Hamish Steele, the creator of DeadEndia on Netflix, talks about bringing more LGBTQ+ representation in animation.
“Back in 2014, Dead End, a five-minute cartoon about two friends (Barney and Norma) and a talking dog (Pugsley) who find their house is haunted, debuted on Cartoon Hangover. The cartoon proved but to a one-off, but in 2015, Dead End was reworked into DeadEndia, a comic book self-published by creator Hamish Steele.”
Read more at The Mary Sue.
Microsoft Flight Simulator 2020 may just be this year’s most ambitious video game, and here’s why.
“Video games have always been the vanguard of technological advancement as developers wring hardware performance that no one thought possible. These advances come at no small cost—just look to Star Citizen to see how much time and money can be dropped into one game. This is why Microsoft Flight Simulator 2020 is so impressive.”
Read more at PCMag.
From Sojourner Truth to Mary B.
“Back in 2014, Dead End, a five-minute cartoon about two friends (Barney and Norma) and a talking dog (Pugsley) who find their house is haunted, debuted on Cartoon Hangover. The cartoon proved but to a one-off, but in 2015, Dead End was reworked into DeadEndia, a comic book self-published by creator Hamish Steele.”
Read more at The Mary Sue.
Microsoft Flight Simulator 2020 may just be this year’s most ambitious video game, and here’s why.
“Video games have always been the vanguard of technological advancement as developers wring hardware performance that no one thought possible. These advances come at no small cost—just look to Star Citizen to see how much time and money can be dropped into one game. This is why Microsoft Flight Simulator 2020 is so impressive.”
Read more at PCMag.
From Sojourner Truth to Mary B.
- 8/21/2020
- by Ivan Huang
- Den of Geek
Fritz Lang continues his take-no-prisoners indictment of America’s curious relationship with crime; this time he presents the thesis that an innocent man can be a pawn in cosmic game of injustice. Three-time loser Henry Fonda, the glummest actor in ’30s films, doesn’t mean to rob or kill, but gosh darn it, They Made Him a Criminal. Those considerations aside, it’s a wonderful cinematic achievement, made all the better by a decent digital restoration.
You Only Live Once
Blu-ray
ClassicFlix
1937 / B&W / 1:37 Academy / 86 min. / Street Date July 25, 2017 / 29.98
Starring: Sylvia Sidney, Henry Fonda, Barton MacLane, Jean Dixon,
William Gargan, Jerome Cowan, Charles ‘Chic’ Sale, Margaret Hamilton, Warren Hymer,
Guinn ‘Big Boy’ Williams, Ward Bond, Jack Carson, Jonathan Hale
Cinematography: Leon Shamroy
Art Direction: Alexander Toluboff
Film Editor: Daniel Mandell
Original Music: Hugo Friedhofer
Written by Graham Baker and Gene Towne
Produced by Walter Wanger
Directed by Fritz Lang...
You Only Live Once
Blu-ray
ClassicFlix
1937 / B&W / 1:37 Academy / 86 min. / Street Date July 25, 2017 / 29.98
Starring: Sylvia Sidney, Henry Fonda, Barton MacLane, Jean Dixon,
William Gargan, Jerome Cowan, Charles ‘Chic’ Sale, Margaret Hamilton, Warren Hymer,
Guinn ‘Big Boy’ Williams, Ward Bond, Jack Carson, Jonathan Hale
Cinematography: Leon Shamroy
Art Direction: Alexander Toluboff
Film Editor: Daniel Mandell
Original Music: Hugo Friedhofer
Written by Graham Baker and Gene Towne
Produced by Walter Wanger
Directed by Fritz Lang...
- 7/31/2017
- by Glenn Erickson
- Trailers from Hell
In the 1970s crime films morphed into sadistic vigilante fantasies about tough-guy heroes avenging terrible crimes against their families. Veteran noir director Phil Karlson directed the bruiser’s bruiser Joe Don Baker in a standard tale of violent vengeance, with the violence factor given an extra bloody boost.
Framed
Blu-ray
Kl Studio Classics
1975 / Color / 1:85 widescreen / 106 min. / Street Date February 28, 2017 / available through Kino Lorber / 29.95
Starring: Joe Don Baker, Conny Van Dyke, John Marley, Gabriel Dell,, Brock Peters, John Larch, Warren J. Kemmerling, Walter Brooke, Paul Mantee, H.B. Haggerty, Roy Jenson.
