George Raft made a conscious decision to play ethical central characters--tough on his pocketbook, perhaps, but doing what was necessary. He turned down parts that others made successful in the popular sense; but "Johnny Allegro" was worth making, as "High Sierra" was not, not as "fiction". And this was a man who had scene first hand the negative influence gangsters could have on lives. In this case, Raft agreed to play a character well within his somewhat-limited range. Johnny Allegro is no saint, no genius. But he is a man willing to do the right thing to square himself with the law, and help the police investigate an "untouchable", a Mr. Big brilliant played by George Macready. Ted Tetzlaff directed this interesting mission film, with his usual skill, from a script by Karen de Wolf, Gene Endore and James Edward Grant. The idea is that Macready smuggles men to a remote Caribbean island, men who need to escape the law, and they then serve his criminal organization loyally because they must. Johnny's police pals set him up as a man on the lam for having killed a policeman to make his escape, all faked; then he is able to join another escapee and find his way to the island through the villain's usual channels. Then he falls in love with someone Macready, the usual Renaissance man and intellectual villainized in US films--holds as his prize possession--lovely Nina Foch, his wife. Investigating the island to which he has been spirited, he finds a way to call in the cops and cover his actions. But then he and Foch must escape Macready and his bow and arrow--with which he kills the disloyal in his empire...The film is attractive in B/W but not stylish; yet the cast is above average. other players include Will Geer as Raft's boss who believes in him,, Thomas Browne Henry as his boss who does not, Gloria Henry, Ivan Triesault, Harry Antrim, Bill Phillips, and many others. George Duning wrote the fine music and Frank Tuttle did the elaborate set decorations. The other element in the film is the noir mission sense of being beyond help, and the growing romance between Raft and the brilliant Nina Foch, who for once is given a sympathetic part in a film. This is a well- paced, interesting and well-mounted "B" effort; and one that bears repeated watching for its mystery, its situation-derived characters and the under-theme of loyalty which is interestingly examined. Above average.
17 Reviews
Too much to handle
bkoganbing9 May 2014
Johnny Allegro has George Raft in the title role as an ex-con trying to go straight. Under an alias he's living life as a hotel florist, but manages to get himself involved with the beautiful Nina Foch and get himself framed for a cop killing.
Foch is slightly married to the epicene George MacReady whom the Feds want to nab real bad. It's not just his elaborate counterfeiting operation that they want to shut down. MacReady is being financed by the Soviet Union and he's got quite a setup in distributing counterfeit and raking off a big bundle from his Soviet handler Ivan Triesault. MacReady and Foch live in fine style on an unknown Caribbean island that the Feds would like to know the location of to bust MacReady and his operation. In the end MacReady proves too much for his Soviet bosses.
Not so with Raft and his contact Will Geer who plays a Treasury agent. Geer in many spots steals the film from the leads with a nice laconic performance, not unlike his Wyatt Earp in Winchester 73.
Johnny Allegro is typical of the action/noir type films that Raft was doing at this point in his career. Soon he'd be working for Poverty Row Lippert films and Johnny Allegro from Columbia's B picture unit looked like Citizen Kane next to their stuff.
Fans of George Raft will be pleased. Especially with that ending borrowed from The Most Dangerous Game.
Foch is slightly married to the epicene George MacReady whom the Feds want to nab real bad. It's not just his elaborate counterfeiting operation that they want to shut down. MacReady is being financed by the Soviet Union and he's got quite a setup in distributing counterfeit and raking off a big bundle from his Soviet handler Ivan Triesault. MacReady and Foch live in fine style on an unknown Caribbean island that the Feds would like to know the location of to bust MacReady and his operation. In the end MacReady proves too much for his Soviet bosses.
Not so with Raft and his contact Will Geer who plays a Treasury agent. Geer in many spots steals the film from the leads with a nice laconic performance, not unlike his Wyatt Earp in Winchester 73.
Johnny Allegro is typical of the action/noir type films that Raft was doing at this point in his career. Soon he'd be working for Poverty Row Lippert films and Johnny Allegro from Columbia's B picture unit looked like Citizen Kane next to their stuff.
Fans of George Raft will be pleased. Especially with that ending borrowed from The Most Dangerous Game.
Ex-gangster ends up being hunted on a remote Caribbean island - great B-Movie.
