Through the years, as the Batman legend has kept evolving, so has his arch-villain nemesis: the Clown Prince of Crime. Every era gets the Joker it deserves, and under the greasepaint, this most iconic of bad guys is a complex character: He needs to be funny to become truly terrifying. Joaquin Phoenix is primed to take on the role in Todd Phillips’ heavily anticipated new Joker, but the intense star is just the latest wild card in a stacked deck of you-know-whats. Here’s a breakdown of the actors who...
- 10/2/2019
- by Rob Sheffield
- Rollingstone.com
This article marks Part 3 of the Gold Derby series analyzing 84 years of Best Original Song at the Oscars. Join us as we look back at the timeless tunes recognized in this category, the results of each race and the overall rankings of the Academy Awards winners.
The 1941 Oscar nominees in Best Original Song were:
“Out of the Silence” from “All-American Co-Ed”
“Blues in the Night” from “Blues in the Night
“Boogie Woogie Bugle Boy of Company” from “Buck Privates”
“Baby Mine” from “Dumbo”
“The Last Time I Saw Paris” from “Lady Be Good”
“Dolores” from “Las Vegas Nights”
“Be Honest with Me” from “Ridin’ on a Rainbow”
“Chattanooga Choo Choo” from “Sun Valley Serenade”
“Since I Kissed My Baby Goodbye” from “You’ll Never Get Rich”
Won: “The Last Time I Saw Paris” from “Lady Be Good”
Should’ve won: “Boogie Woogie Bugle Boy of Company B” from “Buck Privates...
The 1941 Oscar nominees in Best Original Song were:
“Out of the Silence” from “All-American Co-Ed”
“Blues in the Night” from “Blues in the Night
“Boogie Woogie Bugle Boy of Company” from “Buck Privates”
“Baby Mine” from “Dumbo”
“The Last Time I Saw Paris” from “Lady Be Good”
“Dolores” from “Las Vegas Nights”
“Be Honest with Me” from “Ridin’ on a Rainbow”
“Chattanooga Choo Choo” from “Sun Valley Serenade”
“Since I Kissed My Baby Goodbye” from “You’ll Never Get Rich”
Won: “The Last Time I Saw Paris” from “Lady Be Good”
Should’ve won: “Boogie Woogie Bugle Boy of Company B” from “Buck Privates...
- 7/30/2018
- by Andrew Carden
- Gold Derby
Wonderful isn't a good enough word to describe this joyful, funny and visually intoxicating Alice Faye musical by Busby Berkeley. Decades later it became part of a big Camp revival, but the real draw is still the Benny Goodman swing music, delightful performers like Carmen Miranda, and Berkeley's bizarre Technicolor visions. The Gang's All Here Blu-ray Twilight Time 1943 / Color / 1:37 Academy / 103 min. / Street Date July 19, 2016 / Available from Twilight Time Movies Store 29.95 Starring Alice Faye, Carmen Miranda, Phil Baker, Benny Goodman and Orchestra, Eugene Pallette, Charlotte Greenwood, Edward Everett Horton, Tony De Marco, James Ellison, Sheila Ryan, Dave Willock, Jeanne Crain, Frank Faylen, June Haver, Adele Jergens. Cinematography Edward Cronjager Special Effects Fred Sersen Original Music Harry Warren, Leo Robin, Hugo Friedhofer, Arthur Lange, Cyril J. Mockridge, Alfred Newman, Gene Rose Written by Walter Bullock, Nancy Wintner, George Root Jr., Tom Bridges Produced by William LeBaron Directed by Busby Berkeley
Reviewed...
Reviewed...
- 7/29/2016
- by Glenn Erickson
- Trailers from Hell
The icon-establishing performances Marilyn Monroe gave in Howard Hawks’ Gentlemen Prefer Blondes (1953) and in Billy Wilder’s Some Like It Hot (1959) are ones for the ages, touchstone works that endure because of the undeniable comic energy and desperation that sparked them from within even as the ravenous public became ever more enraptured by the surface of Monroe’s seductive image of beauty and glamour. Several generations now probably know her only from these films, or perhaps 1955’s The Seven-Year Itch, a more famous probably for the skirt-swirling pose it generated than anything in the movie itself, one of director Wilder’s sourest pictures, or her final completed film, The Misfits (1961), directed by John Huston, written by Arthur Miller and costarring Clark Gable and Montgomery Clift.
But in Don’t Bother to Knock (1952) she delivers a powerful dramatic performance as Nell, a psychologically devastated, delusional, perhaps psychotic young woman apparently on...
But in Don’t Bother to Knock (1952) she delivers a powerful dramatic performance as Nell, a psychologically devastated, delusional, perhaps psychotic young woman apparently on...