Cinematography: Jack A. Marta
Film Editor: Harry W. Gerstad
Stunts: Carey Loftin, Gil Perkins, Buddy Joe Hooker
Original Music: Pat Williams
Written by Mort Briskin from a book by Art Powers & Mike Misenheimer
Produced by Joel Briskin, Mort Briskin
Directed by Phil Karlson
Time for another curiosity review, of a grindhouse gut-basher from the 1970s — a subgenre I avoided when new.
Framed
Blu-ray
Kl Studio Classics
1975 / Color / 1:85 widescreen / 106 min. / Street Date February 28, 2017 / available through Kino Lorber / 29.95
Starring: Joe Don Baker, Conny Van Dyke, John Marley, Gabriel Dell,, Brock Peters, John Larch, Warren J. Kemmerling, Walter Brooke, Paul Mantee, H.B. Haggerty, Roy Jenson.
Cinematography: Jack A. Marta
Film Editor: Harry W. Gerstad
Stunts: Carey Loftin, Gil Perkins, Buddy Joe Hooker
Original Music: Pat Williams
Written by Mort Briskin from a book by Art Powers & Mike Misenheimer
Produced by Joel Briskin, Mort Briskin
Directed by Phil Karlson
Time for another curiosity review, of a grindhouse gut-basher from the 1970s — a subgenre I avoided when new.
- 2/28/2017
- by Glenn Erickson
- Trailers from Hell
With such a definitive and spoiler-happy title as “He Married His Wife” (even with pronouns lending a level of mystery), plot quickly becomes unimportant. Even the contemporary micro-genre this 1940 film fills, the comedy of remarriage, immediately announces T.H. Randall’s (Joel McCrea) eventual reunion with estranged wife Valerie (Nancy Kelly). In order for the couple to come together, both actors must switch between clown and straight-man acts at screwball pace using the supporting cast as colorful props.This outline worked well for Howard Hawks’s Bringing Up Baby (1938) two years earlier, but that had the remarkable advantage of both Cary Grant and Katherine Hepburn, both known for versatility in anything their studio would throw at them. Conversely, 20th Century Fox put director Roy Del Ruth to the task of He Married His Wife as a workman director capable of identifying the strengths of a trending narrative style for economic opportunity.
- 5/6/2015
- by Zach Lewis
- MUBI
During the Great Depression a number of rich New Yorkers gentrified parts of the East River, displacing several slums in the name of a waterway vista in their high-rises. Sidney Kingsley’s original 1935 play of Dead End mashed the actual dead end community of Manhattan’s East 53rd Street with the luxury River House of East 52nd to bring to light the human tensions in advanced capitalism. After a private street exit closes (likely due to the sort of construction that comes with neighborhood renovation), the dressy rich must walk through immigrant-heavy back streets when traveling. With the distance between these communities closing, internal aggravation among the play’s riverside ruffians, the Dead End Kids (later bought by Samuel Goldwyn and eventually renamed the Bowery Boys), turns into physical violence.It’s material that could be ripe for Marxist interpretation, but Kingsley’s play acts as more noblesse oblige social concern more than flip-the-system call-to-action.
- 4/28/2015
- by Zach Lewis
- MUBI
Teresa Wright-Samuel Goldwyn association comes to a nasty end (See preceding post: "Teresa Wright in 'Shadow of a Doubt': Alfred Hitchcock Heroine in His Favorite Film.") Whether or not because she was aware that Enchantment wasn't going to be the hit she needed – or perhaps some other disagreement with Samuel Goldwyn or personal issue with husband Niven Busch – Teresa Wright, claiming illness, refused to go to New York City to promote the film. (Top image: Teresa Wright in a publicity shot for The Men.) Goldwyn had previously announced that Wright, whose contract still had another four and half years to run, was to star in a film version of J.D. Salinger's 1948 short story "Uncle Wiggily in Connecticut." Instead, he unceremoniously – and quite publicly – fired her.[1] The Goldwyn organization issued a statement, explaining that besides refusing the assignment to travel to New York to help generate pre-opening publicity for Enchantment,...
