Ava DuVernay’s Array Releasing has acquired the highly-anticipated dramatic feature Funny Boy directed by Oscar-nominated filmmaker Deepa Mehta. The film is based on the best-selling Canadian novel by Shyam Selvadurai and will open theatrically in select cities and debut on Netflix on December 10.
Mehta is best known for her trilogy element-title trilogy Fire (1996), Earth (1998) and Water (2005). She co-wrote Funny Boy with Selvaduri. The film was shot on location and set in Sri Lanka in the ’70s and ’80s and explores the awakening of sexual identity by a young boy named Arjie (portrayed by Arush Nand and Brandon Ingram). As political tensions escalate to a boiling point between the minority Tamils and the majority Sinhalese, a young boy comes of age in a society and family that doesn’t embrace difference outside of societal norms. The film chronicles Arjie’s struggle to find balance and self-love despite the absence of empathy and understanding.
Mehta is best known for her trilogy element-title trilogy Fire (1996), Earth (1998) and Water (2005). She co-wrote Funny Boy with Selvaduri. The film was shot on location and set in Sri Lanka in the ’70s and ’80s and explores the awakening of sexual identity by a young boy named Arjie (portrayed by Arush Nand and Brandon Ingram). As political tensions escalate to a boiling point between the minority Tamils and the majority Sinhalese, a young boy comes of age in a society and family that doesn’t embrace difference outside of societal norms. The film chronicles Arjie’s struggle to find balance and self-love despite the absence of empathy and understanding.
- 10/15/2020
- by Dino-Ray Ramos
- Deadline Film + TV
Ava DuVernay’s Array Releasing has bought Isabel Sandoval drama “Lingua Franca” and will premiere the film on Netflix on Aug. 26 along with select cities theatrically.
Sandoval directed, wrote, produced, edited and stars in the film. “Lingua Franca” was the first movie directed by and starring a trans woman of color to screen in competition at 2019’s Venice International Film Festival Venice Days program. DuVernay announced the acquisition on Thursday.
Sandoval portrays an undocumented Filipina trans woman who secures a job as a live-in caregiver for an elderly Russian woman named Olga, played by Lynn Cohen, in Brooklyn’s Brighton Beach neighborhood. But when she unexpectedly becomes romantically involved with Olga’s adult grandson, portrayed by Eamon Farren, issues around identity, civil rights and immigration threaten her very existence.
The Philippines-born Sandoval has also directed the award-winning films “Apparition” and “Senorita.”
“The release of Isabel Sandoval’s third film is...
Sandoval directed, wrote, produced, edited and stars in the film. “Lingua Franca” was the first movie directed by and starring a trans woman of color to screen in competition at 2019’s Venice International Film Festival Venice Days program. DuVernay announced the acquisition on Thursday.
Sandoval portrays an undocumented Filipina trans woman who secures a job as a live-in caregiver for an elderly Russian woman named Olga, played by Lynn Cohen, in Brooklyn’s Brighton Beach neighborhood. But when she unexpectedly becomes romantically involved with Olga’s adult grandson, portrayed by Eamon Farren, issues around identity, civil rights and immigration threaten her very existence.
The Philippines-born Sandoval has also directed the award-winning films “Apparition” and “Senorita.”
“The release of Isabel Sandoval’s third film is...
- 7/9/2020
- by Dave McNary
- Variety Film + TV
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“Another Classic Hollywood Problem Film?”
By Raymond Benson
Recently there was hue and cry about the new streaming service HBO Max and their decision to remove the 1939 Oscar-winning classic Gone with the Wind from their lineup because of its no-question-about-it racial stereotypes. While the intention might be admirable, there is also the danger of destroying a part of cultural history that should be studied and learned from, rather than rendering it invisible. Besides, viewers have a choice to watch a movie, unlike, say, gazing at a statue on public display that is there for all to see no matter what.
Another Hollywood classic from the same era that certainly falls into identical “problem” areas is William Wyler’s Jezebel, which earned Bette Davis her second Oscar, awarded supporting actress Fay Bainter a trophy, and was nominated for Best Picture of 1938. It, too, is...
“Another Classic Hollywood Problem Film?”
By Raymond Benson
Recently there was hue and cry about the new streaming service HBO Max and their decision to remove the 1939 Oscar-winning classic Gone with the Wind from their lineup because of its no-question-about-it racial stereotypes. While the intention might be admirable, there is also the danger of destroying a part of cultural history that should be studied and learned from, rather than rendering it invisible. Besides, viewers have a choice to watch a movie, unlike, say, gazing at a statue on public display that is there for all to see no matter what.
Another Hollywood classic from the same era that certainly falls into identical “problem” areas is William Wyler’s Jezebel, which earned Bette Davis her second Oscar, awarded supporting actress Fay Bainter a trophy, and was nominated for Best Picture of 1938. It, too, is...
- 7/8/2020
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
My father, John Harris, who has died aged 87, had a 53-year career in films, working on movies such as Chitty Chitty Bang Bang (1968), The Man With the Golden Gun (1974), Superman (1978) and The Running Man (1987).
He was born in Wimbledon, south-west London, the second son of a solicitor, and educated at King's College school, Wimbledon. From an early age he was fascinated by cameras and he asked for a Zeiss Ikon for his 14th birthday. In 1941, he started work in the camera department at Gainsborough Pictures at "the Bush", their studio in Lime Grove, west London, as a clapper boy and focus puller.
He served in the navy during the second world war, and was an official naval photographer at the Japanese surrender in Hong Kong in 1945. He became a freelance camera operator in 1949 when "the Bush" studio was taken over by the BBC and Gainsborough closed soon afterwards.
Early in his career,...
He was born in Wimbledon, south-west London, the second son of a solicitor, and educated at King's College school, Wimbledon. From an early age he was fascinated by cameras and he asked for a Zeiss Ikon for his 14th birthday. In 1941, he started work in the camera department at Gainsborough Pictures at "the Bush", their studio in Lime Grove, west London, as a clapper boy and focus puller.
He served in the navy during the second world war, and was an official naval photographer at the Japanese surrender in Hong Kong in 1945. He became a freelance camera operator in 1949 when "the Bush" studio was taken over by the BBC and Gainsborough closed soon afterwards.
Early in his career,...
- 8/2/2012
- The Guardian - Film News
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