Wilbur-101 October 2000
Good crime/gangster film which, as Leonard Maltin notes, has similar elements to 'The Most Dangerous Game' throughout much of its second half.
George Raft plays the title character, a reformed hoodlum, who now runs a florist shop (!!) in a hotel. He encounters a mysterious blonde, of the femme fatale variety, and winds up involved in a counterfeiting operation. Most of the action then takes place on an island off Florida where the womens husband is a tall, blonde master-criminal who enjoys hunting with a bow and arrow.
Everything here is above average and the film comes together in all areas very well. The interplay between Allegro and the evil, sophisticated Morgan Vallin, is similar to many a James Bond film with mutual distrust and respect between the two antagonists.
With good performances all round, a brisk plot and the inventiveness of the storyline, 'Johnny Allegro' is well worth watching for B-movie fans. The director was better known as a cinematographer, and his obvious skills are shown to good effect.
George Raft plays the title character, a reformed hoodlum, who now runs a florist shop (!!) in a hotel. He encounters a mysterious blonde, of the femme fatale variety, and winds up involved in a counterfeiting operation. Most of the action then takes place on an island off Florida where the womens husband is a tall, blonde master-criminal who enjoys hunting with a bow and arrow.
Everything here is above average and the film comes together in all areas very well. The interplay between Allegro and the evil, sophisticated Morgan Vallin, is similar to many a James Bond film with mutual distrust and respect between the two antagonists.
With good performances all round, a brisk plot and the inventiveness of the storyline, 'Johnny Allegro' is well worth watching for B-movie fans. The director was better known as a cinematographer, and his obvious skills are shown to good effect.
Decent but not a must-see.
planktonrules10 April 2010
Warning: Spoilers
This is an interesting film for its supporting cast. If you see the film, look for Gloria Henry (Dennis' mom from the TV show "Dennis the Menace") and Will Geer. You don't see a young Will Geer in many films, as he was blacklisted not too long after he made this film due to his very liberal politics (even by Hollywood standards). As for Henry, it's tough to recognize her at first, as she is very fast-talking and a bit fresh--and quite cute. She just doesn't look or act much like Dennis' mom! The film stars George Raft during his 'wooden phase'. After he was no longer a tough-guy with Warner Brothers (in the 30s and early 40s), he settled into a long string of much more sedate roles--playing heroic types with very little energy in his performances. It was like the tough persona was in slow-motion in these later films--not exactly unpleasant but with very little of the bravura and intensity of his earlier roles...and a bit wooden. You may not have noticed this, but I've seen enough of his films to see there is a clear difference--and many of the films were made by second-tier studios such as Columbia as well as some UK productions. I noticed another reviewer said Raft is "a bit bland at times" and this is clearly the case in his post-war films--they just lack zip!
This film finds the ex-con Johnny Allegro (Raft) getting tangled up in a killing, as he appears to kill a cop. However, after he makes his escape with the dame (Nina Foch), you learn that the shooting was a ruse--and Apollo's gun loaded with blanks as he's working with Federal agents! Why? Because they wanted someone to infiltrate the criminal empire run by a creepy and probably sexually impotent man (George Macready). Can Apollo get to in good with the gang? Will he be killed by the gang? Can he, somehow, still get the girl? Will the audience by a 54 year-old man as an action hero?
Overall, this is a pleasant little noir film from Columbia. While it's not great film noir and Raft has definitely done better stuff, it's a good but rather slow-paced gangster film. With a bit more energy and an actor who didn't appear a bit old for the role, it might have been a bit better. But as for Macready, it's another excellent menacing performance--as no one could do BAD quite like him!
This film finds the ex-con Johnny Allegro (Raft) getting tangled up in a killing, as he appears to kill a cop. However, after he makes his escape with the dame (Nina Foch), you learn that the shooting was a ruse--and Apollo's gun loaded with blanks as he's working with Federal agents! Why? Because they wanted someone to infiltrate the criminal empire run by a creepy and probably sexually impotent man (George Macready). Can Apollo get to in good with the gang? Will he be killed by the gang? Can he, somehow, still get the girl? Will the audience by a 54 year-old man as an action hero?