- 3/11/2015
- by Andre Soares
- Alt Film Guide
The following exchange took place between critics Michael Pattison and Neil Young over email between 4 and 8 August, not long after Li’l Quinquin screened at Wrocław’s New Horizons International Film Festival—following its world-premiere at Cannes earlier this year, and now playing at the Toronto International Film Festival.
Set in a village in northern France and originally made in four parts for transmission on French television, Bruno Dumont’s latest work is 200 minutes in length and chronicles an unorthodox murder investigation conducted by Capt Van der Weyden (Bernard Pruvost) under the watchful eyes of a rambunctious kid known only by his nickname, Li'l Quinquin (Alane Delhaye).
Spoiler Warning: this exchange reveals and discusses significant plot details of Li’l Quinquin
Michael Pattison: You remarked on Twitter earlier that you were still thinking about Li’l Quinquin a day after seeing it—that, having slept on it, the film...
Set in a village in northern France and originally made in four parts for transmission on French television, Bruno Dumont’s latest work is 200 minutes in length and chronicles an unorthodox murder investigation conducted by Capt Van der Weyden (Bernard Pruvost) under the watchful eyes of a rambunctious kid known only by his nickname, Li'l Quinquin (Alane Delhaye).
Spoiler Warning: this exchange reveals and discusses significant plot details of Li’l Quinquin
Michael Pattison: You remarked on Twitter earlier that you were still thinking about Li’l Quinquin a day after seeing it—that, having slept on it, the film...
- 9/10/2014
- by Neil Young
- MUBI
Shrewd film producer behind School for Scoundrels and Night of the Demon
Hal E Chester, who has died aged 91, was a juvenile actor, then a producer of low-budget movies in Hollywood, before he moved in 1955 to Britain, where he set up his own production company to take advantage of the lower costs of filming. Over the next 15 years he turned out a wide range of pictures, which often featured American stars such as Mickey Rooney, Dana Andrews, Yul Brynner and Paul Newman. For a period he specialised in British comedies. The first and best of these was School for Scoundrels (1960), loosely based on the popular Gamesmanship books of Stephen Potter. The impressive cast included Alastair Sim, Terry-Thomas and Dennis Price, with Ian Carmichael as the intrepid hero trying to impress Janette Scott.
Small, dynamic and fast-talking, Chester was perhaps a typical example of the shrewd and ambitious Hollywood producer. He...
Hal E Chester, who has died aged 91, was a juvenile actor, then a producer of low-budget movies in Hollywood, before he moved in 1955 to Britain, where he set up his own production company to take advantage of the lower costs of filming. Over the next 15 years he turned out a wide range of pictures, which often featured American stars such as Mickey Rooney, Dana Andrews, Yul Brynner and Paul Newman. For a period he specialised in British comedies. The first and best of these was School for Scoundrels (1960), loosely based on the popular Gamesmanship books of Stephen Potter. The impressive cast included Alastair Sim, Terry-Thomas and Dennis Price, with Ian Carmichael as the intrepid hero trying to impress Janette Scott.
Small, dynamic and fast-talking, Chester was perhaps a typical example of the shrewd and ambitious Hollywood producer. He...
- 4/16/2012
- by Joel Finler
- The Guardian - Film News
With the arrival of the auteur theory, filmmakers like Michael Curtiz no longer get as much sway among the current generation of directors. Curtiz (born Kertész Kaminer Manó in Hungary in 1886), was a journeyman, a man who flourished in the studio system after being picked out by Jack Warner for his Austrian Biblical epic "Moon of Israel" in 1924. He stayed at the studio for nearly 20 years, taking on whatever he was assigned at a terrifyingly prolific rate -- he made over 100 Hollywood movies up to "The Comancheros" in 1961. And some of them are terrible, as you might expect.
But Curtiz was also responsible for some of the greatest films of the era, and those who diminish his abilities (including the director himself, who once said "Who cares about character? I make it go so fast nobody notices") are ignoring his enormous skill behind the camera, and his undeniable capacity for...
But Curtiz was also responsible for some of the greatest films of the era, and those who diminish his abilities (including the director himself, who once said "Who cares about character? I make it go so fast nobody notices") are ignoring his enormous skill behind the camera, and his undeniable capacity for...
