Directed by
| Lewis Milestone | ||
Writing Credits
| Lewis Milestone | ... | (screenplay by) and |
| Harry Brown | ... | (screenplay by) |
| Erich Maria Remarque | ... | (from the novel by) |
| Irwin Shaw | ... | (uncredited) |
Cast (in credits order) verified as complete
Produced by
| Charles Einfeld | ... | executive producer (uncredited) |
| Otto Klement | ... | associate producer |
| David Lewis | ... | producer (produced by) |
| David L. Loew | ... | executive producer (uncredited) |
| Joseph Henry Steele | ... | assistant producer (uncredited) |
Music by
| Louis Gruenberg | ||
Cinematography by
| Russell Metty | ... | director of photography |
Editing by
| Duncan Mansfield | ||
Casting By
| Billy Selwyn | ... | (uncredited) |
Production Design by
| William Cameron Menzies | ||
Art Direction by
| William Flannery | ... | (as William E. Flannery) |
Set Decoration by
| Edward G. Boyle | ||
Costume Design by
| Marion Herwood Keyes | ... | (wardrobe designed by) |
| William Cannell | ... | (uncredited) |
Makeup Department
| Gustaf Norin | ... | makeup supervisor (as Gustaf M. Norin) |
| George Bruce | ... | makeup artist (uncredited) |
| Lillian Lashin | ... | hair stylist: Miss Bergman (uncredited) |
| Ann Locker | ... | hair stylist (uncredited) |
Production Management
| Joseph C. Gilpin | ... | executive production manager |
Second Unit Director or Assistant Director
| Robert Aldrich | ... | assistant director |
| Nate Watt | ... | second unit director |
| Georges Lampin | ... | assistant director: European sequence (uncredited) |
| Albert Van Schmul | ... | second assistant director (uncredited) |
| Al Westen | ... | second assistant director (uncredited) |
Art Department
| Robert H. Moreland | ... | special scenic effects (as Robert M. Moreland) |
| Buddy Betzholdt | ... | paint foreman (uncredited) |
| William Garrett | ... | draper (uncredited) |
| Charles Gay | ... | assistant set decorator (uncredited) |
| Mike Gordon | ... | prop foreman (uncredited) |
| Archie Hall | ... | construction foreman (uncredited) |
| Al Hersh | ... | prop foreman (uncredited) |
| Louis Hoenig | ... | greensman (uncredited) |
| Howard E. Johnson | ... | assistant art director (uncredited) |
| Dave Katzman | ... | location props (uncredited) |
| Ernie McCarty | ... | stand-by painter (uncredited) |
| Roger McDonald | ... | illustrator (uncredited) |
| John Orlando | ... | prop foreman (uncredited) |
| Albert M. Pyke | ... | chief draftsman (uncredited) |
| James Trepeck | ... | prop foreman (uncredited) |
Sound Department
| Frank Webster | ... | sound engineer |
| Earl Crain Jr. | ... | boom operator (uncredited) |
| John K. Kean | ... | sound recordist (uncredited) |
| William Mills | ... | cable person (uncredited) |
| W.C. Smith | ... | sound mixer (uncredited) |
Special Effects by
| Louis Hopper | ... | special effects (uncredited) |
Visual Effects by
| Mario Castegnaro | ... | process department |
Camera and Electrical Department
| Robert Dabke | ... | company grip (uncredited) |
| Walter Dalton | ... | company grip (uncredited) |
| Durward Graybill | ... | still photographer (uncredited) |
| Ledge Haddow | ... | focus puller (uncredited) |
| C.K. Hancock | ... | gaffer: stills (uncredited) |
| John Leeds | ... | assistant camera (uncredited) |
| Guy Merry | ... | best boy (uncredited) |
| George Neff | ... | gaffer (uncredited) |
| John L. Russell | ... | camera operator (uncredited) |
| Charles Sattler | ... | grip: stills (uncredited) |
| Scotty Welbourne | ... | chief still photographer (uncredited) |
| Walter Young | ... | company grip (uncredited) |
Casting Department
| Barbara Canterbury | ... | casting assistant (uncredited) |
| Jasper Russel | ... | casting assistant (uncredited) |
Costume and Wardrobe Department
| Edith Head | ... | costumes designer: Ingrid Bergman |
| Brent Brentford | ... | wardrobe (uncredited) |
| Thelma Courtmarsh | ... | wardrobe (uncredited) |
| Eugene Joseff | ... | costume jeweller (uncredited) |
| Ned Lambert | ... | wardrobe manager (uncredited) |
| Paul McCardle | ... | wardrobe (uncredited) |
| Nan Tate | ... | seamstress (uncredited) |
| Ruth Woods | ... | wardrobe (uncredited) |
Editorial Department
| Martha Dresback | ... | negative cutter (uncredited) |
| Eleanor Harrison | ... | assistant editor (uncredited) |
Music Department
| Rudolph Polk | ... | musical director |
| Morris Stoloff | ... | conductor |
| Ilia Khmara | ... | coach: gypsy folk music for Ingrid Bergman (uncredited) |
| Joseph Nussbaum | ... | orchestrator (uncredited) |
| Leonid Raab | ... | orchestrator (uncredited) |
Script and Continuity Department
| Evelyn Earle | ... | script supervisor (uncredited) |
Transportation Department
| Bob Russell | ... | transportation manager (uncredited) |
Additional Crew
| Michel Bernheim | ... | technical advisor |
| Serge Bertensson | ... | dialogue director (uncredited) |
| Bob Blowitz | ... | publicity director (uncredited) |
| Raphael Bretton | ... | technical advisor (uncredited) |
| Forrest Damewood | ... | first aid (uncredited) / technical advisor: medical scenes (uncredited) |
| Lida Dolan | ... | secretary to director (uncredited) |
| Harry S. Franklin | ... | assistant to second unit director (uncredited) |
| Rochelle Friedburg | ... | production secretary (uncredited) |
| Loretta Jones | ... | payroll clerk (uncredited) |
| Georges Kessel | ... | advisor: French scenes (uncredited) |
| Norman Lloyd | ... | production assistant (uncredited) |
| Simon R. Mitchneck | ... | dialogue coach: Charles Boyer (uncredited) |
| Hal Plante | ... | watchman (uncredited) |
| Ruth Roberts | ... | dialogue coach: Ingrid Bergman (uncredited) |
| Dario Sabatello | ... | advisor: Ingrid Bergman's Italian in death sequence (uncredited) / publicist: foreign (uncredited) |
| John Strauss | ... | unit publicist (uncredited) |
