What does a working girl have to do to get ahead, when all she has in her favor is an incredible face, a lavish wardrobe, and a pair of legs to make any executive wolf howl? Loretta Young juggles two egotistical swains, while Joan Blondell shines as an enticing all-pro homewrecker.
Big Business Girl
DVD-r
The Warner Archive Collection
1931 / B&W / 1:37 flat Academy / 74 min. / Street Date September 14, 2017 / available through the WBshop / 21.99
Starring: Loretta Young, Frank Albertson, Ricardo Cortez, Joan Blondell, Frank Darien, Dorothy Christy, Oscar Apfel, Judith Barrett, Mickey Bennett, George ‘Gabby’ Hayes, Virginia Sale.
Cinematography: Sol Polito
Film Editor: Pete Fritch
Written by Robert Lord, story by Patricia Reilly & H.N. Swanson
Produced and Directed by William A. Seiter
Let’s hear it for the Warner Archive Collection’s voluminous vault of early ’30s Warners, MGM and Rko entertainments, which has given us a real education about this era of filmmaking.
Big Business Girl
DVD-r
The Warner Archive Collection
1931 / B&W / 1:37 flat Academy / 74 min. / Street Date September 14, 2017 / available through the WBshop / 21.99
Starring: Loretta Young, Frank Albertson, Ricardo Cortez, Joan Blondell, Frank Darien, Dorothy Christy, Oscar Apfel, Judith Barrett, Mickey Bennett, George ‘Gabby’ Hayes, Virginia Sale.
Cinematography: Sol Polito
Film Editor: Pete Fritch
Written by Robert Lord, story by Patricia Reilly & H.N. Swanson
Produced and Directed by William A. Seiter
Let’s hear it for the Warner Archive Collection’s voluminous vault of early ’30s Warners, MGM and Rko entertainments, which has given us a real education about this era of filmmaking.
- 10/7/2017
- by Glenn Erickson
- Trailers from Hell
Depraved convicts ! Crazy Manhattan gin parties! Society dames poaching other women's husbands! A flimflam artist scamming the uptown sophisticates! All these forbidden attractions are here and more -- including Bette Davis's epochal seduction line about impulsive kissing versus good hair care. It's a 9th collection of racy pre-Code wonders. Forbidden Hollywood Volume 9 Big City Blues, Hell's Highway, The Cabin in the Cotton, When Ladies Meet, I Sell Anything DVD-r The Warner Archive Collection 1932-1934 / B&W / 1:37 flat Academy / 63, 62, 78, 85, 70 min. / Street Date October 27, 2015 / available through the WBshop / 40.99 Starring Joan Blondell, Eric Linden, Humphrey Bogart; Richard Dix, Tom Brown; Richard Barthelmess, Bette Davis, Dorothy Jordan, Berton Churchill; Ann Harding, Robert Montgomery, Myrna Loy, Alice Brady, Frank Morgan; Pat O' Brien, Ann Dvorak, Claire Dodd, Roscoe Karns. Cinematography James Van Trees; Edward Cronjager; Barney McGill; Ray June Written by Lillie Hayward, Ward Morehouse, from his play; Samuel Ornitz, Robert Tasker, Rowland Brown...
- 11/24/2015
- by Glenn Erickson
- Trailers from Hell
Kurt Walker in the background of Hit 2 Pass / Gina Telaroli making her way to the foreground in Here's to the Future!As has been previously reported, Here's to the Future! and Hit 2 Pass, new feature films from Notebook contributors Gina Telaroli and Kurt Walker, is starting its roll out this month. Following an open call for screenings the films will be playing at New York's Spectacle Theater (starting this Thursday November 5th), Toronto's Mdff (November 4th), Philadelphia's public access channel (starting November 13th), and more. The open call for screenings is in conjunction with an online release being done independently by the filmmakers themselves on their own website starting November 9th: http://h2phttf.tumblr.com The release, online and in real life, is a follow-up to Telaroli's grassroots release of her 2011 feature film Traveling Light (done in conjunction with the Spanish film journal Lumière). The following is...
- 11/7/2015
- by gina telaroli
- MUBI
If you’re trying to place a finger on the true pulse of contemporary cinema, one should look no further than the latest in a screening series held by Mdff, the Toronto-based production company (headed by local filmmakers / producers Daniel Montgomery and Kazik Radwanski) that’s dedicated to bringing the kind of genuinely small cinema (one could say the sort often relegated to Vimeo links) to Canada’s biggest city. They will, in some cases, play at the historic Royal Cinema, which gives a Movie Palace presentation to even the lowest-budgeted and most intimate of films. While this location won’t be utilized for their November 4th screening, a collision of the old-fashioned and the new digital cinema will still be very present with the pairing of Gina Telaroli’s Here’s to the Future! and Kurt Walker’s Hit 2 Pass, two films harkening back while defiantly looking forward.
