User reviews

We saw this film sometime in the late 1980's on the old AMC. You remember AMC, the station that didn't like colorized or edited movies. That showed films how they were meant to. Well enough of that.

The HAPPY LAND was one (1) of those fine WWII films that gave you a peek of what the home front was like and the effects the war had upon it. This was effectively and economically done. Not as long as SINCE YOU WENT AWAY or the HUMAN COMEDY more in line with the FIGHTING SULLIVANS another seldom seen home front film. Or at least seldom seen since AMC went to seed.

The importance of these films is to give a glimpse into the lives of our parents or grandparents and not just the war, but the effects of rationing, personal loss and the fear that we could lose. Many young people have no concept what a close run thing WWII was. Not that we would have been conquered. But that Asia and Europe would have been dominated by two (2) powers both with a race superiority agendas. The NAZI Germans who wanted to create a master race and Imperial Japan who thought they WERE the master race.

The film as far as we know is unavailable on any video format. Seems like a shame when so much bad material is rushed to DVD. 20th Century Fox should do something about this. After all they have released A YANK IN THE R.A.F which main claim to fame is Betty Grable and Tyrone Power.

Years ago (1980's) I happened on this film just as it was beginning on AMC. At that time I was a newly licensed pharmacist (less than 5 years experience.) I couldn't stop watching it. There on the screen was the story of a druggist like I'd always thought it should be--respected in his community, devoted to his fellow citizens' health, and always available night and day. This was the life I'd thought I was supposed to have before the reality of modern health insurance had fully settled on me. Don Ameche played the role perfectly. Harry Carry as the ghost of 'Gramps', Ameche's grandpa and druggist mentor, could not have been better cast. The central role of the Marsh drugstore was also perfectly set. This was like being in the era. Even a non-pharmacist would find this to be a charming look at an older generations' simpler life. Even with a world-war raging, the drugstore with its soda fountain and variety of dry goods was always there. People met their future spouses at the soda fountain, were able to find just the right remedy for what ailed and could get there favorite bath oils,etc. This is a must-see film for any pharmacist or anyone else who longs for the good-old-days. Anyone would find the story moving and even though most scenes take place in the drugstore, there is plenty of story to keep your attention. This film should be released on DVD. I know every pharmacist would want a copy.

Happy Land is a film set firmly in time and place during the World War II era. Had this been attempted during subsequent military involvements the USA has been involved in Happy Land would have been hooted off the screen.

As it is Don Ameche, Frances Dee, Harry Carey and the rest are held firmly in check by director Irving Pichel, if they weren't this film would have more tears than the Mississippi.

Happy Land is set in small town Midwest USA in Iowa. Ameche and Dee receive that most dreaded of telegrams between 1941 and 1945 from the Navy Department informing them that their son and one and only child Richard Crane has been killed in action in the Pacific.

Ameche totally withdraws into himself, not even going to his pharmacy to tend to his business there. It's then that he receives a visit from his long deceased grandfather Harry Carey. It's then he has an It's A Wonderful Life experience only it's a lot more reassuring and it's not his life.

Short and sweet Richard Crane had a wonderful life and he died so that others might enjoy freedom. You could never make this message film about any subsequent war.

Happy Land's message is why we fight and die in 1943. It's a great fantasy film unlikely to be remade.

I loved this movie and I highly suggest you catch this movie if you can. If for the very least, to see Harry Morgan (aka the crusty Col. Potter from TV's M*A*S*H) back when he was just a kid at 28 years old.

The other reason is it's a sweet and warm story of a small town family and how it deals with post WWII. The film's cinematography is a vivid Hallmark card of 1940s Americana.

There's a really tender scene where Morgan, a recent vet from the war, helps Don Ameche, the father of a fellow soldier stock the shelves of Ameche's Pharmacy. The art direction of this film is amazing as well.

Also look for Morgan as the mysterious bad guy in "The Big Clock" circa 1948 with Ray Milland which has an analagous plot line to "No Way Out" with Kevin Costner.

When Randy Marsh is killed in action during WWII, his father, Lew (Don Ameche), takes it very hard. He is depressed and wonders if the loss was worth it. Fortunately, God takes pity on him and sends Lew's dead father (Harry Carey) back to help him through the death. Magically, dead dad transforms Lew back in time and they view Lew's life as well as Randy as he grows to manhood. It's all very nostalgic as well as highly reminiscent of Dickens' "A Christmas Carol"--and that is a fundamental weakness of the film. It IS derivative and it also puts forth a strange message that the boy's death wasn't so bad after all. Clearly the film was intended as propaganda in order to try to get the public to accept the necessity of their sons' deaths fighting the Axis powers. Fortunately, following this weird ghostly meeting, the film works very well when one of Randy's pals (Harry Morgan) arrives to visit with the Marsh family. Overall, while I wasn't thrilled by the style of the film (i.e., the ghost story element), the film worked very well because of the great acting and the lovely way the film was directed. Worth seeing even if by today's standards it's a bit old fashioned.

