A strange prehistoric beast lurks in the depths of the Amazonian jungle. A group of scientists try to capture the animal and bring it back to civilization for study.A strange prehistoric beast lurks in the depths of the Amazonian jungle. A group of scientists try to capture the animal and bring it back to civilization for study.A strange prehistoric beast lurks in the depths of the Amazonian jungle. A group of scientists try to capture the animal and bring it back to civilization for study.
- Awards
- 2 wins & 2 nominations
Julie Adams
- Kay Lawrence
- (as Julia Adams)
Henry A. Escalante
- Chico
- (as Henry Escalante)
Ricou Browning
- The Gill Man (In Water)
- (uncredited)
Ben Chapman
- The Gill Man (On Land)
- (uncredited)
Art Gilmore
- Narrator
- (voice)
- (uncredited)
Perry Lopez
- Tomas
- (uncredited)
Sydney Mason
- Dr. Matos
- (uncredited)
Rodd Redwing
- Luis
- (uncredited)
Storyline
Did you know
- TriviaForrest J. Ackerman, a horror and science fiction writer for Famous Monsters of Filmland Magazine, bought the mask and claws of the Creature's costume from a young man who had once used them as a Halloween costume. The costume pieces were discarded by Universal after production had finished on the three films (Creature from the Black Lagoon and its two sequels) and were later recovered from the studio's dumpster by a janitor, who thought the ensemble would make a good Halloween costume for his son. Other costume pieces were recently sold at auction by Bud Westmore, who was an assistant to Milicent Patrick, the original designer of the costume.
- GoofsThe Gill-Man destroys the Rita's boats to prevent any escape. Yet, when he kidnaps Kay, David tells Lucas and Prof. Maia to get to the beach entrance of the cave. There are no boats available to go ashore, yet both men arrive to save David and Kay in dry clothes. Indeed, when the Gill-Man staggers out of the beach entrance to the water, there is no boat in sight.
- Alternate versionsA colorized version of the movie also exists.
- ConnectionsFeatured in Son of Svengoolie: Creature from the Black Lagoon (1954) (1980)
Featured review
One of few truly great "creature" films, THE CREATURE FROM THE BLACK LAGOON is a surprisingly effective horror film concerning a scientific expedition up the Amazon to investigate an unusual fossil find--but instead of fossils the crew members encounter an underwater creature of considerable intelligence that is bent on their destruction.
The script is a bit dated by modern standards, but the cast (particularly Julie Adams) is effective, and the creature is easily one of Universal Studio's most memorable creations. And seen today in standard black and white, the film is quite enjoyable. But it doesn't hold a candle to the original 3-D format, which I was fortunate to see not once but twice during the 1970s and 1980s. Simply stated, BLACK LAGOON's cinematography was probably the best of all 3-D movies to date. As with most 3-D films, there is plenty of "coming at you" cinematography, and many viewers will be able to pick out such moments when seeing the film in standard black and white--but in addition to these, the film used 3-D in a remarkably subtle way; virtually every scene in the film is designed for 3-D, and the effect is exceptionally memorable in the underwater sequences.
I remain disappointed that the 3-D version of BLACK LAGOON--not to mention such other 3-D films as HOUSE OF WAX, IT CAME FROM OUTER SPACE, and DIAL "M" FOR MURDER--has never been released in 3-D format on video or disk; instead, we must make do with such bottom-budget 3-D flicks as THE MASK, CAT WOMEN ON THE MOON, and the like. Admittedly, the impact of the format is lessened by the small screen and demands some careful color adjusting, and the effect requires the use of 3-D glasses--but it is a shame that we must settle for ghosts of the originals when we could easily have the originals instead. In 3-D format, BLACK LAGOON would easily be a ten-star film.
Gary F. Taylor, aka GFT, Amazon Reviewer
The script is a bit dated by modern standards, but the cast (particularly Julie Adams) is effective, and the creature is easily one of Universal Studio's most memorable creations. And seen today in standard black and white, the film is quite enjoyable. But it doesn't hold a candle to the original 3-D format, which I was fortunate to see not once but twice during the 1970s and 1980s. Simply stated, BLACK LAGOON's cinematography was probably the best of all 3-D movies to date. As with most 3-D films, there is plenty of "coming at you" cinematography, and many viewers will be able to pick out such moments when seeing the film in standard black and white--but in addition to these, the film used 3-D in a remarkably subtle way; virtually every scene in the film is designed for 3-D, and the effect is exceptionally memorable in the underwater sequences.
I remain disappointed that the 3-D version of BLACK LAGOON--not to mention such other 3-D films as HOUSE OF WAX, IT CAME FROM OUTER SPACE, and DIAL "M" FOR MURDER--has never been released in 3-D format on video or disk; instead, we must make do with such bottom-budget 3-D flicks as THE MASK, CAT WOMEN ON THE MOON, and the like. Admittedly, the impact of the format is lessened by the small screen and demands some careful color adjusting, and the effect requires the use of 3-D glasses--but it is a shame that we must settle for ghosts of the originals when we could easily have the originals instead. In 3-D format, BLACK LAGOON would easily be a ten-star film.
Gary F. Taylor, aka GFT, Amazon Reviewer
Details
- Release date
- Country of origin
- Languages
- Also known as
- El monstruo de la laguna negra
- Filming locations
- Wakulla Springs, Florida, USA(underwater scenes)
- Production company
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $1,404
- Runtime1 hour 19 minutes
- Color
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Top Gap
By what name was Creature from the Black Lagoon (1954) officially released in India in Hindi?
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