Cavalry Scout

Cavalry Scout is a better than average western.

Its part of the genre of westerns that revolve around an investigation of 'x. And broad community safety rather than dealing with a deadly gunslinger type of film.

They don't exactly string out the investigation but its more than effective.

The acting is enjoyable and the soundtrack is great.

Doesn't have a particular highlight that I could pinpoint, instead the story continues in an even and engaging manner from beginning to end.

You won't come away from the movie blown away but you will have had a good time rooting for the good guys and booing the baddies :)

Just routine, folks, just routine western, produced by Monogram, Allied Artists to be, and starring the eternal Rod Cameron and Jim Davis, both very used to work with director Lesley Selander. Just routine but quite enjoyable for western fans, no problem. Colorful and action packed enough to keep you awake, unless you swallowed a handful of sleeping pills. The stolen Gatling gun scheme is not new in western, and the Indian element either. The Indians must not get this machine gun...Good stuff but quickly forgettable. The quality of this western is a bit above average, good paced, not boring at all. Worth the watch.

This Cinecolor B-western has the usual Calvary vs. Indians script, with a stolen Gatling Gun thrown in to boot !. The storyline drags at times, but is helped by strong performances from Rod Cameron and a pre-Gunsmoke James Arness. Arness had one of his first major roles here, as one of the Gatling Gun henchmen.

The video quality was poor, with many of the color scenes actually seeming to have a greenish tint ! I enjoyed this film, mainly for the great acting job done by Jim Davis as a Cavalry Lieutenant. Davis was a very good actor who excelled in many western films...... he never quite became a star, but he was much better than many who did !

The major drawback of this movie is that it was shot in a truly mediocre colour process known as Cinecolor which gives it a dull,grainy ,washed out air which is not at all pleasant to look at .Ignore this ,assuming you can ,and you may find yourself able to give it a slightly higher rating than my modest 6 . The picture is set in 1870's Montana where former Confederate officer ,turned civilian scout for the US Cavalry ,Kirby Frye (Rod Cameron) is sent to find out who has stolen a consignment of Gatling Guns with the aim of using them on robberies and also selling them to the Cheyenne and Sioux who are readying for battle against Custer .The villain is a local freight hauler Martin Gavin (James Millican ) .Frye is helped in his task by Lieutenant Spalding (Jim Davis)and he also finds time to romance the shrewd and lovely local business woman Claire (Audrey Long) ,at whom Spalding has also set his cap.

Future star spotters will enjoy seeing James Arness in a rare bad guy role .

Some pro-Indian sentiments are voiced ,which sets it apart from some other movies of the era but essentially this is routine fare although brisk direction by veteran Lesley Selander helps as do some effective performances .It is just such a pity the colour is so drab as better and brighter colour would have boosted interest considerably.Its watchable but nothing more

This low-budget western programmer is as bland as they come. Even the colour, after half-a-century and nobody (understandably) showing any interest in restoring it, is pale and washed out. Rod Cameron plays the eponymous cavalry scout on the hunt for a stolen Gatling gun the government believes someone is trying to sell to restless Indian natives. He's a little too old for the role of leading man, but he probably needed the work and so was no doubt cheap to hire. The plot is strictly by-the-numbers stuff with no attempt at characterisation beyond the good-bad template Hollywood studios seemed to apply to all characters in their minor westerns. This one was produced by one of the Poverty row studios – Monogram or Republic, I forget which one – which probably goes a long way to explaining why it is so insipid and unambitious. Unless you're on some sad mission to be one of the few people in the world to have viewed all Rod Cameron or Poverty Row Studios' output I'd give this one a wide berth.