- 4/10/2012
- by Oliver Lyttelton
- The Playlist
Directed by: Dean Hargrove
Written by: Dean Hargrove, Gabriel Dell
Cast: Gabriel Dell, Will Geer, Anjanette Comer, Joyce Van Patten, Vincent Gardenia, Barbara Harris, Jackie Coogan, Huntz Hill
For movie fans of all genres, Mod (Made on Demand) DVDs are both a blessing and a curse. While it's true DVD-r technology makes it possible for collectors to own a physical copy of movies that wouldn't otherwise warrant a full-scale release, it also allows the studios to sell any film hiding in the corner of a film vault. And that would be fine if it wasn’t for the premium price tag attached to the finished product.
Taking a risk by purchasing an unknown film can be costly, as you might be buying a film better suited for a Walmart dump bin, which is where The Manchu Eagle Murder Caper Mystery belongs. Despite the script's best intentions, and a cast filled...
Written by: Dean Hargrove, Gabriel Dell
Cast: Gabriel Dell, Will Geer, Anjanette Comer, Joyce Van Patten, Vincent Gardenia, Barbara Harris, Jackie Coogan, Huntz Hill
For movie fans of all genres, Mod (Made on Demand) DVDs are both a blessing and a curse. While it's true DVD-r technology makes it possible for collectors to own a physical copy of movies that wouldn't otherwise warrant a full-scale release, it also allows the studios to sell any film hiding in the corner of a film vault. And that would be fine if it wasn’t for the premium price tag attached to the finished product.
Taking a risk by purchasing an unknown film can be costly, as you might be buying a film better suited for a Walmart dump bin, which is where The Manchu Eagle Murder Caper Mystery belongs. Despite the script's best intentions, and a cast filled...
- 3/23/2012
- by Chris McMillan
- Planet Fury
Walter Huston, Ruth Chatterton, Dodsworth William Wyler: Record-Setting Oscar Director for Actors Pt.1 Ah, William Wyler also happens to be the director with the most Academy Award nominations: twelve in all. For the record, those are: Dodsworth, 1936; Wuthering Heights, 1939; The Letter, 1940; The Little Foxes, 1941; Mrs. Miniver, 1942; The Best Years of Our Lives, 1946; The Heiress, 1949; Detective Story, 1951; Roman Holiday, 1953; Friendly Persuasion, 1956; Ben-Hur, 1959; and The Collector, 1965. He won the Best Director Oscar for three films — none of which is among his best: Mrs. Miniver, The Best Years of Our Lives, and Ben-Hur. Considering the changes that have taken place in the American film industry following the demise of the studio system, barring a miracle Wyler will remain the Oscars' top director for actors for as long as there are Oscars. (See full list below.) William Wyler died of a heart attack in July 1981 in Los Angeles. William Wyler-directed movies: thirty-six acting nominations; fourteen wins.
- 2/22/2012
- by Andre Soares
- Alt Film Guide
William Wyler was one of the greatest film directors Hollywood — or any other film industry — has ever produced. Today, Wyler lacks the following of Alfred Hitchcock, John Ford, Frank Capra, or even Howard Hawks most likely because, unlike Hitchcock, Ford, or Capra (and to a lesser extent Hawks), Wyler never focused on a particular genre, while his films were hardly as male-centered as those of the aforementioned four directors. Dumb but true: Films about women and their issues tend to be perceived as inferior to those about men — especially tough men — and their issues. The German-born Wyler (1902, in Alsace, now part of France) immigrated to the United States in his late teens. Following a stint at Universal's New York office, he moved to Hollywood and by the mid-'20s was directing Western shorts. His ascent was quick; by 1929 Wyler was directing Universal's top female star, Laura La Plante in the...
- 2/22/2012
- by Andre Soares
- Alt Film Guide
New to Netflix Streaming On Monday August 1st: The Dirty Dozen (Nr | 1967)
Flickchart Ranking: #392
Times Ranked: 20571
Win Percentage: 46%
How Many Top-20′s: 34 Users
________________________________________________
Directed By: Robert Aldrich
Starring: Charles Bronson • Jim Brown • John Cassavetes • Richard Jaeckel • Robert Ryan
Genres: Adventure • Ensemble Film • War • War Adventure
Studios/Franchises: AFI’s 100 Years…100 Thrills
• • • • • • • •
Lethal Weapon (R | 1987)
Flickchart Ranking: #477
Times Ranked: 187567
Win Percentage: 46%
How Many Top-20′s: 756 Users
________________________________________________
Directed By: Richard Donner
Starring: Gary Busey • Mel Gibson • Danny Glover
Genres: Action • Action Thriller • Police Detective Film • Odd Couple Film • Holiday Film
Studios/Franchises: Lethal Weapon
Lethal Weapon 2 is also available to stream.