- 4/11/2016
- by Dennis Cozzalio
- Trailers from Hell
Betty Hutton bio: The Blonde Bombshell Energetic, electric, exuberant, effusive, brassy, spunky, hyper, manic — these are all qualities that could (and most likely have been) used to describe Betty Hutton, a top 1940s Paramount star also known as "The Blonde Bombshell," "The Blonde Blitz," and/or "The Incendiary Blonde." (Photo: Betty Hutton ca. 1945-1950.) Throughout the years, Betty Hutton’s fiery blondeness entertained some, while turning off others and leaving others yet exhausted. She seemed to be perennially in hyperkinetic mode, whether playing 1910s film serial heroine Pearl White in The Perils of Pauline or fretting about (possibly) being pregnant — without knowing which of several happy sailors is the baby’s father — in Preston Sturges’ The Miracle of Morgan’s Creek. But she "wasn’t all just a zany comedian," as Turner Classic Movies host Robert Osborne recently remarked. "The thing about Betty Hutton was she could also sing a song and break your heart,...
- 6/9/2013
- by Andre Soares
- Alt Film Guide
Los Angeles — Ann Rutherford, the demure brunette actress who played the sweetheart in the long-running Andy Hardy series and Scarlett O'Hara's youngest sister in "Gone With the Wind," has died. She was 94.
A close friend, actress Anne Jeffreys, tells the Los Angeles Times ( ) that Rutherford died Monday night at her home in Beverly Hills. She had heart problems and was in declining health. http://lat.ms/MEPubi
The Andy Hardy series, a hugely popular string of comical, sentimental films, starred Lewis Stone as a small-town judge and Mickey Rooney as his spirited teenage son.
Rutherford first appeared in the second film of the series, "You're Only Young Once," in 1938, and she went on 11 more. She played Polly Benedict, the ever-faithful girlfriend that Andy always returned to, no matter what other, more glamorous girl had temporarily caught his eye. (Among the other girls: Judy Garland and Lana Turner.)
It was said...
A close friend, actress Anne Jeffreys, tells the Los Angeles Times ( ) that Rutherford died Monday night at her home in Beverly Hills. She had heart problems and was in declining health. http://lat.ms/MEPubi
The Andy Hardy series, a hugely popular string of comical, sentimental films, starred Lewis Stone as a small-town judge and Mickey Rooney as his spirited teenage son.
Rutherford first appeared in the second film of the series, "You're Only Young Once," in 1938, and she went on 11 more. She played Polly Benedict, the ever-faithful girlfriend that Andy always returned to, no matter what other, more glamorous girl had temporarily caught his eye. (Among the other girls: Judy Garland and Lana Turner.)
It was said...
- 6/12/2012
- by AP
- Huffington Post
Hollywood actor best known for the Hardy family films and her role as Careen, Scarlett O'Hara's sister, in Gone With the Wind
Ann Rutherford, who has died aged 94, was adept at portraying pluck and persistence. As Polly Benedict, Andy Hardy's ever-faithful girlfriend, in 13 of the 15 Hardy family film series made between 1937 and 1946, she had to wait around for Mickey Rooney's accident-prone adolescent to return to her after some dalliance with another girl. Andy would seek advice on romance from his stern but wise and fair father, Judge Hardy (Lewis Stone). "Dad, can I talk to you man to man? Can a guy be in love with two girls at once?" Inevitably, Andy would realise, with hints from his dad, that Polly was his own true love.
The Hardy series, one of the most popular in screen history, was the archetypal idealisation of small-town America and apple-pie family values, with...
Ann Rutherford, who has died aged 94, was adept at portraying pluck and persistence. As Polly Benedict, Andy Hardy's ever-faithful girlfriend, in 13 of the 15 Hardy family film series made between 1937 and 1946, she had to wait around for Mickey Rooney's accident-prone adolescent to return to her after some dalliance with another girl. Andy would seek advice on romance from his stern but wise and fair father, Judge Hardy (Lewis Stone). "Dad, can I talk to you man to man? Can a guy be in love with two girls at once?" Inevitably, Andy would realise, with hints from his dad, that Polly was his own true love.
The Hardy series, one of the most popular in screen history, was the archetypal idealisation of small-town America and apple-pie family values, with...
- 6/12/2012
- by Ronald Bergan
- The Guardian - Film News
Gone With The Wind Actress Ann Rutherford Dies. [Photo: Ann Rutherford as Carreen O'Hara, Evelyn Keyes as Suellen O'Hara in Gone with the Wind.]
Ann Rutherford‘s most notable screen roles were in films made away from both MGM and Wallace Beery. She was a young woman who falls for trumpeter George Montgomery in Archie Mayo’s 20th Century Fox musical Orchestra Wives (1942), and became enmeshed with (possibly) amnesiac Tom Conway in Anthony Mann’s Rko thriller Two O’Clock Courage (1945).
Following a couple of minor supporting roles — in the Danny Kaye comedy The Secret Life of Walter Mitty (1947) at Goldwyn and the Errol Flynn costumer The Adventures of Don Juan (1948) at Warner Bros. — and the female lead in the independently made cattle drama Operation Haylift (1950), opposite Bill Williams, Ann Rutherford retired from the screen. (Rutherford would later say that her Operation Haylift experience was anything but pleasant.)
She then turned to television, making regular television appearances in the ’50s (The Donna Reed Show, Playhouse 90,...
