs Keep The Story Moving ...The Number's Like "Piya Aiso Jiya Mein Samaaye Gayo Re" By Geeta Dutt, "Na Jao Saiyan Chhudaake Baiyan" By Geeta Dutt, "Koi Door Se Aawaaz De Chale Aao" By Geeta Dutt & "Bhanwara Bada Naadaan" By Asha Bhosle ....Are Well Written & Composed.

Overall A Great Attempt By The Director..Many Feel That It Was Directed By Guru Dutt ....Since The Film Is Characteristic Of Guru Dutt's Feel & Style, It Is Difficult To Think That He Did Not Direct The Film. However, Dutt Never Denied Abrar Alvi's Role In The Film As A Director..Anyways Amazing Movie...Great Acting ...Good Songs ...Amazing Story ...A Must Watch :)
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7/10
A subtle and serious take on lonely wife's desperation, her sacrifices and fall of feudalism..
SAMTHEBESTEST25 June 2020
Sahib Biwi Aur Ghulam (1962) :

A subtle and serious take on lonely wife's desperation, her sacrifices and fall of feudalism. The film depicts very much from it's title and ostensibly it is a story of 3 people drinker Sahib (Rehman), his lonely beautiful wife (Meena Kumari) and lowly servant (Guru Dutt). But actually it is more subtle and the 4th character is equally important of Jaba played Waheeda Rehman. Sahib, Biwi Aur Ghulam tells a story set in Bengal about down fall of haveli-dom and how a lonely sacrifices all her rites to get love of her drinker husband. Although, the main character is quite away from all these issues but his contribution somehow makes the climax go on honour killing way. From the beginning film sets everything alright, it has Fun, it has romance for an hour and so and then tragedy begins and film loses the pace and all entertaining elements. However, the tragedy is full of content which was missing in Bollywood that time therefore making it a serious take on such topic which have been explained only in regional novels in our country. Guru Dutt nails his role with perfection from accent to expressions. Meena Kumari in drunken scenes was just Amazing and set a benchmark for other actresses. Waheeda Rehman, another beautiful character and another beautiful performance. Hemant Kumar's music is suitable to the theme and Period but lacks repeat Value. Directorial Controversies of this film are well known and somewhere that hurt the film commercially. Nevertheless, the direction is Good and subtle, the only problem is the film has been dragged unnecessarily in the middle of the show. If that part had been taken cared well then i guess the film would have been more engaging. Overall, a gutsy and mandatory attempt on Novel oriented content is well done and performances of all actors makes it even better.

RATING - 7/10*

By - #samthebestest
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8/10
A Classic of Indian Cinema.
Amyth4724 August 2020
My Rating : 8/10

'Sahib Bibi Aur Ghulam' transports the viewer to a different time of Indian Cinema and the allure of this classic is unparalleled; one can't draw comparisons with modern-day Bollywood - it's unfortunate that such a treasure of timeless art is buried deep in the archives. But that's the nature of cinema and perhaps rightfully so.

A must-see for any Bollywood cinephile!
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A beautifully made movie with excellent period atmosphere
bsvprasad7 September 2002
A beautifully made movie of the travails of an aristocratic woman in late 19th century Calcutta neglected by her husband as seen by a sympathetic lower-class acquaintance. The woman is ever the faithful wife, always trying to win the attention of her drunkard & womaniser husband and failing.

Excellent period atmosphere, and superb acting by Meena Kumari. Waheeda Rehman provides the glamour, but her role is superfluous. Abrar Alvi is credited with the direction, but grapevine has it that it was the great Guru Dutt himself who directed the movie. It certainly has the Guru Dutt stamp.

Satyajit Ray's Charulata has a similar theme & is set in the same period, but unfortunately I haven't seen it so can't compare both.
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10/10
A film way ahead of its time
jaiswalanmol28 July 2022
The movie depicts the longing for sexual desires by women for the first time in Indian Cinema, which is still considered a taboo.

Meena Kumari overshadows all her costars by the poignant and strong portrayal of her character Choti Bahu. She has given a performance that no actress can match till today. Others have also done a brilliant job.