• • • • • • • •
The Private Life of Sherlock Holmes (PG | 1970)
Flickchart Ranking: #4976
Times Ranked: 1337
Win Percentage: 54%
How Many Top-20′s: 0 Users
________________________________________________
Directed By: Billy Wilder
Starring: Robert Stephens • Colin Blakely • Tamara Toumanova • Christopher Lee • Geneviève Page
Genres: Detective Film • Mystery • Romance • Romantic Mystery
• • • • • • • •
Spaceballs (PG | 1987)
Flickchart Ranking: #493
Times Ranked: 233515
Win Percentage: 45%
How Many...
Flickchart Ranking: #392
Times Ranked: 20571
Win Percentage: 46%
How Many Top-20′s: 34 Users
________________________________________________
Directed By: Robert Aldrich
Starring: Charles Bronson • Jim Brown • John Cassavetes • Richard Jaeckel • Robert Ryan
Genres: Adventure • Ensemble Film • War • War Adventure
Studios/Franchises: AFI’s 100 Years…100 Thrills
• • • • • • • •
Lethal Weapon (R | 1987)
Flickchart Ranking: #477
Times Ranked: 187567
Win Percentage: 46%
How Many Top-20′s: 756 Users
________________________________________________
Directed By: Richard Donner
Starring: Gary Busey • Mel Gibson • Danny Glover
Genres: Action • Action Thriller • Police Detective Film • Odd Couple Film • Holiday Film
Studios/Franchises: Lethal Weapon
Lethal Weapon 2 is also available to stream.
• • • • • • • •
The Private Life of Sherlock Holmes (PG | 1970)
Flickchart Ranking: #4976
Times Ranked: 1337
Win Percentage: 54%
How Many Top-20′s: 0 Users
________________________________________________
Directed By: Billy Wilder
Starring: Robert Stephens • Colin Blakely • Tamara Toumanova • Christopher Lee • Geneviève Page
Genres: Detective Film • Mystery • Romance • Romantic Mystery
• • • • • • • •
Spaceballs (PG | 1987)
Flickchart Ranking: #493
Times Ranked: 233515
Win Percentage: 45%
How Many...
- 8/1/2011
- by Daniel Rohr
- Flickchart
“How come you only show us clips from movies none of us ever heard of?”
She was 30, a single mom who’d admirably gone back to school for a business degree to better things for her and her family. She’d taken my film appreciation class as an elective, a break from the grind of her business classes, expecting it would be – her word – “fun.”
But, due to the aforementioned “movies none of us ever heard of,” she was not having the anticipated fun.
I explained, “Because most movies were made before you were born.”
Simple and obvious, it still didn’t satisfy her, and the unasked next question in her eyes I guessed to be, “But why do we have to see them?”
Most of my class – not all, but most – I knew felt similarly. They didn’t say it but I could tell: rolled eyes, glazed eyes, eyes...
She was 30, a single mom who’d admirably gone back to school for a business degree to better things for her and her family. She’d taken my film appreciation class as an elective, a break from the grind of her business classes, expecting it would be – her word – “fun.”
But, due to the aforementioned “movies none of us ever heard of,” she was not having the anticipated fun.
I explained, “Because most movies were made before you were born.”
Simple and obvious, it still didn’t satisfy her, and the unasked next question in her eyes I guessed to be, “But why do we have to see them?”
Most of my class – not all, but most – I knew felt similarly. They didn’t say it but I could tell: rolled eyes, glazed eyes, eyes...
- 6/4/2011
- by Bill Mesce
- SoundOnSight
Sidney Lumet was an impassioned director who received more than 50 Oscar nominations for films including 12 Angry Men and Dog Day Afternoon
Sidney Lumet, who died yesterday at the age of 86, was one of the most significant film directors of his time, a man dedicated to the cinema as an art form and to the pursuit of truth and social justice as a dramatic theme.
