The Mad Monster

I grew up with this amusing piece of silliness back in the early sixties when it used to show up as regular as the full moon on the local horror host show JEEPERS CREEPERS so I'm inclined to give it a bit of slack. The first half of it moves briskly and is helped considerably by George Zucco's mad Dr. "I'm as nutty as squirrel droppings" act. Glen Strange does a carbon copy performance of Lon Chaney Jr.'s of Mice and Men character Lenny but it's more fun to see him as the abominable snowman parody from the Bugs Bunny/Daffy Duck cartoon " What's the matter George?, You don't look so good." Once we've establish the hare brained plot and the first murder is discharged then Mad Monster becomes typical make-out fodder from the forties meaning that you look up only when you suspect a good part is coming. In my case I was sadly alone when I rewatched this film so I came out of the kitchen instead to see a couple of rantings from zucco then back to my lasagna. For horror completists it's not the worst of the lot,certainly better then most of Monogram's rock bottom efforts,but if you don't expect too much you might find it acceptable.

****SPOILERS**** The movie comes up with the bright idea of using the blood of wild animals and having it injected, by blood transfusions, into human beings. Thus combining that of the animals strength cunning and ability to hunt and take down game far bigger then itself, and only kill for food and survival, with that of the mindless and destructive mentality to kill and destroy for personal gratification and glory by man. Dr. Cameron, George Zucco, planned to create an army of mindless killers, half-man and half-beast, to be used against Hitler's vaunted Wehrmacht that would win the Second World War for the allies.

This mad idea had Dr. Cameron thrown out of the faculty of the university that he was a member of and declared insane as well as him being stripped of all his honors and accomplishments as a brilliant man of science. That left him a very bitter and vindictive man.

At his laboratory in his plantation home in the swamps the discredit Dr. Cameron was to put his experiments to a different use, against those who destroyed his professional career. Dr. Cameron has his hulking and powerful as well as harmless and simple minded handyman and gardener Petro, Glenn Strange, injected with wolf blood. That's how Dr. Cameron plans to do in those who made a monkey out of him as well as having him be the laughing stock of the scientific community.

George Zucco in one of his many mad doctor roles that he played in his long movie career is convincingly and perfectly insane as the mad Dr.Cameron. Glenn Strange is at the top of his game as the innocent and slow-witted Petro who's used by Dr. Cameron in his mad experiments as the instrument of revenge and murder.

The movie "The Mad Monster" was in some ways as insane as Dr. Cameron with his former faculty members, who should have known better, being so gullible as to fall right into the trap that he set for them. Coming over to Prof. Blaine, Robert Strange, home with Pedro Dr. Cameron tells the professor to inject Petro with a syringe of serum, wolf blood. This to be done after Dr. Cameron left and thus giving him an alibi was really brainless on the part of Prof. Blaine who was then killed by a transformed and wolf-man-like Petro. Later in the movie we have Prof. Fitzgerald, Gordon De Main, being invited to Dr. Cameron's plantation in the deserted swampland who should also have know better not to fall for Dr. Cameron's trap.

Prof. Fitzgerald having it out with Dr. Cameron about his mad monster experiments than, without thinking, has Petro, who lived at the Cameron plantation, put in his car to drive him back to town. Petro changed by a delay-action injection of wolf blood given to him by Dr. Cameron just before he left with Prof. Fitzgerald. Again Petro turned into a wolf-man and attacked Prof. Fitzgerald and made him drive off the road. Knocked out but alive Prof. Fitzgerald is saved by a group of townspeople who came to his rescue but is later killed by Dr. Cameron at his home, where he was taken for help, before he could wake up and tell the police what happened.

The ending of "The Mad Monster" was a bit too much with Petro as the wolf-man running amok at the Cameron home after it was hit by a lightning bolt and set on fire during a heavy thunderstorm with both Dr. Cameron and Petro perishing in the flames.

It was truly ironic that the movie "The Mad Monster" came up with the idea for the allies to use an army of wolf-men to fight against the German army. It was three years later in 1945 there were rumors that were taken very seriously by the allies that Hitler planned to use German guerrilla-type units to attack and battle behind the lines of the allied forces who were invading Germany; Those units were called by the German as well as the allied high command "WEREWOLVES".

