A girl is almost murdered, but no explainable motive can be found until a 20 year old murder is uncovered and linked to the case.A girl is almost murdered, but no explainable motive can be found until a 20 year old murder is uncovered and linked to the case.A girl is almost murdered, but no explainable motive can be found until a 20 year old murder is uncovered and linked to the case.
Albert Bessler
- Gefängnisdirektor Duffon
- (uncredited)
Eva Brumby
- Felicitas 'Mary'
- (uncredited)
Werner Buttler
- Mackenzie
- (uncredited)
Kurt Jaggberg
- Sammy
- (uncredited)
Gert Wiedenhofen
- Sergeant (Verhaftung)
- (uncredited)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe Premiere Cut of the film featured a different, more extensive ending which was cut out in the theatrical version. This Original Ending was unseen until the 2004 DVD Release by Universum Film.
- GoofsThe countess picks up the doctor's gun. Cut to reaction shot from onlookers, Cut back to the countess, the gun has vanished from her hands, never to be seen nor mentioned again [it's the last few minutes of the picture].
- Quotes
Margaret Loais Reedle, geb. Moron: [Final scene, to all present] You tried to kill me! Me! A benefactor of mankind! I've never harmed anyone! Never! Never have I hurt a single person! I'm a good woman!
- ConnectionsFeatured in Klaus Kinski - Ich bin kein Schauspieler (2000)
Featured review
In this mystery, a young lady almost loses her life. Investigators soon discover that the attempt is linked to a murder that occurred 20-years ago.
What is there not to like here- An eccentric Countess (Lil Dagover is quite good here, polite but there's a sinister undercurrent bubbling underneath, and that's not just because she wears this high-collared dress like Countess Dracula) in a eerie manor house, prisons, asylums, a deranged Klaus Kinski, Joachim Fuchsberger doing a Houdini escape, and an outstanding performance by Brigitte Grothum who plays the young lady who gets threatening phone calls, gets almost poisoned, almost crushed by falling debris at a building site and would fall through the balcony's collapse if she has clung on in time - there are other narrow escapes in this tense thriller that ticks all the boxes in order to get one gripped. Unlike some Krimi thrillers, this has no dull spots, is fast paced and doesn't jump randomly to different scenes with different characters. It sticks mainly with the lead actress. There are so many plot hooks that it reels you in and keeps you there till the 'ende credits.
What is there not to like here- An eccentric Countess (Lil Dagover is quite good here, polite but there's a sinister undercurrent bubbling underneath, and that's not just because she wears this high-collared dress like Countess Dracula) in a eerie manor house, prisons, asylums, a deranged Klaus Kinski, Joachim Fuchsberger doing a Houdini escape, and an outstanding performance by Brigitte Grothum who plays the young lady who gets threatening phone calls, gets almost poisoned, almost crushed by falling debris at a building site and would fall through the balcony's collapse if she has clung on in time - there are other narrow escapes in this tense thriller that ticks all the boxes in order to get one gripped. Unlike some Krimi thrillers, this has no dull spots, is fast paced and doesn't jump randomly to different scenes with different characters. It sticks mainly with the lead actress. There are so many plot hooks that it reels you in and keeps you there till the 'ende credits.
Details
- Runtime1 hour 35 minutes
- Color
- Aspect ratio
- 1.66 : 1
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