He was born in Philadelphia and raised in New York, the son of parents who worked in the Yiddish theatre. He was shaped by his experiences as a child performer and the depression, becoming known for his sympathetic handling of actors, his understanding of people in crisis, his liberal principles and his feeling for the city that was the setting for so much of his work.
Lumet made his Broadway debut at the age of 11 in 1935 in Sidney Kingsley's Dead End, a social-problem play about...
Sidney Lumet, who died yesterday at the age of 86, was one of the most significant film directors of his time, a man dedicated to the cinema as an art form and to the pursuit of truth and social justice as a dramatic theme.
He was born in Philadelphia and raised in New York, the son of parents who worked in the Yiddish theatre. He was shaped by his experiences as a child performer and the depression, becoming known for his sympathetic handling of actors, his understanding of people in crisis, his liberal principles and his feeling for the city that was the setting for so much of his work.
Lumet made his Broadway debut at the age of 11 in 1935 in Sidney Kingsley's Dead End, a social-problem play about...
- 4/9/2011
- by Philip French
- The Guardian - Film News
By Christopher Stipp
The Archives, Right Here
Check out my new column, This Week In Trailers, at SlashFilm.com and follow me on Twitter under the name: Stipp
Ondine - Review
The story seems silly enough if read on paper: Local fisherman (Colin Farrell), out fishing looking for seafood to sell at the local market, finds a woman in his net (Alicja Bachleda) who doesn’t remember who she is or how she ended up caught in a man’s fishing line. He allows the woman to live in a small house located in a sleepy wharf where she can get her bearings all the while telling his young daughter who suffers from kidney failure a story that involves an Irish version of mermaids, silkies, thus bringing us to the beginning of the story. The brevity with which writer and director Neil Jordan sets up almost all of the plot...
The Archives, Right Here
Check out my new column, This Week In Trailers, at SlashFilm.com and follow me on Twitter under the name: Stipp
Ondine - Review
The story seems silly enough if read on paper: Local fisherman (Colin Farrell), out fishing looking for seafood to sell at the local market, finds a woman in his net (Alicja Bachleda) who doesn’t remember who she is or how she ended up caught in a man’s fishing line. He allows the woman to live in a small house located in a sleepy wharf where she can get her bearings all the while telling his young daughter who suffers from kidney failure a story that involves an Irish version of mermaids, silkies, thus bringing us to the beginning of the story. The brevity with which writer and director Neil Jordan sets up almost all of the plot...
- 6/4/2010
- by Christopher Stipp
(Actor Richard Erdman, left)
by Jon Zelazny
The craft of acting in the 20th century breaks neatly into two distinct phases: before Marlon Brando and after Marlon Brando. He first conquered Broadway in A Streetcar Named Desire in 1947. Three years later—and sixty years ago—he made his first movie.
The Men (1950) is a grim drama set in a Va paraplegic ward. Brando is the bitter new arrival; Jack Webb and Richard Erdman play the patients who become his best buddies.
A native of Enid, Oklahoma, Erdman spent his teenage years in vaudeville, and began his Hollywood career in 1944. He most recently appeared on the NBC series "Community."
Richard Erdman: Brando and I went out to Birmingham General Hospital in Van Nuys, where all the war paraplegics were still being treated, and we stayed there a few days, learning how to use wheelchairs, and how to get in and...
by Jon Zelazny
The craft of acting in the 20th century breaks neatly into two distinct phases: before Marlon Brando and after Marlon Brando. He first conquered Broadway in A Streetcar Named Desire in 1947. Three years later—and sixty years ago—he made his first movie.
The Men (1950) is a grim drama set in a Va paraplegic ward. Brando is the bitter new arrival; Jack Webb and Richard Erdman play the patients who become his best buddies.
A native of Enid, Oklahoma, Erdman spent his teenage years in vaudeville, and began his Hollywood career in 1944. He most recently appeared on the NBC series "Community."
Richard Erdman: Brando and I went out to Birmingham General Hospital in Van Nuys, where all the war paraplegics were still being treated, and we stayed there a few days, learning how to use wheelchairs, and how to get in and...
- 3/23/2010
- by The Hollywood Interview.com
- The Hollywood Interview
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.