The Cinematography is very well done and praiseworthy too. The hypnotizing voice of Geeta Dutt elevates the emotions of the setting as well.
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10/10
A Milestone film in the history of Indian Cinema!!
sauravjoshi8512 March 2022
Sahib Bibi Aur Ghulam is a drama film that was directed by Late Abrar Alvi. The film stars Late Meena Kumari, Late Guru Dutt, Late Rehman and Waheeda Rehman. The film is based on a 1953 Bengali Novel written by Late Bimal Mitra with the name Saheb Bibi Golam.

This film shouldn't be considered a film but an institution for all the budding film makers and also for those who is looking forward to make their career in acting. The film which is now considered as cult classic and in my opinion a masterpiece which cannot be remade.

Acting is superb and it was Meena Kumari ji who carries the film on her shoulders not only effectively but also gracefully, Guru Dutt was equally impressive and played his part not only with perfection but also with innocence, Rehman probably one of the most underrated actors of Indian Cinema was superb, Waheeda Rehman had two shades in the character in which one was bubbly and joyful and second was serious and melancholic and she was perfect in both the roles.

Screenplay is superb and cinematography is amazing specially the close angle shots were just astounding. Music of the film is great and an all-time hit specially songs like "Bhanwara Bada Nadan", "Meri Baat Rahi Meri Man Men" and "Na Jao Saiyan Chhuda Ke Baiyan" are heart touching.

The climax of the film is emotional and tear jerker and gives a beautiful end to one of the greatest film ever made and a milestone of Indian Cinema. If you are a real Indian Cinema enthusiast then this is the film for you.
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9/10
Best acting iv seen in a old movie and possibly in Bollywood
sulaimannnn5 December 2022
In Calcutta (Kolkata) a group of labourers is demolishing the ruins of an old haveli(mansion) When the workers have a break for lunch, the overseer atulya chakrabortya also known as bhootnath is played by guru dutt walks around the ruined and almost demolished mansion he hears a voice of someone similar he sits in a room and a flashback to the late 19th century when the mansion was very grand and even had marriages for cats begins

It shows Bhoothnath a poor but educated man comes to the haveli and is received by his brother in law who once worked for the Chaudharys. As a teacher he has retired but the rich people still give him shelter and food he arranged a stay for bhootnath in the mansion and he also gets him a job at mohini sindoor (vermilion company)the owner of company suvinoy is a brahmo samaj believer (something religious)his daughter jaba played by waheeda rehman makes fun of bhoothnath for his nick name, suvinoy gets surprised by his real name and where bhoothnath says he came from and the secret is revealed later on bhoothnath and jaba soon become friends and eventually fall in love bhootnath also meets bansi who's a servant of the house he also hears a loney voice in the night the same one he heard in the present he asks a servant bansi who that is bansi tells him it's chotti Bahu (played by Meena Kumari) is neglected by her husband even after she tries to do everything to win his heart bansi also tells bhootnath that chottay sarkar (rehmaan Khan) goes to brothels every night leaving chotti Bahu lonely after a day bansi tells that chotti Bahu has called to meet him in secret he is scared but he goes there he meets Meena Kumari and they both become friendly with eachother (not romantically) and she tells him the reason she called him is because she wants the sindoor because she heard it helps relationships and he gets her sindoor the next day and then we see Meena Kumari getting dressed up for chottay sarkar hoping he will stay with her I won't tell you the story any further.

The acting in this was very good especially Meena kumaris the story is abit slow at the start but it was good it's also a adaption of Bengali novel by Bimal Mitra and meena Kumari doesn't appear until 45 minutes most of us probably think it's about bhootnath but it's not it's about chotti Bahu every actors acted were well and in my opinion its one of the best old Hindi movies in acting the costumes were delightfull to see to the songs were amazing one of the best songs in the movie include Piya aiso jiya mein na jao Saiyan and bhanwara bara nadan hai both Geeta Dutt and asha bhosle sang very well it hemant kumar was great as a music director the movie also won 4 or 5 flimfare awards and 3 or more nominations the wins were best actress for meena Kumari best cinematography best director for abrar alvi and best flim award it also won best actor Bengal journalist award and also won a berlin award for abrar alvi waheeda rehman got nominated for best supporting actress guru dutt got nominated for flimfare best actor and rehman got nominated for best supporting actor and meena kumari also got nominated for aarti and main chup rahungi for the year 1963 and she also won the 1963 flimfare awards best actress award by her role as chotti Bahu in 1963 overall I'd recommend you to watch it.
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8/10
Meena Kumari ji was indeed rightly known as the Tragedy Queen of Indian cinema and this film proves it 2000%!
varuna1227 July 2022
'S A H I B B I BI A U R G H U L AM' (1962)