Ann Rutherford‘s most notable screen roles were in films made away from both MGM and Wallace Beery. She was a young woman who falls for trumpeter George Montgomery in Archie Mayo’s 20th Century Fox musical Orchestra Wives (1942), and became enmeshed with (possibly) amnesiac Tom Conway in Anthony Mann’s Rko thriller Two O’Clock Courage (1945).
Following a couple of minor supporting roles — in the Danny Kaye comedy The Secret Life of Walter Mitty (1947) at Goldwyn and the Errol Flynn costumer The Adventures of Don Juan (1948) at Warner Bros. — and the female lead in the independently made cattle drama Operation Haylift (1950), opposite Bill Williams, Ann Rutherford retired from the screen. (Rutherford would later say that her Operation Haylift experience was anything but pleasant.)
She then turned to television, making regular television appearances in the ’50s (The Donna Reed Show, Playhouse 90,...
- 6/12/2012
- by Andre Soares
- Alt Film Guide
Following the news of Etta James's death at 73, Digital Spy takes a look at some of her most memorable songs below: > Etta James 1938-2012: Reactions
> Etta James 1938-2012: A career in pictures 'Good Rocking Daddy' (1955)
James scored her second chart hit in 1955 with this rock 'n' roll-meets-r&B number. Penned by Richard Berry and backed by the Maxwell Davis Orchestra, the track peaked at number six in the Us, and serves as an early indication of her soon-to-be world renowned vocal. 'At Last' (1960)
James's rendition of the song, which originally featured in the 1942 musical Orchestra Wives by a different artist, eventually became synonymous with the star. Released in 1960, it was her first R&B/pop crossover hit and launched her into the mainstream Billboard chart. In 1999, her version was honoured (more)...
> Etta James 1938-2012: A career in pictures 'Good Rocking Daddy' (1955)
James scored her second chart hit in 1955 with this rock 'n' roll-meets-r&B number. Penned by Richard Berry and backed by the Maxwell Davis Orchestra, the track peaked at number six in the Us, and serves as an early indication of her soon-to-be world renowned vocal. 'At Last' (1960)
James's rendition of the song, which originally featured in the 1942 musical Orchestra Wives by a different artist, eventually became synonymous with the star. Released in 1960, it was her first R&B/pop crossover hit and launched her into the mainstream Billboard chart. In 1999, her version was honoured (more)...
- 1/20/2012
- by By Robert Copsey
- Digital Spy
Who wants to live for ever? Well, in cinema, many apparently do. So slap on the anti-ageing cream and enjoy Phil Hoad's roundup of enduring death-defying acts
Unmanageable taboos are usually checked in to the collective unconscious, where they look after themselves. It's for our own good. Take immortality, the arch-tantaliser with the greatest price – for gods and madmen, only.
But immortality got closer, courtesy of the vampires. Hit the 1890s, and living for ever seemed no more morally burdensome than a 300-page lifestyle glossy: apply eyeshadow and ennui, fast-forward any boring epochs. In the 2010s it just means RPattz won't shag you, and his yearbook photo never changes. Admit it, time now whispers, the immortals aren't them, but us: anti-ageing pledges, nip-and-tuck, mad DNA science, the embers of religion.
But perhaps the great hereafter is no closer at all. Perhaps it's still tantalising: the neverland where death's on hold,...
Unmanageable taboos are usually checked in to the collective unconscious, where they look after themselves. It's for our own good. Take immortality, the arch-tantaliser with the greatest price – for gods and madmen, only.
But immortality got closer, courtesy of the vampires. Hit the 1890s, and living for ever seemed no more morally burdensome than a 300-page lifestyle glossy: apply eyeshadow and ennui, fast-forward any boring epochs. In the 2010s it just means RPattz won't shag you, and his yearbook photo never changes. Admit it, time now whispers, the immortals aren't them, but us: anti-ageing pledges, nip-and-tuck, mad DNA science, the embers of religion.
But perhaps the great hereafter is no closer at all. Perhaps it's still tantalising: the neverland where death's on hold,...
- 1/13/2010
- by Phil Hoad
- The Guardian - Film News
Etta James must be taking lessons from Faye Dunaway in how to be a diva. Etta James came out swinging against Beyonce for daring to perform her signature song — "At Last" — as the first dance for Barack and Michelle Obama at an inaugural ball. At a Jan. 28 concert in Seattle, the veteran singer let rip: "I tell you, that woman he has singing for him, singing my song, she gonna get her ... whipped. I can’t stand Beyonce, she had no business up there singing ... my song that I’ve been singing forever."
However, that was not the first time Beyonce had sung "At Last." She played Etta James in the December release "Cadillac Records" and performed that tune among many others in the film. And at the premiere of the picture, Beyonce sang her predecessor’s praises: "She’s a living legend and I want her to love the movie,...
However, that was not the first time Beyonce had sung "At Last." She played Etta James in the December release "Cadillac Records" and performed that tune among many others in the film. And at the premiere of the picture, Beyonce sang her predecessor’s praises: "She’s a living legend and I want her to love the movie,...
- 2/5/2009
- by tomoneil
- Gold Derby
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