The Criterion Channel is closing the year out with a bang––they’ve announced their December lineup. Among the highlights are retrospectives on Yasujiro Ozu (featuring nearly 40 films!), Ousmane Sembène, Alfred Hitchcock (along with Kent Jones’ Hitchcock/Truffaut), and Parker Posey. Well-timed for the season is a holiday noir series that includes They Live By Night, Blast of Silence, Lady in the Lake, and more.
Other highlights are the recent restoration of Abel Gance’s La roue, an MGM Musicals series with introduction by Michael Koresky, Helena Wittmann’s riveting second feature Human Flowers of Flesh, the recent Sundance highlight The Mountains Are a Dream That Call To Me, the new restoration of The Cassandra Cat, Lynne Ramsay’s Morvern Callar, Wong Kar Wai’s The Grandmaster, and more.
See the lineup below and learn more here.
The Adventures of Baron Munchausen, Terry Gilliam, 1988
An American in Paris, Vincente Minnelli,...
Other highlights are the recent restoration of Abel Gance’s La roue, an MGM Musicals series with introduction by Michael Koresky, Helena Wittmann’s riveting second feature Human Flowers of Flesh, the recent Sundance highlight The Mountains Are a Dream That Call To Me, the new restoration of The Cassandra Cat, Lynne Ramsay’s Morvern Callar, Wong Kar Wai’s The Grandmaster, and more.
See the lineup below and learn more here.
The Adventures of Baron Munchausen, Terry Gilliam, 1988
An American in Paris, Vincente Minnelli,...
- 11/13/2023
- by Jordan Raup
- The Film Stage
There are few directors more universally acclaimed than Alfred Hitchcock. Maybe Orson Welles didn't like him much, but there were few people Orson Welles didn't dislike, so we'll let that slide. With films like "Psycho,", "Vertigo," and "The Birds," Hitchcock produced countless timeless classics, innovating the medium of film itself.
With all of his successes so well known, some may be surprised to learn of his struggles earlier in his career. During the 1930s, Hitchcock would admit himself that his "reputation wasn't very good" and he endured some pretty severe box office flops. Chief among these was "Rich and Strange," his 1931 film based on a novel by Dale Collins. History has been slightly kinder to it than critics at the time, but that can easily be amounted to bias on the part of modern critics, who watched the film knowing what a legendary auteur Alfred Hitchcock would go on to become.
With all of his successes so well known, some may be surprised to learn of his struggles earlier in his career. During the 1930s, Hitchcock would admit himself that his "reputation wasn't very good" and he endured some pretty severe box office flops. Chief among these was "Rich and Strange," his 1931 film based on a novel by Dale Collins. History has been slightly kinder to it than critics at the time, but that can easily be amounted to bias on the part of modern critics, who watched the film knowing what a legendary auteur Alfred Hitchcock would go on to become.
- 9/7/2022
- by Matt Rainis
- Slash Film
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit platforms. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon, and more (note: U.S. only). Check out our rundown for this week’s selections below.
All These Sleepless Nights (Michal Marczak)
Blurring the line between documentary and fiction like few films before it, Michal Marczak‘s All These Sleepless Nights is a music-filled ode to the ever-shifting bliss and angst of youth set mostly in the wee hours of the day in Warsaw, Poland. Marczak himself, who also plays cinematographer, is wary to delineate the line between narrative and nonfiction, and part of the...
All These Sleepless Nights (Michal Marczak)
Blurring the line between documentary and fiction like few films before it, Michal Marczak‘s All These Sleepless Nights is a music-filled ode to the ever-shifting bliss and angst of youth set mostly in the wee hours of the day in Warsaw, Poland. Marczak himself, who also plays cinematographer, is wary to delineate the line between narrative and nonfiction, and part of the...