Guru Dutt ji's 'Bhootnath' and Meena Kumari ji's 'Choti Bahu' together in this film make the best platonic relationship ever! Much more so than my extremely favourite Bill Murray's 'Bob Harris' and Scarlett Johansson's 'Charlotte'. To be honest there is no comparison between these friendships but I thought Id mention it because I love that film too!

Bhootnath is mesmerized by Choti Bahu the first time he saw her; much like us the audience would have in general I imagine! At least I was!

At my tender age of almost hopefully half my life, I finally watched this great classic of a film and it blew my mind! It literally blew my mind. The crap experience I had after 'Shamshera', I needed to restore my mental balance and faith in cinema. And this film did just that!

I cannot emphasize enough how good Meena Kumari ji and Waheed Rehman ji were and to almost an equal extent the late great Guru Dutt Saheb. What a wonderful film!!!! What a super wonderful film!!!! I found myself rewinding a few scenes a few times just to watch them, experience them, enjoy them again!

Meena Kumari ji were outstanding with her 'love-lorn' perofance. The only other two similar performances by Indian female actors I can remember were Late Smita Patil ji in 'Bhumika'and Rekha ji in 'Umrao Jaan'! But Meena ji's performance is far more superior and impressive keeping in mind the period this film was made. 1962!

Her's can be taken as one of the most impressive, deep, heartfelt, honest, realistic and touching performance by any Indian actor. Every expression, every ada, every single utterance of her's felt real and directly from the the deepest emotional depth. Her pain and agony and angst was the most realistic portrayal by any female actor ever I would say! She was just freaking brilliant!

Then there is the oh-so-super-lovely-young-fresh-breezy-sweet Waheed Rehman ji! Her appearance, her simple, mere presence on screen has a gravitation effect; she just grabs your eye balls and force you to just look at her, stare at her, watch her perform! I don't there would have been then or now or even in future who wouldn't fall in love with her and her character. She is spunky and bright, cheerful and teasing, genuine and honest! She is young at heart and mature in mind! What a lovely combination! She was, is also bloody awesome, awesome in this film!

And there is the character 'Bhootnath' played amazingly by Guru Dutt saheb! Honestly there were times when I felt he was over acting. But then again that was there makers' idea of how to show the character's naivety and innocence. He did it so beautifully! I won't say I was blown away with his performance but it is nothing short of a masterpiece. He was somewhat consistent but overall managed to stay true to the graph of his character.

One has to make, must make and inclusion, a mention of the great cinematography and lighting by the DOP V. K. Murthy ji and the at time the sweet, crisp, brilliant editing by Y. G. Chawan ji.

There are a couple of things about the story, narrative and the screenplay I would have left out but it is what it is! And I think this is gem of a film! It is cinema at its best! As they the heart, the mind and soul, the film touches all! I was left in tears and with sadness at the end revelation of the film!

Meena Kumari ji was indeed rightly known as the Tragedy Queen of Indian cinema and this film proves it 2000%!

My ratings: 8/10 ******** Must Watch for anyone who loves cinema, stories and meaningfulness in life!
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9/10
Significant contribution to the golden era of Bollywood
disharma-2413130 May 2023
Sahib Biwi Aur Ghulam" is a classic Bollywood film that was released in 1962. Directed by Abrar Alvi, the movie is based on a Bengali novel by Bimal Mitra and stars Guru Dutt, Meena Kumari, and Waheeda Rehman in the lead roles. It is considered one of the greatest Indian films ever made and has achieved a cult status over the years.

