User reviews

The idea of using the books in a library to infuse characters into a plot is full of possibilities. I was a bit disappointed in the result, although there are some decent moments. Most of the books that are featured are based on well-known movies, using the actors that played those parts as caricatures. For instance, William Powell is the thin man (and he is really thin). Where it bogs down is when the musical numbers have nothing to do with the books.

As entertainment, this cartoon is really just a sequence of throwaway gags. Characters from literature and popular fiction participate in a series of mostly bad visual puns. That's the premise. The cartoon's interest actually lies elsewhere.

While we're ostensibly seeing a parody of great books, nearly every book referred to had been a film a few years prior to the release of the cartoon.

A few of the references unmistakably caricature the star of the earlier film: William Powell in "The Thin Man" series, Paul Muni in "The Story of Louis Pasteur", Charles Laughton as Captain Bligh, Edward Arnold as "Diamond Jim" Brady, Victor McLaglen as "The Informer".

Some of the gags have no real connection to the book and film: Heidi sings like Cab Calloway (hey, "Hi-De-Ho"). (And a movie audience of smirking hepcats would rather hear zoot-suited Cab than precocious Shirley Temple, anyway.) The reference to Ferber's "So Big" makes fun of a vain actress. (I'm not positive about that caricature. Katharine Hepburn perhaps? She had been box office poison for some time.) "So Red the Rose" is retitled "Nose" for a "poke" at W.C. Fields. That's not irreverent; that's an obvious buttress for his profitable screen persona.

It's plain to see that books as such are secondary. The jokes in effect are affirming a smug moviegoer's inexperience with actual literature by only showing what had been processed, and pasteurized, at the Hollywood film factory.

So we are really given a glimpse at what had succeeded in making an impression on the popular culture by 1938. As far as I can see, the films honoured by inclusion are all recent products of the studio system, with only a few exceptions.

One clearly British film is alluded to, "The 39 Steps" (1935). Does that imply that Hitchcock was making a real impact on the American mass market? Certainly Hitch came over to the States not long after 1938 (and he had made "Sabotage" in 1936 with an imported U.S. cast).

There is also what I take as a direct reference to the banquet scene from Alexander Korda's "The Private Life of Henry VIII" (1933). Henry Tudor may have been corpulent but he was noted more for his wives than for his feasting, which is why I think the brief reference to Henry evokes this film. Was Korda's film well known in its own right? Or was it simply due to the presence of Laughton, the only person seemingly parodied twice in this cartoon, once allusively in this British film, and once explicitly in "Mutiny on the Bounty", an American film?

Only one silent film unequivocally finds a place here. That's the Lon Chaney "Phantom of the Opera" from 1925, specifically its Masque of the Red Death episode with the Chaney character wearing his striking skull mask. Does that represent the fullest extent of the memories of 1938 picture show patrons?

There are a couple of books whose cinematic incarnations are not all that impressive on their own, and which cannot reasonably account for the books' inclusion here in pastiche form. Therefore one can conclude that "Robinson Crusoe" and "Uncle Tom's Cabin" were books that people were aware of as books. But the list really is that short. Hawthorne's "House of the Seven Gables" is here too. It had not been a film within recent memory. One suspects strongly that the pun potential was too great to let that one get away, not that Hawthorne was cresting a wave of popular adulation at the time.

Otherwise, practically the only book mentioned which had *never* been made into a movie was "Gone With The Wind". Hmm, is there any chance that that book became a popular film AFTER 1938?

In fact, was the Margaret Mitchell book slated for production already by that year? Surely the rights had been sold by then. The book was published in 1936 and was a phenomenon from the outset, a veritable Wirtschaftswunder, a happenstance hapax legomenon. Yeah, it was a popular read alright. So including it here with the other books would represent a foregone conclusion; there would definitely have to be a film sooner or later, and probably sooner.

John Ford's "Drums Along the Mohawk" (1939) may also fall into this category of publishing successes coming soon to a theatre near you. Cartoonists read the industry scuttlebutt in Variety too.

(Try this on for size: "Ub drubs pubs' flubs". (Hey, you think it's easy thinking up bogus Variety headlines? Just try it!) Interpret that as, "Animator lampoons foolish books".)

In conclusion then, I would characterize this unusual cartoon as a notable historical curiosity which should happen to have broad appeal for film buffs. It allows us to exercise our arcane movie knowledge. (Or should that be exorcise?)

Just rewatched this Merrie Melodies cartoon on the Varsity Show DVD. It has the characters on the book covers in a big shelf full of them coming to life, often in the caricatures of the film actors that portrayed them. It also had some black characters portrayed with big lips which is considered offensive today so kudos to Warner Bros. for including a disclaimer to that effect. Quite musically pleasing and a bit funny in some scenes concerning the film stars being drawn. Frank Tashlin was one of the most creative animation directors at the time and he's done well with something like this. So on that note, I recommend Have You Got Any Castles?

