Agrega una trama en tu idiomaIn Holland, Pluto acts as a milkman (dog?) leaving canisters of milk on the town's doorsteps. While going about his job, he falls head over heels in love with Dinah the dachshund. In his ent... Leer todoIn Holland, Pluto acts as a milkman (dog?) leaving canisters of milk on the town's doorsteps. While going about his job, he falls head over heels in love with Dinah the dachshund. In his enthusiasm, he accidentally rings the dike bell causing the town to think the dike is leaking... Leer todoIn Holland, Pluto acts as a milkman (dog?) leaving canisters of milk on the town's doorsteps. While going about his job, he falls head over heels in love with Dinah the dachshund. In his enthusiasm, he accidentally rings the dike bell causing the town to think the dike is leaking. When the fraud is exposed, Pluto and Dinah are kicked out of the town. Upon leaving, the... Leer todo
- Dirección
- Guionistas
- Elenco
Fotos
- Farmer
- (sin créditos)
- …
- Lady
- (sin créditos)
- Pluto
- (voz)
- (sin créditos)
- …
- The Mayor
- (sin créditos)
- …
- Pluto
- (sin créditos)
- …
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
All in all, while not much new story-wise, In Dutch is a winner. 9/10 Bethany Cox
Milk dog Pluto romances the Mayor's hound, Dinah, in old Holland, the land of windmills, wooden shoes...and leaky dykes.
Underneath the colorful setting, the story & animation for IN DUTCH are both routine & unexciting. Nice use is made, though, of the evocative background paintings during the town scenes.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
Inexplicably, Pluto is in Holland and meets up with a cute girl wiener dog The fall for each other, but Pluto soon gets in trouble over a dike alarm (no joke intended) and they are cast out of the town. However, soon the dike really IS about to burst and the two dogs do their best to save the very stupid residents--who keep thinking that Pluto is once again signaling a false alarm. I say let 'em die, but Pluto is a nice dog and does his dog-gone best to get their attention. In the end, Pluto is a hero and the town is saved.
It's a pretty nice cartoon, except for the annoying way they portray the Dutch--who sound too German and too stupid. But, nevertheless, it's pretty good.
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- ConexionesEdited into Disneylandia: The Coyote's Lament (1961)
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Detalles
- Tiempo de ejecución7 minutos
- Relación de aspecto
- 1.37 : 1
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