The story revolves around Chhoti Bahu (played by Meena Kumari), a young woman who is married to a wealthy zamindar (landlord) but feels neglected and lonely in her marriage. She seeks solace in alcohol and befriends Bhootnath (played by Guru Dutt), a young man who works as a servant in her household. Bhootnath becomes her confidant and the two develop a complex and emotionally charged relationship. Meanwhile, Jaba (played by Waheeda Rehman), a prostitute, also enters their lives and adds further layers to the narrative.

One of the key strengths of "Sahib Biwi Aur Ghulam" lies in its exceptional performances. Meena Kumari delivers a powerhouse performance as Chhoti Bahu, portraying her character's vulnerability, longing, and pain with great depth. Guru Dutt is equally impressive as Bhootnath, bringing a sense of charm and empathy to his role. Waheeda Rehman shines in her supporting role, adding a different dimension to the story.

The film's narrative explores themes of love, betrayal, societal norms, and the struggle for individual identity. It delves into the complexities of human relationships and the constraints imposed by societal expectations. The script is well-written, capturing the nuances of the characters and their emotional dilemmas. The dialogues are sharp and impactful, often laced with symbolism and subtext.

The black-and-white cinematography by V. K. Murthy is exquisite, capturing the opulence of the zamindar's mansion as well as the grimy streets of Calcutta (now Kolkata). The set designs and costumes contribute to the authentic period setting, immersing the audience in the world of the film.

The music of "Sahib Biwi Aur Ghulam" is another highlight. The film features memorable songs composed by Hemant Kumar and lyrics penned by Shakeel Badayuni. Songs like "Na Jao Saiyan Chhuda Ke Baiyan" and "Piya Aiso Jiya Mein" have become iconic and are still cherished by music lovers today.

Overall, "Sahib Biwi Aur Ghulam" is a masterpiece of Indian cinema that explores complex human emotions with sensitivity and depth. It is a must-watch for cinephiles and a significant contribution to the golden era of Bollywood.
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9/10
Masterpiece
gautam-moharil21 May 2019
What can be said in the review of a film which is acknowledged as a classic of the Indian film industry. Everything that can be said about the acting, the story, the direction and the cinematography has been said.

Today this film will play as a snapshot of pre independence India. It has everything reflecting that time period. The class differences, the covert guerrilla tactics of the common people in the fight for independence, the indifference of the upperclassmen, the intermingling and acceptance of different castes.

Above all it's a love story, a tale of yearning. Masterfully narrated and shot. The soundtrack is on of the best soundtracks ever. A true masterpiece.
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10/10
A nicely woven story ahead of its time.
sameershm10 November 2022
If speaking about Sahib Bibi aur Ghulam, it's is surely a classic gem of story telling and it's plot. It's hard to rate whose performance is way above as Meena Kumari, Waheeda Rehman and Gurudatta has given their best for this marvel. Sahib Bibi aur Ghulam is indeed a story ahead of its time in way Gurudatta has succeeded to portray Meena Kumaris character cladded with brilliant acting of Meena. Waheeda is indeed living in her own world portraying jaba; with whom you can easily fall in love with. Let's not put apart the music , which is indeed above par than the recent standards. You will surely enjoy all the melodies by Geeta Datt and one by Asha bhosle which is my personal favourite "Bhawaraan Bada Nadan hai"
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India's greatest indeed
jitensmerchant3 July 2003
I couldnt agree more with those who describe SB&G as the greatest classic in Indian cinema, followed by "Sholay". While the latter is the quintessential Bollywood blockbuster, SB&G is a mainstream film of another kind --- expertly-crafted, aesthetically breathtaking and profoundly disturbing. Its also a film WAY ahead of its time (was a `flop' at the box-office!) and caused much controversy when it was premiered. It is based on a great Bengali novel, one that exposed the hypocrisy and decadence prevalent in the Zamindari (landed gentry). The film ran into terrible problems with our puritanical censors, because of its sometimes unabashed references to alcoholism and sex. Nominally directed by Abrar Alvi (they say Guru Dutt shadow-directed it....and it shows!) and luminously photographed in B/W, the film has immaculate attention to detail in EVERY respect, starting from the trenchant plot-line and script. Of course there are compromises made to accomodate market-needs, such as a couple of superfluous songs; and some farcical comedy. But if ever there was a case for releasing a "director's cut", lovingly restored, its here. God knows what the censor's scissors threw away. Meena Kumari's performance is the finest given by an actress in Indian cinema....and I will go on to say that its the finest performance given by an actress that I have EVER seen (a close second is Meryl Streep in "Sophie's Choice"). Meena Kumari acts with her FEET --- thats the first we see of her, with her dialogue spoken as a voice-over; then a cut to her incredible face, the eyes betraying a glitter of obsessive-compulsion that is the character's core. Its a performance that stirs you like few will, courageous and uninhibited, honest and intense. Its centre-piece is of course the drunken tirade against her husband, accusing him of impotence. In this, as indeed in every scene, she goes beyond acting into a realm that exists only in the gut. Another great Indian film that is not available on DVD, at least not in our own country. When will we learn to honour our best?
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The Master, The Mistress & The Servant...
Chrysanthepop22 May 2007
Guru Dutt's 'Sahib Bibi aur Ghulam' remains one of the most accomplished pieces of art in Indian cinema. No wonder why it is referred to as Indian cinema at its best. Starting with the technological aspect, I was amazed by the excellent cinematography. The movement of the camera that guides us to the world of the characters, to their minds, to their emotions and to their fate. The way the camera focuses on Choti Bahu's sad eyes or the way it zooms towards Jabba's face while she cheerfully sings, demonstrates the importance of characters' non-verbal language.