An old-timer comes down from heaven and walks a despondent middle aged family man from Anytown U.S.A. through his memories after the latter has suffered a major setback in life so that by the end his peace of mind is restored. Sound familiar? Well, "It's A Wonderful Life" it isn't but this is still a pleasant enough fantasy feature obviously made to bolster the war effort and act as a consolation to those families who lost their sons and daughters in the fighting.

This time there's no angel seeking its wings, popular drug-store owner Don Ameche's accompanist is his old, long-dead father who fought in the First World War. Gramp, (Harry Carey Sr.) as he's called obviously can't stand to see his son lose the will to live and so pays his ailing boy an extra-terrestrial visit in particular to reconcile him with his grief after Ameche's only son Rusty has fallen in battle trying to save another man while serving in the Far East with the Navy.

There are no real special effects to speak of and the story doesn't have the dramatic arc of Capra's classic, as we tag along with Ameche and Carey's gentle walk around their old town and their remembrances of the much loved boy, the point having been made earlier that the boy came into the world pretty much as his grandad was leaving it, so even though they hardly met, there is also an emotional connection between grandfather and grandson.

There's a nice coda to the piece when Rusty's Navy mate, played by a young Henry Morgan of TV's "M.A.S.H." fame, calls on his late buddy's parents and finally convinces them, especially the formerly morose father, that their son's sacrifice was worthwhile and that they can move on with their lives while still cherishing his memory.

Although not much happens between Gramp's arrival and departure, this is still an amiable feature with its pleasant reconstruction of small town life during the war with the drugstore and its attendant soda fountain a vibrant meeting point for the townsfolk young and old.

Personally I think a little more fantasy and perhaps a brief "return" by the son at the end might have proven slightly more satisfactory, in terms of content but this was a pleasant well-meaning morale-boosting piece which achieved its brief.

I thought this was a wonderfully nostalgic movie. The acting is well done, and the end is just a real tear-jerker. It brings back the feelings that I believe really did exist in WWII, right down to the fateful trip the girl from Western Union had to make to deliver the telegram that said his son died. Excitement, no. A few laughs, yes. Great nostelgic drama with a good story line.

Written by the man who brought us Glory for Me, the novel behind the film The Best Years of Our Lives, MacKinlay Kantor brought wartime audiences another tearjerker: Happy Land. Bring your Kleenexes, folks. This is a very sad movie, and while it still maintains the Americana patriotism as other war movies, this one is especially sad. The start of the movie starts with a soldier's death, so there's no wondering as to whether or not he survives.

Don Ameche, with gray in the temples, runs a small town drugstore. He's well known and respected in town, and he has a happy marriage with Frances Dee. Then, they receive a telegram from the War Department with bad news about their son. For the rest of the movie, Don gets consumed by his grief and loses himself in flashbacks about his son's life. Frances hardly has any part, so don't expect any "long suffering Mom" scenes. I would have liked to see her show off her acting chops, but this is Don's show. And he does it very well! He's completely believable as a small town druggist. He doesn't exactly throw away his lines, but he acts as if he's been saying them for thirty years. It's a very natural performance, which adds to the sadness of the plot.

He gets a visit from his deceased grandfather, Harry Carey, and shows audiences a precursor of It's a Wonderful Life. It's not exactly the same, but an angelic figure does walk the despondent protagonist through different memories to show how precious life really is. There's no Mr. Gower the druggist (or is Don Ameche a version of him?) but there is an engraved present upon graduation, tucked away petals of a flower, and a flirtatious girl and steady girl vying for the attentions of the man behind the counter. If you made it through The Human Comedy, you can make it through this one. It's not really a movie you can enjoy, but you can appreciate the acting and the powerful patriotism behind it. And as "The End" comes on the screen, there's the classic "Buy your war bonds" advertisement, which I'm sure everyone did. After they wrung out their handkerchiefs.

Don Ameche's son is killed in WW II. Can grandpa Harry Carey, returning from the dead, convince a grieving Ameche that his life, his son's life, and this whole war is worth his son's sacrifice, and get Ameche to believe his small town is indeed HAPPY LAND?

Despite a wonderful opening sequence, reminiscent of the homespun melancholy of the better parts of Our Town and Since You Went Away, this is a rather superficial and bland treatment of the grief of a good, if temporarily embittered man, whose son has died in the war. Ameche, a decent enough actor, does not have skill to bring off his role, and Harry Carey, with his mono-tonal voice, and facial expressions running the gamut of emotions from A to B, makes conversations about life and death as enchanting as a conversation about whether to pick up milk at the store. The result might be truly Midwestern in its emotions, but it's questionable whether that's a good thing.

Much of the movie is flashbacks to the life of Ameche's child (though, interestingly, we do not see the kid actually fighting in the war). There's nothing especially interesting in the flashbacks, nor, really, is there much there that would provide comfort to Ameche. A final scene, where Ameche learns from a young Harry Morgan how his son died heroically, works somewhat better, simply because Morgan's flat Midwestern delivery and Ameche's flat Midwestern delivery grounds what has been rather leaden supernatural stuff in a bit of reality. Whether Ameche, under these circumstances, would find the will to go on again after all this, is questionable.

