Three hoodlums carefully case a small town while planning to rob the bank on the upcoming Saturday. On Saturday, things turn violent and deadly.Three hoodlums carefully case a small town while planning to rob the bank on the upcoming Saturday. On Saturday, things turn violent and deadly.Three hoodlums carefully case a small town while planning to rob the bank on the upcoming Saturday. On Saturday, things turn violent and deadly.
Robert Adler
- Stan
- (uncredited)
John Alderson
- Amish Farmer on Train
- (uncredited)
Ellen Bowers
- Bank Teller
- (uncredited)
Virginia Carroll
- Carol, Martin's Secretary
- (uncredited)
Harry Carter
- Bart, Policeman
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThis was Victor Mature's final film for Fox, where he had been a contract player for 15 years.
- GoofsThe car is started and put into gear so that it will crash through the barn door after which the engine stalls but, while it's still in gear, Stadt and Martin are able to easily push it out.
- Quotes
Mrs. Emily Fairchild: Would you like me to have you thrown out?
Linda Sherman: Why don't you get mad enough to try it. All I want is an excuse to pull that hair right out of your stupid head.
[Mrs. Emily Fairchild looks away]
Linda Sherman: Guess you don't have the guts.
- ConnectionsEdited into Verifica incerta - Disperse Exclamatory Phase (1965)
Featured review
Combination crime-drama and soap opera, presumably a contract picture from Fox with many familiar faces (and Ernest Borgnine inexplicably cast as an Amish farmer!), turns out to be a pretty exciting movie. Three hoods plot to stick up a small town bank; meanwhile, hormones are boiling over at the new copper plant where the foreman's son is drinking himself into a stupor while his cheating wife runs around on the golf course ("You're an alcoholic," she tells him, "and I'm a tramp!"). There's also a married banker who lusts after a shapely nurse, a librarian with sticky fingers, and Victor Mature as a graduate whose oldest child is ashamed that his father never served his country. Director Richard Fleischer sets up the pieces of this story almost sluggishly, yet after about an hour of exposition the plot really starts cooking. There are some strong images here, and vivid cinematography by Charles G. Clarke (with excellent location shooting in Bisbee, Arizona and terrific usage of De Luxe color stock). The ensemble cast works admirably together, no one person upstaging the other; however, crooked Lee Marvin makes a fantastic entrance into town stepping on a child's hand in the street! Gripping, tense, and surprisingly well-written, with Richard Egan getting an emotional monologue at the end about the unfairness of death. An injured Amish child is forgotten about in the rush of excitement, and Borgnine in an Abraham Lincoln beard strains credulity, but the technical aspects and direction of the film are top-notch. *** from ****
- moonspinner55
- Mar 13, 2009
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Details
- Release date
- Country of origin
- Language
- Also known as
- Sensation am Sonnabend
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $955,000 (estimated)
- Runtime1 hour 30 minutes
- Color
- Aspect ratio
- 2.55 : 1
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