Directed by
Walter Lang |
Writing Credits
John McNulty | ... | (New Yorker article) |
Phoebe Ephron | ... | (screenplay) and |
Henry Ephron | ... | (screenplay) |
Cast (in credits order) verified as complete
Produced by
Samuel G. Engel | ... | producer |
Music by
Lionel Newman |
Cinematography by
Joseph LaShelle |
Editing by
J. Watson Webb Jr. |
Art Direction by
Lyle R. Wheeler | ... | (as Lyle Wheeler) |
Joseph C. Wright |
Set Decoration by
Thomas Little | ||
Stuart A. Reiss | ... | (as Stuart Reiss) |
Costume Design by
Edward Stevenson |
Makeup Department
Ben Nye | ... | makeup artist |
Esperanza Corona | ... | hair stylist (uncredited) |
Frank Prehoda | ... | makeup artist (uncredited) |
Production Management
Gaston Glass | ... | production manager (uncredited) |
Second Unit Director or Assistant Director
Hal Klein | ... | assistant director (uncredited) |
Sound Department
Roger Heman Sr. | ... | sound (as Roger Heman) |
George Leverett | ... | sound |
Special Effects by
Fred Sersen | ... | special effects |
Camera and Electrical Department
Don Anderson | ... | camera operator (uncredited) |
Harry R. Jones | ... | grip (uncredited) |
Robert A. Petzoldt | ... | gaffer (uncredited) |
Al St. Hilaire | ... | still photographer (uncredited) |
Costume and Wardrobe Department
Charles Le Maire | ... | wardrobe director |
Music Department
Earle Hagen | ... | orchestrator |
Lionel Newman | ... | musical director (uncredited) |
Script and Continuity Department
Weslie Jones | ... | script supervisor (as Wesley Jones) |
Additional Crew
Jerry Bryan | ... | dialogue director (uncredited) |