Decades of a love triangle concerning two friends and an impulsive woman.Decades of a love triangle concerning two friends and an impulsive woman.Decades of a love triangle concerning two friends and an impulsive woman.
- Nominated for 2 BAFTA Awards
- 3 wins & 4 nominations total
Oskar Werner
- Jules
- (as Oscar Werner)
Serge Rezvani
- Albert
- (as Bassiak)
Michel Subor
- Récitant
- (voice)
- …
Danielle Bassiak
- Compagnon d'Albert
- (uncredited)
Elen Bober
- Mathilde
- (uncredited)
Pierre Fabre
- Ivrogne in Cafe'
- (uncredited)
Dominique Lacarrière
- Une des femmes
- (uncredited)
Bernard Largemains
- Merlin
- (uncredited)
Kate Noelle
- Birgitta
- (uncredited)
Jean-Louis Richard
- Cliente au Cafe'
- (uncredited)
Michel Varesano
- Cliente au Cafe'
- (uncredited)
Christiane Wagner
- Helga
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaHenri-Pierre Roché's original novel was based on his own experiences as a young man. The original Catherine was still alive when the film was released and even attended the premiere incognito.
- GoofsWhen Catherine lights the letters on fire, they are at first away from her dress, but in the next shot they are burning on top of her dress.
- ConnectionsFeatured in Las dos Elenas (1965)
Featured review
Truffaut's Classic Relationship Triangle as Idiosyncratic, Disconcerting and Mesmerizing as Ever
The enduring legacy around François Truffaut's emotionally turbulent 1962 film depends primarily on how compatible the three actors are in inhabiting the triangle at the core of the story adapted from Henri-Pierre Roché semi-autobiographical novel. And in fact, Oskar Werner, Henri Serre and especially Jeanne Moreau provide superbly etched characterizations in one of the defining works of the French New Wave. Fortunately, the two-disc Criterion Collection DVD set provides an appropriately rich package for this classic, although the print transfer is frustratingly variable at times.
The story focuses on the friendship between two writers, an Austrian named Jules and a Frenchman named Jim, kindred spirits who enjoy a decadent lifestyle in pre-WWI Paris. Inspired by a statue of a woman's face with a most enigmatic smile, they agree that they are destined to fall in love with a woman with the same smile. Enter Catherine, as seductively capricious a free-spirit as ever there was in cinema, and the two men are instantly enamored. Jules is intent on marrying her, even though it's clear from the outset that she is not one who could commit for the long term. The war intercedes, and the two friends are fighting on opposite sides. After the war, Catherine, married to Jules and raising their young daughter, is emotionally dissatisfied and embarks on an affair with Jim. With Jules' blessing, things are idyllic for a while, but Jim proves too much the alpha male to defer to Catherine's whims, and the resulting imbalance leads to increasingly dramatic consequences.
In just his third film, Truffaut's trademark style emerges with fast cuts between scenes and naturalistic camera movements (courtesy of Raoul Coutard's fluid cinematography). Moreover, George Delerue's animated music score and Michel Subor's voice-over add to the evocative photo-album memory atmosphere. At times, the storyline feels a bit disjointed, but the fulsome performances more than compensate. Werner fully captures the internal struggle within Jules in attempting to reconcile his love for Catherine with her impossible demands on him. Serre has the comparatively more objective role but convincingly shows his character surrendering to the tangled situation. After her impressive turn as an obsessed adulterer in Louie Malle's "Elevator to the Gallows", Moreau solidifies her vaunted reputation here, conveying Catherine's petulance and unyielding passion in a vividly mercurial fashion.
The DVD extras are abundant starting with two commentary tracks. The first one, a more factual account of the production, was recorded in 1992 with Truffaut collaborator Suzanne Schiffman, editor Claudine Bouche, co-screenwriter Jean Gruault, and scholar Annette Insdorf. The second, produced in 2000, is far better as it has Moreau sharing her personal recollections of the filming with Truffaut biographer Serge Toubiana. Disc One also includes a brief 1966 interview with Truffaut discussing Roché and a 1985 featurette, "The Key to Jules and Jim", which contains interviews with the author's friends as they discuss the inspirations for the characters. Disc Two takes a broader look at Truffaut with five separate interviews with the director over the span of fifteen years, as well as insightful interviews with Coutard and co-screenwriter Jean Gruault.
The story focuses on the friendship between two writers, an Austrian named Jules and a Frenchman named Jim, kindred spirits who enjoy a decadent lifestyle in pre-WWI Paris. Inspired by a statue of a woman's face with a most enigmatic smile, they agree that they are destined to fall in love with a woman with the same smile. Enter Catherine, as seductively capricious a free-spirit as ever there was in cinema, and the two men are instantly enamored. Jules is intent on marrying her, even though it's clear from the outset that she is not one who could commit for the long term. The war intercedes, and the two friends are fighting on opposite sides. After the war, Catherine, married to Jules and raising their young daughter, is emotionally dissatisfied and embarks on an affair with Jim. With Jules' blessing, things are idyllic for a while, but Jim proves too much the alpha male to defer to Catherine's whims, and the resulting imbalance leads to increasingly dramatic consequences.
In just his third film, Truffaut's trademark style emerges with fast cuts between scenes and naturalistic camera movements (courtesy of Raoul Coutard's fluid cinematography). Moreover, George Delerue's animated music score and Michel Subor's voice-over add to the evocative photo-album memory atmosphere. At times, the storyline feels a bit disjointed, but the fulsome performances more than compensate. Werner fully captures the internal struggle within Jules in attempting to reconcile his love for Catherine with her impossible demands on him. Serre has the comparatively more objective role but convincingly shows his character surrendering to the tangled situation. After her impressive turn as an obsessed adulterer in Louie Malle's "Elevator to the Gallows", Moreau solidifies her vaunted reputation here, conveying Catherine's petulance and unyielding passion in a vividly mercurial fashion.
The DVD extras are abundant starting with two commentary tracks. The first one, a more factual account of the production, was recorded in 1992 with Truffaut collaborator Suzanne Schiffman, editor Claudine Bouche, co-screenwriter Jean Gruault, and scholar Annette Insdorf. The second, produced in 2000, is far better as it has Moreau sharing her personal recollections of the filming with Truffaut biographer Serge Toubiana. Disc One also includes a brief 1966 interview with Truffaut discussing Roché and a 1985 featurette, "The Key to Jules and Jim", which contains interviews with the author's friends as they discuss the inspirations for the characters. Disc Two takes a broader look at Truffaut with five separate interviews with the director over the span of fifteen years, as well as insightful interviews with Coutard and co-screenwriter Jean Gruault.
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- EUyeshima
- May 27, 2006
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Details
- Release date
- Country of origin
- Languages
- Also known as
- Jules und Jim
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $509
- Opening weekend US & Canada
- $11,206
- Apr 25, 1999
- Gross worldwide
- $484,226
- Runtime1 hour 45 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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