A Study in Terror
Blu ray
Mill Creek Entertainment
1966 /1:85 / Street Date April 3, 2018
Starring John Neville, Donald Houston, Anthony Quayle
Cinematography by Desmond Dickinson
Written by Donald Ford, Derek Ford
Directed by James Hill
From master criminals like Professor Moriarty to Sebastian Moran, Sherlock Holmes faced his fair share of danger – but his greatest nemesis may have been the man who created him, Arthur Conan Doyle. Exasperated by his brainchild’s overwhelming popularity, the weary scribe groused, ”I think of slaying Holmes… and winding him up for good and all. He takes my mind from better things.”
Doyle tried to kill off his cash-cow on at least one occasion but the great detective had the last word, maintaining a firm grip on our imagination decades after other seemingly invincible literary characters dropped down the memory hole – perhaps because Holmes is far more mysterious than any mystery he himself might have...
Blu ray
Mill Creek Entertainment
1966 /1:85 / Street Date April 3, 2018
Starring John Neville, Donald Houston, Anthony Quayle
Cinematography by Desmond Dickinson
Written by Donald Ford, Derek Ford
Directed by James Hill
From master criminals like Professor Moriarty to Sebastian Moran, Sherlock Holmes faced his fair share of danger – but his greatest nemesis may have been the man who created him, Arthur Conan Doyle. Exasperated by his brainchild’s overwhelming popularity, the weary scribe groused, ”I think of slaying Holmes… and winding him up for good and all. He takes my mind from better things.”
Doyle tried to kill off his cash-cow on at least one occasion but the great detective had the last word, maintaining a firm grip on our imagination decades after other seemingly invincible literary characters dropped down the memory hole – perhaps because Holmes is far more mysterious than any mystery he himself might have...
- 5/12/2018
- by Charlie Largent
- Trailers from Hell
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit platforms. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon, and more (note: U.S. only). Check out our rundown for this week’s selections below.
Cameraperson (Kirsten Johnson)
Kirsten Johnson brings us her memoirs by way of a videographic scrapbook. Bits and pieces of the numerous documentaries she’s shot in her years as a Dp have been woven together into a travelogue / ethnographic study / commentary on the nature of cinematic framing. What was an establishing shot in one doc becomes, here, a study of the vagaries of a camera operator’s job. Documentary...
Cameraperson (Kirsten Johnson)
Kirsten Johnson brings us her memoirs by way of a videographic scrapbook. Bits and pieces of the numerous documentaries she’s shot in her years as a Dp have been woven together into a travelogue / ethnographic study / commentary on the nature of cinematic framing. What was an establishing shot in one doc becomes, here, a study of the vagaries of a camera operator’s job. Documentary...
- 7/21/2017
- by Jordan Raup
- The Film Stage
Each month, the fine folks at FilmStruck and the Criterion Collection spend countless hours crafting their channels to highlight the many different types of films that they have in their streaming library. This July will feature an exciting assortment of films, as noted below.
To sign up for a free two-week trial here.
Saturday, July 1 Changing Faces
What does a face tell us even when it’s disguised or disfigured? And what does it conceal? Guest curator Imogen Sara Smith, a critic and author of the book In Lonely Places: Film Noir Beyond the City, assembles a series of films that revolve around enigmatic faces transformed by masks, scars, and surgery, including Georges Franju’s Eyes Without a Face (1960) and Hiroshi Teshigahara’s The Face of Another (1966).
Tuesday, July 4 Tuesday’s Short + Feature: Premature* and Ten*
Come hitch a ride with Norwegian director Gunhild Enger and the late Iranian master...
To sign up for a free two-week trial here.
Saturday, July 1 Changing Faces
What does a face tell us even when it’s disguised or disfigured? And what does it conceal? Guest curator Imogen Sara Smith, a critic and author of the book In Lonely Places: Film Noir Beyond the City, assembles a series of films that revolve around enigmatic faces transformed by masks, scars, and surgery, including Georges Franju’s Eyes Without a Face (1960) and Hiroshi Teshigahara’s The Face of Another (1966).
Tuesday, July 4 Tuesday’s Short + Feature: Premature* and Ten*
Come hitch a ride with Norwegian director Gunhild Enger and the late Iranian master...
- 6/26/2017
- by Ryan Gallagher
- CriterionCast
California's entire earthquake fault line goes haywire, with 9-point-plus shocks on the Jerry Lee Lewis Rigor Mortis scale! The geological wipeouts include Boulder Dam, downtown Los Angeles and most of the San Francisco peninsula. This expensive-looking Dwayne Johnson disaster spectacle looks sensationally good, with excellent 3-D effects and nearly wall-to-wall fun effects work, even if your Cal-tech experts will turn green at some of the overstated Temblor Tech Talk. San Andreas 3-D Blu-ray + DVD + Digital HD Warner Home Video 2015 / Color / 2:40 widescreen / 114 min. / Street Date October 13, 2015 / 44.95 Starring Dwayne Johnson, Carla Gugino, Alexandra Daddario, Ioan Gruffudd, Archie Panjabi, Paul Giamatti, Hugo Johnstone-Burt, Art Parkinson, Will Yun Lee, Kylie Minogue. Cinematography Steve Yedlin Film Editor Barry Chusid Production design Bob Ducsay Original Music Andrew Lockinton Written by Carlton Cruse, Andre Fabrizio, Jeremy Passmore Produced by Beau Flynn Directed by Brad Peyton
Reviewed by Glenn Erickson
Computer Generated Imagery has evolved to the...
Reviewed by Glenn Erickson
Computer Generated Imagery has evolved to the...
- 10/13/2015
- by Glenn Erickson
- Trailers from Hell
A child star as Oliver Twist, he became a key figure in epoch-making TV comedy
'Please, sir – I want some more." Rationing was still in force when, under the eye of David Lean's camera, a thin, pale eight-year-old boy named John Howard Davies raised his gruel bowl and dared to request a second serving. That image of Davies in Oliver Twist (1948) spoke to the mood of the moment – suggesting the sort of deprivation that postwar Britain was attempting to legislate out of existence. One scene called for Davies, who has died of cancer aged 72, and his fellow child actors to look on enviously as the bigwigs of the workhouse devoured a great pile of pastries, hams and chicken. The astonished expressions are genuine. None of these boys had ever seen food like it.
The film's production company, Cineguild, had launched a national campaign to secure a talented unknown for the title role.
'Please, sir – I want some more." Rationing was still in force when, under the eye of David Lean's camera, a thin, pale eight-year-old boy named John Howard Davies raised his gruel bowl and dared to request a second serving. That image of Davies in Oliver Twist (1948) spoke to the mood of the moment – suggesting the sort of deprivation that postwar Britain was attempting to legislate out of existence. One scene called for Davies, who has died of cancer aged 72, and his fellow child actors to look on enviously as the bigwigs of the workhouse devoured a great pile of pastries, hams and chicken. The astonished expressions are genuine. None of these boys had ever seen food like it.
The film's production company, Cineguild, had launched a national campaign to secure a talented unknown for the title role.
- 8/25/2011
- by Matthew Sweet
- The Guardian - Film News
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