Ginny Di and Christina Dark are, as you can already guess, professional cosplayers that are currently at the top of their game and have used the social media platform Patreon to help their ascent. Both Di and Dark have impressive followings that are currently helping them to create more more and designs to produce images of fan favorite characters that are able to satisfy those same people that will gladly support this art style. What Patreon does is take pledges from those that wish to donate their money towards the gear and designs used by professional cosplayers to help them
Cosplayers Ginny Di and Christina Dark Love to Tease Spider-Man...
Cosplayers Ginny Di and Christina Dark Love to Tease Spider-Man...
- 8/9/2017
- by Wake
- TVovermind.com
A few years ago, in commemoration of the 10th anniversary of the death of influential film critic Pauline Kael, I wrote the following:
“I think (Kael) did a lot to expose the truth… that directors, writers and actors who often work awfully close to the surface may still have subterranean levels of achievement or purpose or commentary that they themselves may be least qualified to articulate. It’s what’s behind her disdain for Antonioni’s pontificating at the Cannes film festival; it’s what behind the high percentage of uselessness of proliferating DVD commentaries in which we get to hear every dull anecdote, redundant explication of plot development and any other inanity that strikes the director of the latest Jennifer Aniston rom-com to blurt out breathlessly; and it is what’s behind a director like Eli Roth, who tailors the subtext of something like Hostel Part II almost as...
“I think (Kael) did a lot to expose the truth… that directors, writers and actors who often work awfully close to the surface may still have subterranean levels of achievement or purpose or commentary that they themselves may be least qualified to articulate. It’s what’s behind her disdain for Antonioni’s pontificating at the Cannes film festival; it’s what behind the high percentage of uselessness of proliferating DVD commentaries in which we get to hear every dull anecdote, redundant explication of plot development and any other inanity that strikes the director of the latest Jennifer Aniston rom-com to blurt out breathlessly; and it is what’s behind a director like Eli Roth, who tailors the subtext of something like Hostel Part II almost as...
- 4/2/2017
- by Dennis Cozzalio
- Trailers from Hell
The character setup in this classy noir potboiler couldn't be better, with Ida Lupino a sensation as the mountain lodge chanteuse who knows her way around men. For its first two acts the show is all but perfect. Road House Blu-ray Kl Studio Classics 1948 / B&W / 1:37 flat Academy / 95 min. / Street Date September 13, 2016 / available through Kino Lorber / 29.95 Starring Ida Lupino, Cornel Wilde, Celeste Holm, Richard Widmark, O.Z. Whitehead, Robert Karnes, George Beranger, Ian MacDonald, Ray Teal. Cinematography Joseph Lashelle Film Editor James B. Clark Original Music Cyril J. Mokridge Written by Edward Chodorov, Margaret Gruen, Oscar Saul Produced by Edward Chodorov Directed by Jean Negulesco
Reviewed by Glenn Erickson
For the first two-thirds of Jean Negulesco's Road House I thought I was seeing one of the best films noirs of the late 1940s, and even when it sagged at the end it came up with a pretty good score.
Reviewed by Glenn Erickson
For the first two-thirds of Jean Negulesco's Road House I thought I was seeing one of the best films noirs of the late 1940s, and even when it sagged at the end it came up with a pretty good score.
- 8/15/2016
- by Glenn Erickson
- Trailers from Hell
Sophisticated and witty actor who triumphed on Broadway and won an Oscar
Celeste Holm, who has died aged 95, was the original Ado Annie in Richard Rodgers and Oscar Hammerstein's groundbreaking musical Oklahoma! which opened on Broadway in 1943. In I Cain't Say No, she sang: "I cain't be prissy and quaint / I ain't the type that can faint." Annie was a none-too-bright farm girl, but Holm was a smart, witty and sophisticated actor, whom everybody seemed to like. Many years later, during the interval of a Broadway show, she came out on stage and made a plea for her mental-health charity. It was done with such sincerity and passion that the audience could not fail to pay up.
On screen, Holm was the first woman to sing the Cole Porter song Who Wants to Be a Millionaire?, sharing the delightful duet with Frank Sinatra in High Society (1956). Holm and Sinatra...
Celeste Holm, who has died aged 95, was the original Ado Annie in Richard Rodgers and Oscar Hammerstein's groundbreaking musical Oklahoma! which opened on Broadway in 1943. In I Cain't Say No, she sang: "I cain't be prissy and quaint / I ain't the type that can faint." Annie was a none-too-bright farm girl, but Holm was a smart, witty and sophisticated actor, whom everybody seemed to like. Many years later, during the interval of a Broadway show, she came out on stage and made a plea for her mental-health charity. It was done with such sincerity and passion that the audience could not fail to pay up.
On screen, Holm was the first woman to sing the Cole Porter song Who Wants to Be a Millionaire?, sharing the delightful duet with Frank Sinatra in High Society (1956). Holm and Sinatra...
- 7/16/2012
- by Ronald Bergan
- The Guardian - Film News
Article Templatehttp://link.brightcove.com/services/link/bcpid1119669402http://www.brightcove.com/channel.jsp?channel=769341148Updated 11:43 a.m. Pt March 26
Richard Widmark, who won a best supporting actor Oscar nomination for his first movie role in the 1947 gangster film "Kiss of Death," has died. He was 93.