Overall, this is a pleasant little noir film from Columbia. While it's not great film noir and Raft has definitely done better stuff, it's a good but rather slow-paced gangster film. With a bit more energy and an actor who didn't appear a bit old for the role, it might have been a bit better. But as for Macready, it's another excellent menacing performance--as no one could do BAD quite like him!
With two you get Allegro
sol12183 February 2010
Warning: Spoilers
**SPOILERS** Tough guy George Raft is fugitive from the law Johnny Rock who's now on the lamb as the genteel and soft spoken hotel florist Johnny Allgero trying to live his life on the straight and narrow. That's until Johnny runs into, while delivering flowers, mystery woman Glenda Chapman, Nina Foch, who's being tracked down by the US Treasury Department. Not at first knowing what he's getting himself into, in his involvement with Glenda, Johnny is soon contacted by US Treasury Agent Schulty, Will Green, who fills him in on all the details.
It seems that Glenda's husband Morgan Vallin, George MacReady, together with his Commie secret agents is in the process of destroying the US economy by passing off as much as a half billion dollars in counterfeit money while playing the horses at the local, Hialeah & Gulfstream, Florida racetracks. This gets real serious, which is why the US Government is now taking a keen interest in it, in that Vallin is in fact, even though it's not mentioned in the movie, a paid Soviet Agent himself who's working for the NKVD to undermine with his two Soviet controllers Vetch & Gote, Ivan Triesdault & Walter Rode, the US currency exchange by devaluation the US Dollar in flooding the country, as well as the world, with fake US currency! It's now Johnny's job, like it or not, to stop Vallin and his Commie friends from passing hundreds of millions of fake US dollars through racetracks and casinos by getting in good with him and finding out where he has the phony money stashed! If Johnny succeeds he's get a pardon from the President that will have his sentence of ten years behind bars, at Sing Sing Prison, reduced to time served!
Johnny using his wit charm as well as tough guy good looks soon get's Glenda to see things his way in going against her scare-faced husband Vallin and his gang who was keeping her in the dark about what his sinister motives are. Glenda thought that he was just a run of the mill Hollywood type gangster not a Communist Agent planing to destroy her, as well as 150 million other Americans, way of life!
Even though George Raft was in his mid fifties at the time he did look and act convincingly, as Johnny Allegro, as the no BS sh*t-kicking though guy that we all got to know and love in his younger days in the many previous gangster films he stared in. We learned earlier in the movie that Johnny while on the lamb from the law did his patriotic duty by joining the O.S.S, predecessor to the C.I.A, and US paratroopers, while in his late 40's, to fight the Japs in the Pacifc! That despite the fact that Johnny was a fugitive from the law at the time that he did it!
It seems that Glenda's husband Morgan Vallin, George MacReady, together with his Commie secret agents is in the process of destroying the US economy by passing off as much as a half billion dollars in counterfeit money while playing the horses at the local, Hialeah & Gulfstream, Florida racetracks. This gets real serious, which is why the US Government is now taking a keen interest in it, in that Vallin is in fact, even though it's not mentioned in the movie, a paid Soviet Agent himself who's working for the NKVD to undermine with his two Soviet controllers Vetch & Gote, Ivan Triesdault & Walter Rode, the US currency exchange by devaluation the US Dollar in flooding the country, as well as the world, with fake US currency! It's now Johnny's job, like it or not, to stop Vallin and his Commie friends from passing hundreds of millions of fake US dollars through racetracks and casinos by getting in good with him and finding out where he has the phony money stashed! If Johnny succeeds he's get a pardon from the President that will have his sentence of ten years behind bars, at Sing Sing Prison, reduced to time served!
Johnny using his wit charm as well as tough guy good looks soon get's Glenda to see things his way in going against her scare-faced husband Vallin and his gang who was keeping her in the dark about what his sinister motives are. Glenda thought that he was just a run of the mill Hollywood type gangster not a Communist Agent planing to destroy her, as well as 150 million other Americans, way of life!
Even though George Raft was in his mid fifties at the time he did look and act convincingly, as Johnny Allegro, as the no BS sh*t-kicking though guy that we all got to know and love in his younger days in the many previous gangster films he stared in. We learned earlier in the movie that Johnny while on the lamb from the law did his patriotic duty by joining the O.S.S, predecessor to the C.I.A, and US paratroopers, while in his late 40's, to fight the Japs in the Pacifc! That despite the fact that Johnny was a fugitive from the law at the time that he did it!
