An above-average Cold War thriller, "The Secret Ways" was produced by its star, Richard Widmark. An American for pay, Michael Reynolds, is hired to go behind the Iron Curtain and bring out Professor Jansci, a scientist and member of the Hungarian resistance. Reluctantly teamed with the professor's daughter, Reynolds poses as a writer and crosses the border from Vienna to Budapest, where a few surprises await. Despite a leisurely beginning, the film holds interest and builds to an exciting climax.
Widmark as Reynolds is largely on target as the mercenary without a personal life; unfortunately, he teeters on an unconvincing edge when he mocks Communist authorities and when he staggers through a staged drunken scene. German actress Sonja Ziemann as Julia, Jancsi's daughter, is effective, although her character creates unnecessary complications, and she seems more a token love interest than key player.
The award-caliber cinematography by Mutz Greenbaum captures the dark side of Vienna and locations that pass for Budapest in strikingly-lit black-and-white images. The Baroque architecture, deep passageways, cobble-stone streets, wrought-iron staircases, and lingering vestiges of World War II damage are captured in shadowy night scenes. The lines etched in Widmark's face complement the textures of rough brick facades, stretched barbed wire, and walls of peeling paint. The inky photography creates an eery atmosphere that enhances the suspense as silhouetted figures are chased through dark back alleys and down starkly-lit stairways. At times tilted at an angle, Greenbaum's camera infused Vienna with a mystery and menace not seen since "The Third Man."
Directed by Phil Karlson and based on an Alistair MacLean novel, "The Secret Ways" has a slow pace initially, which may deter viewers accustomed to James Bond and Jason Bourne. However, the film is similar to other 1960's thrillers such as "The Spy Who Came in from the Cold" and requires patience to appreciate. Sensational photography, a solid Widmark performance, and a backward glimpse at Cold War intrigue in the early 1960's make the film worth catching.
Widmark as Reynolds is largely on target as the mercenary without a personal life; unfortunately, he teeters on an unconvincing edge when he mocks Communist authorities and when he staggers through a staged drunken scene. German actress Sonja Ziemann as Julia, Jancsi's daughter, is effective, although her character creates unnecessary complications, and she seems more a token love interest than key player.
The award-caliber cinematography by Mutz Greenbaum captures the dark side of Vienna and locations that pass for Budapest in strikingly-lit black-and-white images. The Baroque architecture, deep passageways, cobble-stone streets, wrought-iron staircases, and lingering vestiges of World War II damage are captured in shadowy night scenes. The lines etched in Widmark's face complement the textures of rough brick facades, stretched barbed wire, and walls of peeling paint. The inky photography creates an eery atmosphere that enhances the suspense as silhouetted figures are chased through dark back alleys and down starkly-lit stairways. At times tilted at an angle, Greenbaum's camera infused Vienna with a mystery and menace not seen since "The Third Man."
Directed by Phil Karlson and based on an Alistair MacLean novel, "The Secret Ways" has a slow pace initially, which may deter viewers accustomed to James Bond and Jason Bourne. However, the film is similar to other 1960's thrillers such as "The Spy Who Came in from the Cold" and requires patience to appreciate. Sensational photography, a solid Widmark performance, and a backward glimpse at Cold War intrigue in the early 1960's make the film worth catching.