Likewise direction is top-notch. Not a moment is wasted on trivial subplots. Everything in the movie seem to fit like a jigsaw puzzle, whether it's the songs, the haunting background score, the sets, the emotions portrayed by the actors, the performances etc.

Performances are first class. We see Guru Dutt as the young (and middle-aged) and naive Bhootnath. He beautifully brings both comedy and intensity to his character communicating mostly with his expressive eyes. His relationship with the tragic Choti Bahu and the simple but headstrong Jabba is superbly portrayed through a wonderful chemistry between the actors. Meena Kumari gives one of her finest performances as the doomed Choti Bahu. Her scenes with Bhootnath and one particular scene with Rehman (just before she drinks alcohol for the first time) is mind blowing. Waheeda Rehman, being one of the finest actresses, brings grace and equally makes her presence felt in a comparably smaller but noteworthy role. Rehman as Chote Babu is brilliant.

'Sahib Bibi aur Ghulam is about love, fear, jealousy, anger, greed, addiction, lust, ignorance, despair, sadness and redemption. Many of the movie is set during the British Raj. We see most of the events through Bhootnath's eyes. He falls for the vivacious and lovely Jabba. However, when he meets Choti Bahu, he's amazed by her beauty and they too develop a loving relationship. We are hinted that he blames himself for Choti Bahu's fate and yet he sees tries to forgive himself.

What was it about alcohol that Choti Bahu got attached to? All she craved for her husband's love but even when he requests her to leave alcohol, she can't. We see her offering herself as a prostitute so that Chote Babu won't leave for the brothel. Did she feel in some way grateful to alcohol that she had her husband back? Was it the alcohol itself? Was it a whole other state of mind that had nothing to do with her surroundings? Whatever it was, it destroyed her.

However, she the one person she always relied on was Bhootnath and whenever he'd appear, she had a smile on her face except that one time when she's about to make that request that would change her life. Bhootnath, the only person she confided in, was the last we see her with.

We also see a jealous Jabba who is afraid that Bhootnath is slipping away. After all, who is this Choti Bahu that seems to intrigue him so much? She hopes that Bhootnath might express his love but fears that the love is for a mysterious Choti Bahu.

In a sentence, I'd say go watch this movie otherwise you would never know what you've missed.
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A haunting movie gem
ysohni13 April 2017
Not much to add to what has already been stated by the other reviewers previously. A great movie. Haunting b&w photography which captures the era very well, superb performances, of course Meenakumari and the rest, who can forget Sapru as the zamindar with that look, Rehman, and the sets themselves. And the beautiful music especially Geeta Dutt's singing. Just one correction- Gurudutt's character's name is Bhognath (not Bhootnath as stated elsewhere on this site).
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