Review Ron Hogan 17 Mar 2014 - 07:13
Melissa McBride shines in this week's stellar episode of The Walking Dead...
This review contains spoilers.
4.14 The Grove
The one constant in life is change. Everything changes, no matter how hard you might want to lock in a moment, it's just not going to work. The world moves on, gunslinger. If they're lucky, kids grow up and become survivors. If you're not lucky, they grow up to become zombie chow in The Walking Dead universe. Or, perhaps, they become irredeemably broken and have to be put down like Old Yeller.
I think that the Lizzie storyline has been one of the most obvious in the show's long time line of obviousness. We all knew along the line that Lizzie was going to be the person responsible for feeding the zombies rats, making rat artwork in the tombs, and generally behaving like a little monster in the making.
Melissa McBride shines in this week's stellar episode of The Walking Dead...
This review contains spoilers.
4.14 The Grove
The one constant in life is change. Everything changes, no matter how hard you might want to lock in a moment, it's just not going to work. The world moves on, gunslinger. If they're lucky, kids grow up and become survivors. If you're not lucky, they grow up to become zombie chow in The Walking Dead universe. Or, perhaps, they become irredeemably broken and have to be put down like Old Yeller.
I think that the Lizzie storyline has been one of the most obvious in the show's long time line of obviousness. We all knew along the line that Lizzie was going to be the person responsible for feeding the zombies rats, making rat artwork in the tombs, and generally behaving like a little monster in the making.
- 3/17/2014
- by louisamellor
- Den of Geek
Feature James Clayton Feb 1, 2013
With Schwarzenegger, Stallone and Willis all in cinemas this year, James takes a look at their current and forthcoming action movies...
Bruce Willis remains. Sly is sticking at it. Arnie is still around. The dudes abide and I’m glad they abide. For their abidance, I salute them with an enthusiastic air-punch and a shout of “yippee-ki-yay!”
The world moves on, shifts in the film industry happen, but constant presences like Willis, Stallone and Schwarzenegger really tie the action movie landscape together. To strain this rug metaphor and reference to The Big Lebowski even further, cinema arguably doesn’t need these old things anymore, but they make for quite agreeable decoration and repeatedly prove themselves as pleasing, useful pieces of furniture that complement the architecture and harmonise nicely with the environment. Ladies, gentlemen, cyborgs and monkeys: this is filmic feng shui.
They are solid footing on...
With Schwarzenegger, Stallone and Willis all in cinemas this year, James takes a look at their current and forthcoming action movies...
Bruce Willis remains. Sly is sticking at it. Arnie is still around. The dudes abide and I’m glad they abide. For their abidance, I salute them with an enthusiastic air-punch and a shout of “yippee-ki-yay!”
The world moves on, shifts in the film industry happen, but constant presences like Willis, Stallone and Schwarzenegger really tie the action movie landscape together. To strain this rug metaphor and reference to The Big Lebowski even further, cinema arguably doesn’t need these old things anymore, but they make for quite agreeable decoration and repeatedly prove themselves as pleasing, useful pieces of furniture that complement the architecture and harmonise nicely with the environment. Ladies, gentlemen, cyborgs and monkeys: this is filmic feng shui.
They are solid footing on...
- 1/31/2013
- by ryanlambie
- Den of Geek
Rating: 3.5 out of 5 stars
Jens Lekman is certainly lacking his usual wryness and wit in these ten tracks of heartbreak and acceptance. His last album, Night Falls Over Kortedala, managed to be both eclectic and convincingly sequenced into a brilliantly sweet and funny collection of songs. Lekman considers I Know What Love Isn’t to be his debut, since it is the first to be recorded cohesively as such, unlike Kortedala which was a collection of songs he had accumulated over time. The cohesiveness is both this album’s strength and weakness: whereas you could usually dip into the recesses of his discography guiltlessly, there is a strong narrative of love lost in these ten tracks that encourage a complete listen through.
A good contemporary reference point for this album’s sound outside of Lekman’s discography is the recent lounge-pop (sounds horrifically dull, but give it a chance!) stylings of Kaputt by Destroyer.
Jens Lekman is certainly lacking his usual wryness and wit in these ten tracks of heartbreak and acceptance. His last album, Night Falls Over Kortedala, managed to be both eclectic and convincingly sequenced into a brilliantly sweet and funny collection of songs. Lekman considers I Know What Love Isn’t to be his debut, since it is the first to be recorded cohesively as such, unlike Kortedala which was a collection of songs he had accumulated over time. The cohesiveness is both this album’s strength and weakness: whereas you could usually dip into the recesses of his discography guiltlessly, there is a strong narrative of love lost in these ten tracks that encourage a complete listen through.
A good contemporary reference point for this album’s sound outside of Lekman’s discography is the recent lounge-pop (sounds horrifically dull, but give it a chance!) stylings of Kaputt by Destroyer.
- 9/14/2012
- by Darren Millard
- Obsessed with Film
Allegorical War Drama Highlights TCM.s Dec. 14 Salute
to The George Eastman House International Museum of Photography and Film
Turner Classic Movies (TCM) is set to make movie history this December when it presents the world television premiere of Fear and Desire (1953), the rarely seen debut film by legendary director Stanley Kubrick. Premiering Wednesday, Dec. 14, at 8 p.m. (Et), the allegorical war drama from the director of 2001: A Space Odyssey (1968) and The Shining (1980) will be the centerpiece of an extraordinary 24-hour marathon honoring the preservation efforts of the Motion Picture Department at George Eastman House. TCM host Robert Osborne will be joined by Jared Case, Head of Cataloguing and Access at George Eastman House, to present 15 cinematic rarities from one of the country.s leading moving-image archives.
TCM.s Dec. 14 salute to the Motion Picture Collection at George Eastman House will begin at 6:15 a.m. (Et) with The Blue Bird...
to The George Eastman House International Museum of Photography and Film
Turner Classic Movies (TCM) is set to make movie history this December when it presents the world television premiere of Fear and Desire (1953), the rarely seen debut film by legendary director Stanley Kubrick. Premiering Wednesday, Dec. 14, at 8 p.m. (Et), the allegorical war drama from the director of 2001: A Space Odyssey (1968) and The Shining (1980) will be the centerpiece of an extraordinary 24-hour marathon honoring the preservation efforts of the Motion Picture Department at George Eastman House. TCM host Robert Osborne will be joined by Jared Case, Head of Cataloguing and Access at George Eastman House, to present 15 cinematic rarities from one of the country.s leading moving-image archives.
TCM.s Dec. 14 salute to the Motion Picture Collection at George Eastman House will begin at 6:15 a.m. (Et) with The Blue Bird...
- 12/5/2011
- by Michelle McCue
- WeAreMovieGeeks.com
Fear and Desire, the 1953 debut film of a young Look magazine photographer named Stanley Kubrick, will have its world television premiere on Turner Classics Movies on Dec. 14 at 8 p.m. Starring Frank Silvera, Paul Mazursky, and Kenneth Harp, Fear and Desire is an existential anti-war drama about a lost platoon whose journey to safety is complicated by an encounter with a mysterious woman.
Kubrick, who shot the film quickly with a crew of about 15 people, was never especially proud of his maiden effort, calling it a “a bumbling amateur film exercise.” It quickly disappeared from theaters despite some critical accolades,...
Kubrick, who shot the film quickly with a crew of about 15 people, was never especially proud of his maiden effort, calling it a “a bumbling amateur film exercise.” It quickly disappeared from theaters despite some critical accolades,...
- 12/1/2011
- by Jeff Labrecque
- EW - Inside TV
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