A Little "Most Dangerous Game" Thrown In
blanche-214 May 2014
George Raft is "Johnny Allegro" in this 1949 B movie also starring Nina Foch, Will Geer, and George Macready. Raft plays a florist who is in actuality an escaped prisoner in hiding; he's approached by treasury agent Geer to clear his record by getting cozy with a woman he just met (Foch). Her husband (Macready) is distributing counterfeit (and ripping off his Soviet boss). They live on an island in the Caribbean. While she's trying to get out of town and away from the Feds, Raft kills a police officer to help her. Then he insists that she take him along or he'll be captured. This sets him up with her suspicious husband (McCready).
Not bad; the ending is reminiscent of "The Most Dangerous Game." George Raft couldn't act, but for someone who played gangsters so much, he had a warmth and a smoothness. By 1949, some of his gravitas had gone, but he was still pleasant to watch. When I was growing up, Nina Foch was playing skinny socialites on TV. It's always nice to see her as a young leading woman. Will Geer as the treasury agent is delightful, very laid back.
You might want to see this for the cast.
Not bad; the ending is reminiscent of "The Most Dangerous Game." George Raft couldn't act, but for someone who played gangsters so much, he had a warmth and a smoothness. By 1949, some of his gravitas had gone, but he was still pleasant to watch. When I was growing up, Nina Foch was playing skinny socialites on TV. It's always nice to see her as a young leading woman. Will Geer as the treasury agent is delightful, very laid back.
You might want to see this for the cast.
Make it a 6.5!
AlsExGal1 May 2020
Of the countless tough guy melodramas that featured George Raft in the late '40s and early '50s, this slick Columbia production ranks a notch or two above most. Raft plays a gangster escaped from prison who is recruited by the Treasury Department to help them land a gang of counterfeiters.
It's not so much the plot that demands attention here as it is Columbia's effort to superficially remind its audience of one of its biggest hits of a few years before, Gilda. This is to the extent of casting George Macready as the cultured head of the counterfeiters. (You know he's cultured because he listens to classical music). He also prefers the use of a bow and arrow (a man's weapon) over that of a gun. Ballin in Gilda is now called Vallin.
His wife, whom Allegro desires, of course, is played by a sophisticated Nina Foch. Her character's name? Glenda. Not quite Gilda, but close enough. And then, of course, there are the leading men in the two films, both named Johnny.
With that bow and arrow fetish of Macready the audiences knows, too, that it probably won't be long before another variation of The Most Dangerous Game gets played out. Macready is fun to watch, even if there is a feeling of having seen much of this same act before. Raft is Raft. Did ever a block of wood dress better? And Nina Foch, well, she'll never replace the memory of Hayworth's vamp.
It's not so much the plot that demands attention here as it is Columbia's effort to superficially remind its audience of one of its biggest hits of a few years before, Gilda. This is to the extent of casting George Macready as the cultured head of the counterfeiters. (You know he's cultured because he listens to classical music). He also prefers the use of a bow and arrow (a man's weapon) over that of a gun. Ballin in Gilda is now called Vallin.
His wife, whom Allegro desires, of course, is played by a sophisticated Nina Foch. Her character's name? Glenda. Not quite Gilda, but close enough. And then, of course, there are the leading men in the two films, both named Johnny.
With that bow and arrow fetish of Macready the audiences knows, too, that it probably won't be long before another variation of The Most Dangerous Game gets played out. Macready is fun to watch, even if there is a feeling of having seen much of this same act before. Raft is Raft. Did ever a block of wood dress better? And Nina Foch, well, she'll never replace the memory of Hayworth's vamp.
bow and arrow
SnoopyStyle30 November 2021
Johnny Allegro (George Raft) is a florist in Los Angeles with a dark secret. Femme fatale Glenda Chapman (Nina Foch) gets him to help elude the police. Treasury Department agents blackmail him into going undercover to discover her secret plot.
Setting up the plot is a little bit wonky and a little rushed. Raft does fine but this cannot rise above its B-movie nature. There is also an element of James Bond villainy and trying to be high class style. I sorta expected Allegro to order a martini although Raft is definitely no Bond. The movie is trying to be a few things at the same time but it falls a little flat. The tension is never raised that high. The bow and arrow is probably the definition of that. It's a little odd but it's not intense. It's also a little camp like summer camp. I'm giving this a passing grade.