- 8/18/2017
- by Jordan Raup
- The Film Stage
Close-Up is a feature that spotlights films now playing on Mubi. The retrospective Early Hitchcock is showing August 11 - September 12, 2017 in the United States.ChampagneAround the time of his dazzling expressionistic breakthrough The Lodger (1927), and Blackmail (1929), his innovative foray into sound—and England’s first talkie—Alfred Hitchcock was testing the narrative waters of his potential filmic output. It was a terrifically productive period for the promising London-born auteur, with nearly 20 features in ten years, and looking back at these early works, the tendency is often to pinpoint instances of his trademark aesthetic to come (easy to do with something like The Lodger; less so with something like The Ring, also 1927). However, when sampling these titles, and keeping in mind the most popular Hitchcockian characteristics had yet to be regularly implemented, new and uncommon propensities emerge. Such is the case with a trilogy of films to be shown as part...
- 8/11/2017
- MUBI
Teresa Wright: Later years (See preceding post: "Teresa Wright: From Marlon Brando to Matt Damon.") Teresa Wright and Robert Anderson were divorced in 1978. They would remain friends in the ensuing years.[1] Wright spent most of the last decade of her life in Connecticut, making only sporadic public appearances. In 1998, she could be seen with her grandson, film producer Jonah Smith, at New York's Yankee Stadium, where she threw the ceremonial first pitch.[2] Wright also became involved in the Greater New York chapter of the Als Association. (The Pride of the Yankees subject, Lou Gehrig, died of Amyotrophic Lateral Sclerosis in 1941.) The week she turned 82 in October 2000, Wright attended the 20th anniversary celebration of Somewhere in Time, where she posed for pictures with Christopher Reeve and Jane Seymour. In March 2003, she was a guest at the 75th Academy Awards, in the segment showcasing Oscar-winning actors of the past. Two years later,...
- 3/15/2015
- by Andre Soares
- Alt Film Guide
From Bond to Bourne to hairy monsters and sub-humans, cinema has always loved the tube
The freshest image of the tube in moviegoers' memories is not an encouraging one: a train crashing through the walls of an underground chamber and crumpling into a heap right where James Bond should have been standing. Luckily (and implausibly), the train in Skyfall was empty: although Javier Bardem was a villain, he had at least checked the schedules to cause minimum disruption to the service.
The cinematic possibilities of the tube are as myriad as its destinations. It's a great place for action and chases (The Bourne Ultimatum and Patriot Games got there before Skyfall). It's a realm of concealment, strangeness and subterranean nightmares, but it's a refuge, too. For film-makers, the tube is also very convenient: not only does it boast controllable light and a steady climate, it can also provide a mirror image of the city above.
The freshest image of the tube in moviegoers' memories is not an encouraging one: a train crashing through the walls of an underground chamber and crumpling into a heap right where James Bond should have been standing. Luckily (and implausibly), the train in Skyfall was empty: although Javier Bardem was a villain, he had at least checked the schedules to cause minimum disruption to the service.
The cinematic possibilities of the tube are as myriad as its destinations. It's a great place for action and chases (The Bourne Ultimatum and Patriot Games got there before Skyfall). It's a realm of concealment, strangeness and subterranean nightmares, but it's a refuge, too. For film-makers, the tube is also very convenient: not only does it boast controllable light and a steady climate, it can also provide a mirror image of the city above.
- 1/9/2013
- by Steve Rose
- The Guardian - Film News
Toby Jones/Sienna Miller = Alfred Hitchcock/Tippi Hedren? [Photo: Tippi Hedren / The Birds publicity shot.] Tippi Hedren once told The Times of London that Alfred Hitchcock — for whom she starred in The Birds (1963) and Marnie (1964), and with whom she had an exclusive contract — "kept me under contract, kept paying me every week for almost two years to do nothing" after she refused his sexual advances. "I admired Hitch tremendously for his great talent and still do," Hedren told London's Daily Mail. "Yet, at the same time, I loathed him for his off-set behavior and the way he came on to me sexually. He was a great director – and he destroyed it all by his behavior when he got me alone." Hedren had no luck after she rid herself of her Hitchcock ties. She had a small supporting role in Charles Chaplin's box-office and critical flop A Countess from Hong Kong (1967), starring Marlon Brando and Sophia Loren,...