A comparison between this film and It's A Wonderful Life is inevitable, as they deal with the same basic situation. This film, far more low key and far less extreme than the Stuart/Capra collaboration, might be more appealing to folks who prefer their fantastic/supernatural cinema to be realistic. But to this viewer, the far more dramatic events and emotional acting of Stuart makes his movie more fun to watch and, oddly enough, more believable.

Assessment -- Don't avoid this movie. You might like it. Alas, I did not.

I reviewed this back in 2001 and since then I have found it on DVD. I did a Google search for the title and I eventually came up with a place that sells self-copied movies that have fallen into the public domain. These folks had a ton of movies I never even heard of! I purchased a copy and it came in a case with a "home-made" cover insert as well. The quality of the copy was good. Sorry but it has been several years since I purchased it so I cannot give you a link - but Google it and you will most likely find it. Will also throw in a comment on another post- I loved the old AMC - uncut, no commercials, no colorized movies. What happened along the way? It was great having all those movies with no interruptions. I suppose they figured out that you can make a lot more $$$ by doing it the way they do now. It's a shame cause they played movies you absolutely cannot find.

Low-key, poignant, unjustly neglected WWII morale booster directed with sensitivity by Irving Pichel (THE MOST DANGEROUS GAME). Apparently, Frank Capra and his IT'S A WONDERFUL LIFE writers were duly impressed as well: the Capra classic contains key elements straight out of HAPPY LAND, from a disillusioned middle-ager receiving spiritual aid from an otherworldly visitor to a four-leaf clover forerunner of Zuzu's petals.

Don Ameche (in an impressively understated turn) plays an embittered, grief-stricken father who has lost his son in combat; Harry Carey co-stars as the ghostly grandpa who takes Ameche on a trip down memory lane, charting the boy's growth from childhood to manhood and in the process giving meaning to his wonderful life and sacrificial death.

Homage, coinkydink or outright thievery by Capra and company? You be the judge.

Finding this oddity on cable recently, I was quickly seduced by its opening sequence, a Welles-like plunge down main street into a small everytown's heart, Marsh's pharmacy. Here, as some clever camera work reveals, solid citizen Lew Marsh (Don Ameche) tends to the blisses of early 40's Hollywood America; everyone's prescription is filled, sundaes topped off with a cherry, local oddballs humored, etc.

What most recommends the film is its frame narrative. Quickly the idyll is broken when Marsh learns his son has been killed in the war. He sinks into a lengthy depression. Enter the ghost of Gramp to conduct psychotherapy: he spirits Marsh back into the past where we relive the childhood, adolescence, and early adulthood of the now-dead Rusty. While the mid-section unfolds linearly, Marsh and Gramp function offscreen as a Greek chorus (their melancholy dialogue often a grim counterpoint to the generally cheerful scenes). Then it's back to the present where an exorcized Marsh learns to stop questioning the wisdom of sacrificing young men in war. "Rusty died a good death," Gramp's ghost counsels, and we know it's only a matter of time before Marsh will agree.

Three years before "It's A Wonderful Life" (1946), "Happy Land" was already hijacking the "Christmas Carol" device of reliving the past on a therapeutic sightseeing tour. Unlike the Stewart film, though, the tone is more darkly somber, lingeringly mournful. The theme of sorrow outweighs the theme of recovery. Ameche looks and sounds wracked, bitter.

In fact, the film's heart is scarcely in its chief enterprise, which is to steel its audience for more wartime sacrifice. It seems at times almost to be working against its own message that war deaths are "good deaths." I imagine it may have helped salve some broken hearts, but the crime of this type of film is that, if it succeeds, it only helps to break more.

Perhaps it's because I'm an atheist, but I found the storyline difficult to swallow. Stories with similar ghostly apparitions usually follow a plausible logic, but for this film that seems to have gone out the window. I can understand why it was used, I can only guess that the character they picked for the ghost was chosen so the film wouldn't appear to have copied other films too closely, but whatever the reasoning,while it might have worked as a pivotal plot device in a discussion, for my money it just detracts from what otherwise would have been a competent and nicely acted look at life, loss and recovery in war-time. Don Ameche in particular gives a wonderful performance, but there is no getting away from that mis-placed ghost.

Overall, this film falls within the much larger group of films from this period during screenings of which I like to call, "Buy war bonds!" Not as propagandistic as, say, THOUSANDS CHEER, HAPPY LAND can boast of a relatively amazing performance by a young Harry Morgan, as well as a generally high quality of acting on the part of the star, Don Ameche. Harry Carey, as Gramp, is a bit over the top, however. When HAPPY LAND doesn't remind you of an advertisement for the U.S. War Dept., it will remind you of IT'S A WONDERFUL LIFE. Unless you're a die-hard Harry Morgan fan, save yourself the trouble and see Jimmy Stewart relive HIS life in a small town. It's a bit more interesting.

Saw this movie with my family in 1943 at age 10. We all liked it, even though it made us sad. Seems like it starts with Rusty already dead, killed in the war. Then there are flashbacks to his childhood. What it said to me back then was: war makes no sense. I'm not sure that's what was intended.