Setting up the plot is a little bit wonky and a little rushed. Raft does fine but this cannot rise above its B-movie nature. There is also an element of James Bond villainy and trying to be high class style. I sorta expected Allegro to order a martini although Raft is definitely no Bond. The movie is trying to be a few things at the same time but it falls a little flat. The tension is never raised that high. The bow and arrow is probably the definition of that. It's a little odd but it's not intense. It's also a little camp like summer camp. I'm giving this a passing grade.
Bright Film Noir
byron-11628 January 2020
A curious mix of standard plot devices
LCShackley20 September 2008
A decade before TV brought us Johnny Staccato, Columbia Pictures presented Johnny Allegro, a florist with a concession in a fancy hotel who gets wrapped up in a police manhunt.
We start with what appears to be a typical Hitchcock setup: an innocent man gets drawn into peril thanks to a leggy blonde. But is Allegro truly as innocent as he appears? Not in the eyes of "Schultzy" the cop (played convincingly by Will Geer, almost unrecognizable to those of us who only remember him as "Grandpa Walton").
So now we have a new plot developing: a crook infiltrating another crook's operation in order to clear his name with the police. He ends up in a swanky manor on a secluded Florida island, trying to track down some counterfeit money that could ruin the US economy.
And finally, we end up with a finale that steals a page or two from "The Most Dangerous Game," as Raft is hunted across the island by a foe with a bow.
In my opinion, Raft was too old for this role, and not terribly convincing as an action figure. The plot seems like a jigsaw puzzle made from three different boxes that don't quite match, and there's nothing outstanding about the visual aspect of the picture. It's got some good moments (mostly thanks to Geer and Foch) but overall it's not satisfying. More like Johnny Andante, not quite up to speed.
We start with what appears to be a typical Hitchcock setup: an innocent man gets drawn into peril thanks to a leggy blonde. But is Allegro truly as innocent as he appears? Not in the eyes of "Schultzy" the cop (played convincingly by Will Geer, almost unrecognizable to those of us who only remember him as "Grandpa Walton").
So now we have a new plot developing: a crook infiltrating another crook's operation in order to clear his name with the police. He ends up in a swanky manor on a secluded Florida island, trying to track down some counterfeit money that could ruin the US economy.
And finally, we end up with a finale that steals a page or two from "The Most Dangerous Game," as Raft is hunted across the island by a foe with a bow.
In my opinion, Raft was too old for this role, and not terribly convincing as an action figure. The plot seems like a jigsaw puzzle made from three different boxes that don't quite match, and there's nothing outstanding about the visual aspect of the picture. It's got some good moments (mostly thanks to Geer and Foch) but overall it's not satisfying. More like Johnny Andante, not quite up to speed.
Excellent suspense film from Columbia
shakspryn11 December 2017
Columbia was known for often having tighter budgets than the other major studios, but this is a worthy effort. One good point is that they use plenty of exteriors, especially with motor boats and on the mysterious island where most of the story takes place.
Raft, Foch and Macready all are very good. The feeling of this movie is much like that of "Key Largo", which was around the same time.
The pacing of the film is enjoyable, and there are no slow stretches. There is a lot of character development for viewers to appreciate. The villain of the story would be worthy of a James Bond movie! The front door to his mansion is the biggest front door I've ever seen, worthy of a castle. Take special notice of the villain's huge library room--it's a virtuoso display of imaginative and evocative set decoration. The designer had a lot of fun with that!
The movie is a fine example of late 1940's film noir. Raft gives a thoughtful, understated performance. Foch is sultry. Well worth seeing.
Raft, Foch and Macready all are very good. The feeling of this movie is much like that of "Key Largo", which was around the same time.
The pacing of the film is enjoyable, and there are no slow stretches. There is a lot of character development for viewers to appreciate. The villain of the story would be worthy of a James Bond movie! The front door to his mansion is the biggest front door I've ever seen, worthy of a castle. Take special notice of the villain's huge library room--it's a virtuoso display of imaginative and evocative set decoration. The designer had a lot of fun with that!
The movie is a fine example of late 1940's film noir. Raft gives a thoughtful, understated performance. Foch is sultry. Well worth seeing.