Thankfully you don't need a lot of "book learnin" to understand where this thing's going... Obviously a poverty row cash-in on Universal's big hit THE WOLF MAN (which was made just one year earlier), this finds the always-watchable George Zucco in another of his patented "mad doctor" roles as brilliant, vengeance-minded scientist Lorenzo Cameron. Cameron, who has set up shop deep in the swamp lands of what I'm presuming is the Louisiana bayou, is plotting revenge against four of his former peers who both humiliated him and forced him to resign from his previous job. You see, they scoffed at his claims of being able to mix man with beast to create an unstoppable army of wolfman creatures that would come in handy during war-time. Thankfully Cameron has found the ideal test subject for his wolf blood injections - a hulking, child-like half-wit named Petro (Glenn Strange). Petro is pretty clueless as to what's going on, doesn't ask too many question and lets the doc strap him down to a table and shoot him up with whatever happens to be in his syringe. This results in a time-lapse change of man turning into a werewolf. Cameron lets him out of the mansion using a secret passageway, so you basically get a big guy (Strange was 6'5") dressed in overalls with a bushy beard, hairy paws and a set of over-sized plastic teeth, running around in the woods the majority of the time. After an eyewitness sees the beast and a little girl is killed, the locals grab their rifles and organize a posse to hunt it down. Dr. Cameron, who can control the beast with a whip and also has a handy antidote to reverse the effect, also drags Petro along to the big city to try to track down the professors who had made a mockery of his original theories and destroyed his reputation in the process. Also hanging around the house is Cameron's daughter Lenora (Anne Nagel), as well as Lenora's nosy reporter boyfriend Tom (Johnny Downs), whose first inclination is that they're dealing with an upright-walking prehistoric creature (!)

Though a typically chintzy PRC flick in many ways, with unimpressive sets, cinematography and make-ups, as well as a fairly bland supporting cast, it remains watchable thanks to the histrionics of star George Zucco. I have no clue why Downs received top billing; he shows up half-an-hour in and really doesn't have a whole lot to do, nor is he all that impressive doing it. This is Zucco's show all the way and he's great ranting and raving, talking to himself while fantasizing that he's talking to his peers ("I'm not interested in your imbecilic mouthings!") and temporarily sliding in and out of sanity. Strange seems to have patterned his performance as the hilariously naive and slow-talking semi-retarded country bumpkin around the entire oeuvre of Lon Chaney Jr., from his turn as Lenny in OF MICE AND MEN, to his performance as the aforementioned WOLF MAN. In any case, Strange and Zucco do a fairly good job playing off one another. My favorite part is when Zucco calls him his "guinea pig" in front of a colleague while Petro just sits there grinning and staring at a doorknob. Some of the foggy swamp scenes are pretty atmospheric, too.

This is a really cool movie and, no…I'm not joking! The Mad Monster is a pleasant and fairly original camp-film obviously trying to pick in on the Universal Monster successes. But who cares if it can't live up to the preciously wealthy production values of those films? I sure don't and especially not since it features werewolves and insane men of science which are my two top favorite horror topics! It stars the infamous B-movie legend George Zucco as the very devoted – but equally insane – scientist Dr. Cameron who got banned from the academic community because of his unethical and inhuman experiments. Cameron plots a violent vengeance on those who discredited them and with his groundbreaking new formulas he manages to turn his slightly retarded gardener into a ravenous werewolf. While his cute daughter is unaware of what happens in her father's lab, Cameron sends out his creation to devour his scientific competitors. I can't stress this enough: this film is fun! Not very scary, of course, and the werewolf-transformations & killings mostly happen off-screen. And even when they do make an attempt to use special effects or make up it looks really cheap and kitschy. So, lovers of new-age computerized gore should avoid this at all costs. Zucco is really terrific and the madness can be seen in his eyes throughout the entire film! He even holds imaginary meetings in his basement, trying to convince the world his visions are brilliant! I love this; Zucco surely ranks amongst cinema's most memorable demented doctors. Glenn Strange also was an outstanding casting choice to play the not-so-clever guinea pig. Strange looks an awful lot like Lon Chaney Jr. who made himself immortal one year before by playing …. The Wolf Man! If you're intrigued by undiscovered horror gems, werewolf horror films or just ordinary cult-amusement this is your film! Highly recommended!

As far as Mad Scientist B-movies go, this was pretty good. George Zucco steals the screen as always, playing his typical mad doctor role to perfection. A pre-Frankenstein Glenn Strange also throws in a decent performance (for this kind of movie) as the grounds-keeper turned into a Werewolf. If you're into this kind of flick like I am, this is highly recommended. Otherwise, you might as well skip it. Most of the actors suck, the story drags, and it borrows *cough*steals*cough heavily from Universal's 1941 film "The Wolf Man". Actually, I say check this out even if you don't normally enjoy this kind of film, you could be pleasantly surprised!

7/10