Before this short begins, there is a little written prologue about the racist nature of some of the humor in the film--as a sort of warning. I appreciate this instead of just censoring or hiding the film, as it IS a part of our history (for good or bad).

The color in this film is quite nice--vivid and better than the average 30s cartoon. What follows are a long series of mostly lame jokes where books come to life--with characters coming off the pages. The Asian and Black characters are a bit overdone (especially with the large-lipped Black cartoon characters), though compared to a lot of the images of Blacks in films of the time, this is relatively benign. I am not excusing it--but it could have been and often was a lot worse! Unfortunately, despite a clever idea and nice animation, I must also admit that most of the jokes weren't that funny and there was too much singing. On the plus side, however, there were lots of references to famous Hollywood films and actors, so lovers of classic Hollywood will probably enjoy this more than the average viewer. Not great but compared to the average cartoon of the 1930s, this is actually a bit better than average. Cartoons of the 40s would evolve for the better--with far less singing, better laughs and an edge--all which are problems with "Have You Got Any Castles?".

The "town crier" inside a warm house on a snowy winter night dazzles us with his vocabulary, introducing us to various literature characters who come to life in this home's big library.

Most of the characters were people seen on screen in the mid '30s, actors like Paul Muni (The Story of Louis Pasteur) or Williams Powell (Nick Charles of The Thin Man fame) or, well.....there are so many I'm not going to list them all. It starts with four horror stories: Dr. Jekyl and Mr. Hyde, Fu Manchu, The Phantom of the Opera and Frankenstein and runs the game to Topper, the Invisible Man, The Good Earth, The 39 Steps, on and on and on. We see dancers and singers like Bill Robinson and Cab Calloway represent some of the titles.

With all the jokes and sight gags poured into this, you get a lot of silly, stupid, clever and funny, some of it depending on how familiar you are with the characters, and how much you enjoy puns.

My personal opinion would involve three "c words" - clever, cute and colorful. Having seen almost all of those classic films, I thought this was a lot of fun to watch.

I absolutely love this cartoon. It is engaging, it is colourful and it is extremely clever. It is enormous fun spotting all the literary references such as Heidi (who does sing like Cab Calloway), The Three Musketeers and The Thin Man, references to Frankenstein, Fu Manchu, Mr Hyde and Phantom of the Opera(the beginning was hilarious, it isn't everyday when you see monsters such as Fu Manchu dancing to Gossec's Gavotte) and the caricatures of Charles Laughton, William Powell, Greta Garbo and Paul Muni. The animation is spotless, the music is fabulous and the voice work is top notch. The gags and puns come fast and the cartoon is loaded to the brim with them. Who cares whether it is plot less, it is amazing to look at, it is entertaining and very clever. 10/10 Bethany Cox

A rather annoying cuckoo clock summons us all to the town crier who rather monotonically introduces us to figures from fictional history. Amongst them are "Fu Manchu", "Frankenstein" and "Dr. Jekyll" - but they are not so menacing after all as they indulge in something akin to the dance of the "Sugar Plum Fairy". That's the start of our ensuing jolly and quite innovative trawl through a library of books that gives the animators an excuse to use the titles as some creative inspiration for the drawings and for the musicians to imaginatively score along to, too. I especially liked "Whistler's Mother", "Bulldog Drummin" and that has to be Charles Laughton on the front of "Mutiny on the Bounty"... Do we get to castles? Well not really - but that doesn't seem to matter as the snake charmers and even Henry VIII get in on the act. Who knew little boy actually blew!!?

Another of the 'books are alive' shorts, perhaps it's having just watched Robert Clampetts' superb "Book Revue" short, but I found this one to be still a bit amusing, but somewhat bland. The rapid fire gags were there in spades, but the whole thing just seemed to be missing the manic energy of a typical Looney Tunes short, and therefor felt a bit lifeless and just a tad stale to me. It still remains watchable, but lacks the spark that makes it stand out in any way, shape, or form. This animated short can be seen on Disc 4 of the Looney Tunes Golden Collection Volume 2.

My Grade: C

This is the kind of cartoon that would have influenced Chuck Jones.

Books come to life with its title characters.

So Dr Jekyll, Fu Manchu, The Phantom of the Opera and Frankenstein start it off with a little song and dance routine.

The Thin Man shows up. Later it is the turn of The Invisible Man and Topper.

You have to be familiar with the 1930s references. So The Informer look like Victor McLaglen. Heidi sings a song in the style of Cab Calloway. The House of the Seven Gables are Clark Gable.

It is rather clever and amusing although some of the references are of its time.

A virtually plot-less Warner Brothers animated short from 1938, 'Have You Got Any Castles?' takes place in a library on a snowy night, where classic characters from an eclectic selection of books come alive to sing, dance and fight.