George Raft is fine, but a little bland at times.
mrbill-2315 December 2009
I know the '49 film "Johnny Allegro" was late in George Raft's career and he was at or near age 54 when he did this picture in Los Angeles, but since the film is in black and white it also hides a lot of aged looks on an actor's face, etc..... However, "Johnny Allegro" is still one of his better starring efforts.....
Odd as it seems, George Raft is one of my top classic gangster figures from the golden age of Hollywood. However, I must admit, George Raft was usually better when he was the supporting actor and not so much as the lead.. I guess the reason is, as a supporter in a film, George Raft had the opportunity of working with guys like James Cagney, Pat O'Brien, Paul Muni and Humphrey Bogart... Even if the script was below par, with the aide of an all-star cast it often can lift a poor film up a bit because of the cast of actors appearing in the scenes together.... I noticed that when George Raft was the lead actor, he often was forced to carry the film alone and was working with good but "Lesser" actors who weren't as popular with film viewer's.... Thus, those type of films get reduced to "B" quality.....
I guess that George Raft's peak years in Hollywood was more than likely between 1938 to 1945...... By '45 George Raft was age 50 and fully wearing some upper hair-piece to cover the horse shoe.... Cheers to George Raft....
MR.BILL Raleigh
Odd as it seems, George Raft is one of my top classic gangster figures from the golden age of Hollywood. However, I must admit, George Raft was usually better when he was the supporting actor and not so much as the lead.. I guess the reason is, as a supporter in a film, George Raft had the opportunity of working with guys like James Cagney, Pat O'Brien, Paul Muni and Humphrey Bogart... Even if the script was below par, with the aide of an all-star cast it often can lift a poor film up a bit because of the cast of actors appearing in the scenes together.... I noticed that when George Raft was the lead actor, he often was forced to carry the film alone and was working with good but "Lesser" actors who weren't as popular with film viewer's.... Thus, those type of films get reduced to "B" quality.....
I guess that George Raft's peak years in Hollywood was more than likely between 1938 to 1945...... By '45 George Raft was age 50 and fully wearing some upper hair-piece to cover the horse shoe.... Cheers to George Raft....
MR.BILL Raleigh
interesting but silly
tireless_crank27 January 2006
Warning: Spoilers
While Raft never does any role is any way but very straight forward, the image of the hero is just too starched. Raft ends up on a tropical island without a change of clothes yet in the succeeding days he always appears in the same suit and tie, often with a hat, always perfect. He runs through the steaming jungle and never appears sweaty - what a hero! It is these kinds of conceits that seemed so cool now make these B thrillers just silly. The mastermind, George MacCready, with his smooth evil voice was the real star; the unlikely use of a bow and arrow as his offensive weapon of choice, along with the ease with which this slightly built man drew back the nominally 70 lb bow, made everything fun. No this things don't have to make sense, but they were enjoyable and exciting when the world was simpler and young.
A SCATTERED WIDE-OPEN TONE...A DULL GEORGE RAFT VEHICLE...A GOOD LOOKING PRODUCTION
LeonLouisRicci10 September 2021
Another one of those that is Forced into the Film-Noir Genre and yet Another "Johnny" Crime Movie.
It's a Story about an X-Con Trying to make Amends. The Government is Involved in a Counterfeit Scheme by Foreign Enemies to Weaken America's Economy.
A Fine Production with Sprawling Locations, some Good Sets, and a Villain's Villain George MaCready Playing a Character Named Vallin.
Nina Foch is Not a Beauty's Beauty but is Beautiful Enough to Attract the Dead-Panned George Raft in yet Another Dull Static Performance.
The Film Looks Great but is Hardly Noir and MaCready's Weapon of Choice (a bow and arrow) is just Awkward. Meant to be Eccentric but comes off as Silly.
Worth a Watch for the Overall but Nothing Special.
It's a Story about an X-Con Trying to make Amends. The Government is Involved in a Counterfeit Scheme by Foreign Enemies to Weaken America's Economy.
A Fine Production with Sprawling Locations, some Good Sets, and a Villain's Villain George MaCready Playing a Character Named Vallin.
Nina Foch is Not a Beauty's Beauty but is Beautiful Enough to Attract the Dead-Panned George Raft in yet Another Dull Static Performance.