- 3/21/2012
- by Andre Soares
- Alt Film Guide
I am a huge fan of Alfred Hitchcock, he is my favorite director in fact. Film Detail unearthed almost 12 hours of audio featuring François Truffaut interviewing Alfred Hitchcock in 1962. 12 full hours of Truffaut talking to Hitchcock about his entire life, both personal and professional.
The article states that the original raw audio is from a 1962 interview that ended up as the source material for Truffaut’s book Hitchcock: The Definitive Study of Alfred Hitchcock.
There are three ways to listen: download the individual files streaming on the Hitchcock Wiki or on Soundcloud, or as a single zip file here. There areindividual links on both sites.
Here is the breakdown of the audio files:
Part 1: Childhood through to his early years in the film industry
Part 2: Mountain Eagle through to the end of the silent era
Part 3: Blackmail through to a discussion about American audiences
Part 4: Rich and Strange...
The article states that the original raw audio is from a 1962 interview that ended up as the source material for Truffaut’s book Hitchcock: The Definitive Study of Alfred Hitchcock.
There are three ways to listen: download the individual files streaming on the Hitchcock Wiki or on Soundcloud, or as a single zip file here. There areindividual links on both sites.
Here is the breakdown of the audio files:
Part 1: Childhood through to his early years in the film industry
Part 2: Mountain Eagle through to the end of the silent era
Part 3: Blackmail through to a discussion about American audiences
Part 4: Rich and Strange...
- 2/18/2011
- by Tiberius
- GeekTyrant
If you're a film fan, chances are you're an Alfred Hitchcock fan. And if you're an Alfred Hitchcock fan, today just might be Christmas. Film Detail was poking around online when they stumbled upon almost 12 hours of audio featuring the father of the French New Wave, François Truffaut, interviewing the Master of Suspense, Alfred Hitchcock in 1962. Let's say that again. There are 12 hours of free audio of Truffaut talking to Hitchcock about his entire life, both personal and professional. For anyone who can't afford $120,000 for film school, we may have just found a free one. Read the details, track titles and get all the links after the break. A huge thanks to Film Details [1] (with a tip of the cap to Open Culture [2]) for alerting us to this amazing audio. According to the article, this is the original raw audio from a 1962 interview that ended up as the source material...
- 2/18/2011
- by Germain Lussier
- Slash Film
Can any Alfred Hitchcock film be called truly forgotten? It could certainly be argued (though not by me) that some of the Master's lesser works have received more attention than they deserve. Anthony Mann's Raw Deal is a far better film than I Confess, goes the argument, and has been unjustly robbed of the consideration and popularity which is its due.
Yeah, but, as Homer Simpson might muse, what you gonna do?
There are still corners of the Hitchcock oeuvre which might reward more attention, however, such as the deeply eccentric, nay inscrutable Rich and Strange, and I would suggest that some corners of Hitch's work in television remain relatively unappreciated. True, Alfred Hitchcock Presents is a much-admired show to this day, and classic episodes such as "Breakdown" and "Lamb to the Slaughter" have received justifiable plaudits. But Hitch's work outside that show is less easy to see, and less often discussed.
Yeah, but, as Homer Simpson might muse, what you gonna do?
There are still corners of the Hitchcock oeuvre which might reward more attention, however, such as the deeply eccentric, nay inscrutable Rich and Strange, and I would suggest that some corners of Hitch's work in television remain relatively unappreciated. True, Alfred Hitchcock Presents is a much-admired show to this day, and classic episodes such as "Breakdown" and "Lamb to the Slaughter" have received justifiable plaudits. But Hitch's work outside that show is less easy to see, and less often discussed.
- 11/5/2009
- MUBI
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