Widmark's wife, Susan Blanchard, said the actor died Monday at his home in Roxbury, Conn. She would not provide details of his illness and said funeral arrangements are private.
Widmark, who often played heavies, received his Oscar nomination for his portrayal of a laughing psychopathic murderer who pushed a crippled old woman down a flight of stairs. Usually associated with villainous roles, he played another heavy in the film noir "Road House" the following year. Yet he made his mark as the cynical hero of Samuel Fuller's "Pickup on South Street" in 1953. His gritty persona also suited him well for Westerns, playing...
Richard Widmark, who won a best supporting actor Oscar nomination for his first movie role in the 1947 gangster film "Kiss of Death," has died. He was 93.
Widmark's wife, Susan Blanchard, said the actor died Monday at his home in Roxbury, Conn. She would not provide details of his illness and said funeral arrangements are private.
Widmark, who often played heavies, received his Oscar nomination for his portrayal of a laughing psychopathic murderer who pushed a crippled old woman down a flight of stairs. Usually associated with villainous roles, he played another heavy in the film noir "Road House" the following year. Yet he made his mark as the cynical hero of Samuel Fuller's "Pickup on South Street" in 1953. His gritty persona also suited him well for Westerns, playing...
- 3/26/2008
- by By Duane Byrge
- The Hollywood Reporter - Movie News
Richard Widmark, the actor whose menacing portrayals in numerous film noir thrillers made him synonymous with the genre, died Monday at age 93. According to news reports, the actor passed away at his home in Roxbury, CT after a long illness. Widmark appeared on both radio and the stage before making one of the most auspicious -- and audacious -- debuts in film history as the giggling killer Tommy Udo, a man who pushes an old lady in a wheelchair down a flight of stairs, in the 1947 thriller Kiss of Death; the film earned him an Academy Award nomination for Best Supporting Actor, a Golden Globe for New Star Of The Year, and a contract with 20th Century Fox. His portrayals of hard-boiled men, sometimes criminals, sometimes just plain amoral, made him an instant star, and he played villains in The Street with No Name, Road House, and Yellow Sky. He notoriously menaced Marilyn Monroe in Don't Bother to Knock, played a racist criminal in No Way Out, and was a pickpocket caught up in a Communist spy ring in Pickup on South Street. Widmark proved he could also play against type as a doctor tracking down a killer infected with the bubonic plague in Panic in the Streets, and a doomed con man in Jules Dassin's Night and the City. The actor worked consistently throughout his career, adding Westerns to his repertoire with roles in Broken Lance, The Alamo, Cheyenne Autumn (directed by John Ford), and How the West Was Won, and appeared in the Oscar-winning Judgment at Nuremberg as well. He segued into television in the 1970s as Madigan (based on his 1968 film of the same name, directed by Don Siegel), and received an Emmy nomination for 1972's Vanished, where he played the President of the United States with a secret to hide. Other notable films during the 1970s and 1980s included Murder on the Orient Express, The Domino Principle, Coma, and the film noir update Against All Odds; his last role was in the 1991 political drama True Colors, after which he retired from filmmaking. Widmark is survived by his second wife, Susan Blanchard, and his daughter, Anne, from his first marriage to screenwriter Jean Hazlewood, who died in 1997. --Mark Englehart, IMDb staff...
- 3/26/2008
- IMDb News
Richard Widmark, who won a best supporting actor Oscar nomination for his first movie role in the 1947 gangster film Kiss of Death, has died. He was 93.
Widmark's wife, Susan Blanchard, said the actor died Monday at his home in Roxbury, Conn. She would not provide details of his illness and said funeral arrangements are private.
Widmark, who often played heavies, received his Oscar nomination for his portrayal of a laughing psychopathic murderer who pushed a crippled old woman down a flight of stairs. Usually associated with villainous roles, he played another heavy in the film noir Road House the following year. Yet he made his mark as the cynical hero of Samuel Fuller's Pickup on South Street in 1953. His gritty persona also suited him well for Westerns, playing in such John Ford Westerns as Two Rode Together and Cheyenne Autumn. He played the title role in the New York cop story, Madigan (1968) for director Don Siegel. Throughout his career, Widmark was especially gifted in showing the psychological cracks and ticks of otherwise solid authority figures.
Widmark was born on Dec. 26, 1914, in Sunrise, Minn., and grew up in Princeton, Ill.
Widmark's wife, Susan Blanchard, said the actor died Monday at his home in Roxbury, Conn. She would not provide details of his illness and said funeral arrangements are private.
Widmark, who often played heavies, received his Oscar nomination for his portrayal of a laughing psychopathic murderer who pushed a crippled old woman down a flight of stairs. Usually associated with villainous roles, he played another heavy in the film noir Road House the following year. Yet he made his mark as the cynical hero of Samuel Fuller's Pickup on South Street in 1953. His gritty persona also suited him well for Westerns, playing in such John Ford Westerns as Two Rode Together and Cheyenne Autumn. He played the title role in the New York cop story, Madigan (1968) for director Don Siegel. Throughout his career, Widmark was especially gifted in showing the psychological cracks and ticks of otherwise solid authority figures.
Widmark was born on Dec. 26, 1914, in Sunrise, Minn., and grew up in Princeton, Ill.
- 3/26/2008
- The Hollywood Reporter - Movie News
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