The Film Looks Great but is Hardly Noir and MaCready's Weapon of Choice (a bow and arrow) is just Awkward. Meant to be Eccentric but comes off as Silly.
Worth a Watch for the Overall but Nothing Special.
"From now on call me Robin Hood."
coltras3510 April 2021
An ex-gangster (Raft), now a florist, is hired by a federal agent to go undercover and keep tabs on Nina Foch, and after a nifty set-up, Nina takes him to an island where her crime lord husband (Macready), who enjoys hunting humans for sport, playing with his bow and arrow, revelling in the comforts of his room regaled with trophies, and relaxes to classical music, reigns supreme. Cautiously he integrates Raft into his crime ring, and Raft has the tenuous task to get enough info to get Macready arrested.
One of my fave Raft thrillers, Johnny Allegro goes at a nippy pace, is thoroughly engaging, and the ending -a la the most Dangerous Game - is a tense one. Stone-faced tough guy Raft is his usual reliable self, delivering wry quips, countering Macready's sanctimonious and snobby commentary. But Macready, a scene stealer as the bow and arrow-toting villain, has some good lines ("But your type never changes. Just looking at you makes one think of alley fighting, tommy guns."). Just love his voice, has enough menace to shame a rattler. The beautiful Nina Foch is very good as his wife. Highly enjoyable Raft thriller.
One of my fave Raft thrillers, Johnny Allegro goes at a nippy pace, is thoroughly engaging, and the ending -a la the most Dangerous Game - is a tense one. Stone-faced tough guy Raft is his usual reliable self, delivering wry quips, countering Macready's sanctimonious and snobby commentary. But Macready, a scene stealer as the bow and arrow-toting villain, has some good lines ("But your type never changes. Just looking at you makes one think of alley fighting, tommy guns."). Just love his voice, has enough menace to shame a rattler. The beautiful Nina Foch is very good as his wife. Highly enjoyable Raft thriller.
Memorable George Raft mystery.
vitaleralphlouis11 June 2010
Warning: Spoilers
I first saw JOHNNY ALLEGRO over 60 years ago at age 11. Back then kids would often enjoy certain adult movies and stretch their minds and outlook a bit; unlike 2010 when adults have to settle for badly made boring action movies aimed at 9 year old's, with few crumbs for grown ups. I hunted for JOHNNY ALLEGRO for over 5 years on eBay and other sources of rare movies before finally buying a copy made off the Mystery Channel.
Raft plays an ex-con on the lamb working as a florist in LA when he's picked up by long-and lean Nina Foch trying to bypass the detective on her tail. Before very long he's deeply whisked away to a private island off Florida which serves as HQ for a band of traitors trying to destroy the American economy with a flood of counterfeit money. George MacReady is the chief bad guy, a skilled and very intelligent psycho.
Poor tough guy George Raft is forced to contend with repeatedly having to kiss Nina Foch who is 2 1/2 inches taller. Being a He-man he rises to the occasion nicely; and I'd like to try that someday: kissing one taller.
An enjoyable mystery, not a film noir, like they never make anymore.
Raft plays an ex-con on the lamb working as a florist in LA when he's picked up by long-and lean Nina Foch trying to bypass the detective on her tail. Before very long he's deeply whisked away to a private island off Florida which serves as HQ for a band of traitors trying to destroy the American economy with a flood of counterfeit money. George MacReady is the chief bad guy, a skilled and very intelligent psycho.
Poor tough guy George Raft is forced to contend with repeatedly having to kiss Nina Foch who is 2 1/2 inches taller. Being a He-man he rises to the occasion nicely; and I'd like to try that someday: kissing one taller.
An enjoyable mystery, not a film noir, like they never make anymore.
Raft vs McReady
searchanddestroy-116 May 2023
This is one more more or less MOST DANGEROUS GAME rip-off, where the main interest is for me the face off between George Raft and George Mcready, the two most notorious villains of those days; I am not sure they played together before or after. Maybe I am wrong.... This is one good film from director Tetzlaff, a good noir adventure movie, but unfortunately too predictable for my taste. Forget it if you wish to really enjoy this movie, focus on the directing and this splendid cast: Mcready - Raft. It is not a wide known feature, such a shame, because it is worth watching, no matter my own taste concerning the ending for instance. Excellent little gem.
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