The only thing stranger about this cartoon than it being an extra on my DVD of Sonny Chiba's The Street Fighter is the praise it gets from virtually everyone here on IMDb. They seem to find 'Have You Got Any Castles?' utterly charming and very amusing, whereas I found it to be terribly dated, nauseatingly twee, and fairly dull, with nasty characterisation (including several cruel racial stereotypes), predictable puns, and 'topical' jokes that might amuse avid fans of 30s film and popular literature, but which will probably leave many of today's viewers wondering what the fuss is all about.

Have You Got Any Castles? (1938)

*** (out of 4)

Extremely entertaining Merrie Melodies short has a familiar plot but it's taken to the limit here. The animated film pretty much takes place on a book shelf as various forms of literature comes to life. We get various stories including Frankenstein, The Invisible Man, The House of Seven "Gables", So Big, Dracula, Dr. Jekyll and Mr. Hyde, Little Women, The Thin Man, The Good Earth and countless others. The animation is quite good throughout this short with a lot of great attention to various details. There are a few Hollywood celebs who make appearances here including W.C. Fields and a funny spoof with Clark Gable. Mel Blanc does fine work in the form of several of the characters but we'd come to expect nothing less. What really makes this film stand apart from countless others that tried the same story is the actual music, which is incredibly entertaining. Carl W. Stalling and Milt Franklyn hit all the right notes and really keep the action moving. Everything mixed together makes this one of the better ways to tell this familiar stories so fans of animation or any of the books mentioned should have a grand time.

One of the first things that I noticed about "Have You Got Any Castles?" was the racist portrayals of certain characters (Fu Manchu, Uncle Tom's Cabin). Other than that, it was a pretty neat entry in the "books come alive" genre. A previous reviewer noted that most of the books portrayed in this cartoon are books that had recently been turned into movies when the cartoon came out, and the characters in the books resemble the actors from their respective movies (Charles Laughton in "Mutiny on the Bounty", Victor McLaglen in "The Informer", etc). It was probably intended to appeal more to the movie-going audience than to bookworms. But of course, isn't it easier just to watch the movie than to read the book? Thinking about this cartoon in its historical context, I can't help but imagine what it would look like nowadays. Many of the novels portrayed would be pretty grim (e.g., anything by Stephen King), and there might be a number of political books, cookbooks, self-help books and foreign language dictionaries. Out of "The Shining", Jack Nicholson would chop a hole in a door and say "Here's Johnny!"; out of the James Bond novels, Sean Connery would bed the world's hottest babes; and then there would be Noam Chomsky's various books about US-foreign policy. Go figure! Anyway, it's a cartoon worth seeing. So is "Book Revue", starring Daffy Duck.

In a room full of books, characters are coming to life. First, there is a town crier. Mr. Hyde, Fu Manchu, the Phantom of the Opera, and Frankenstein's monster come out of their four books. More and more characters come out of and interact with various book covers. It is interesting to note that the characters are not necessarily from the books. They mostly deal with the titles of the books like "The House of the Seven Gables" where seven Clark Gables peek out of the house.

This is another one of those books-come-alive cartoons. They are not my favorites. They depend on knowing the books and I rarely read. In this one, the black character get drawn in stereotypical ways. It wouldn't fly today. This is fine, but not my favorite.

I have always loved this short, ever since I was a little girl. I had a copy of it on VHS along with a few others, but this one was always my favorite. I was very disenhearted when my father donated the VHS that this short was on to the library, as he felt then 11 year old me was "too old" for cartoons. After many years of having not seen it, however, I was tickled when I found it in a DVD set. I enjoyed it as much as I did then, if not more so.

I would recommend "Have You Got Any Castles" to anyone. It is cleverly put together and well done, and the caricatures are spot on. The animation is colourful and very well done, with more creativity put into this than many modern animated features today.

One of the books-come-to-life series of cartoons that peaked with Bob Clampett's 'Book Revue', 'Have You Got Any Castles?' is a strong and extremely handsome piece of work. Much of the credit must go to underrated director Frank Tashlin whose work on this short is superb. At this early stage in their history, the Merrie Melodies cartoons were seen as prestige efforts attempting to rival the success of the bigger budget Disney Silly Symphony shorts, often by emulating them. The gorgeous look of 'Have You Got Any Castles?' owes something to Disney but Tashlin's cartoon has much better gags than the average Disney short. 'Have You Got Any Castles?' is essentially plot less yet Tashlin keeps us engaged throughout with some inspired gags (my favourite being the Heidi gag) and beautiful animation. As with most early Merrie Melodies, 'Have You Got Any Castles?' revolves around music which can often be a nail in the coffin of these early era cartoons. Fortunately, 'Have You Got Any Castles?' is deftly executed. It could hardly be more different from Clampett's 'Book Revue' in terms of pacing and animation style but it's worth noting that the Clampett cartoon does borrow some ideas from this one. 'Have You Got Any Castles?' is far from what would become the recognisable Warner Bros. style but it manages to be hugely entertaining on its own merits, trumping the majority of Disney shorts from which it takes a degree of influence.