- 11/4/2015
- by Ethan Vestby
- The Film Stage
Robert Redford: 'The Great Gatsby' and 'The Way We Were' tonight on Turner Classic Movies Turner Classic Movies' Star of the Month Robert Redford returns this evening with three more films: two Sydney Pollack-directed efforts, Out of Africa and The Way We Were, and Jack Clayton's film version of F. Scott Fitzgerald's classic novel The Great Gatsby. (See TCM's Robert Redford film schedule below. See also: "On TCM: Robert Redford Movies.") 'The Great Gatsby': Robert Redford as Jay Gatsby Released by Paramount Pictures, the 1974 film version of The Great Gatsby had prestige oozing from just about every cinematic pore. The film was based on what some consider the greatest American novel ever written. Francis Ford Coppola, whose directing credits included the blockbuster The Godfather, and who, that same year, was responsible for both The Godfather Part II and The Conversation, penned the adaptation. Multiple Tony winner David Merrick (Becket,...
- 1/21/2015
- by Andre Soares
- Alt Film Guide
Robert Redford: 'The Great Gatsby' and 'The Way We Were' tonight on Turner Classic Movies Turner Classic Movies' Star of the Month Robert Redford returns this evening with three more films: two Sydney Pollack-directed efforts, Out of Africa and The Way We Were, and Jack Clayton's film version of F. Scott Fitzgerald's classic novel The Great Gatsby. (See TCM's Robert Redford film schedule below. See also: "On TCM: Robert Redford Movies.") 'Out of Africa' Out of Africa (1985) is an unusual Robert Redford star vehicle in that the film's actual lead isn't Redford, but Meryl Streep -- at the time seen as sort of a Bette Davis-Alec Guinness mix: like Davis, Streep received a whole bunch of Academy Award nominations within the span of a few years: from 1978-1985, she was shortlisted for no less than six movies.* Like Guinness, Streep could transform...
- 1/21/2015
- by Andre Soares
- Alt Film Guide
The sixth edition of Brooklyn Academy of Music's Migrating Forms festival opens tonight, runs for nine days and, in his extensive overview at the House Next Door, Steve Macfarlane argues that it "remains The art-house event of the New York moviegoing calendar." Among the works he previews is Gina Telaroli's Here's to the Future!, which chronicles "a single day in the fall of 2011 wherein the filmmaker rounded up friends and collaborators to light, stage, and shoot a scene from Michael Curtiz's 1932 The Cabin in the Cotton." Caroline Golum's overview for the L Magazine begins with the retrospective of work by the late William Greaves. We've got two trailers and more notes. » - David Hudson...
- 12/10/2014
- Fandor: Keyframe
The sixth edition of Brooklyn Academy of Music's Migrating Forms festival opens tonight, runs for nine days and, in his extensive overview at the House Next Door, Steve Macfarlane argues that it "remains The art-house event of the New York moviegoing calendar." Among the works he previews is Gina Telaroli's Here's to the Future!, which chronicles "a single day in the fall of 2011 wherein the filmmaker rounded up friends and collaborators to light, stage, and shoot a scene from Michael Curtiz's 1932 The Cabin in the Cotton." Caroline Golum's overview for the L Magazine begins with the retrospective of work by the late William Greaves. We've got two trailers and more notes. » - David Hudson...
- 12/10/2014
- Keyframe
The 6th annual Migrating Forms will be returning to the BAMcinématek in Brooklyn, New York on December 10-18 for a full week of new and classic experimental media.
The fun kicks off with the lyrical portrait of North Korea, Songs From the North, for which filmmaker Soon-Mi Yoo compiled footage from popular films, state-organized demonstrations and home video from her own visits to the country.
Highlights of the fest include a three-film retrospective of documentarian William Greaves, Still a Brother, The Fight and Symbiopsychotaxiplasm: Take One; a new consumerist exploration by Cory Arcangel, Freshbuzz (www.subway.com); the oblique narrative Don’t Go Back to Sleep by Stanya Kahn; and the Hong Kong experimental post-apocalyptic The Midnight After by Fruit Chan.
The full lineup for the 2014 Migrating Forms is below:
December 10
8:00 p.m.: Songs From the North, dir. Soon-Mi Yoo. This portrait of North Korea has been crafted...
The fun kicks off with the lyrical portrait of North Korea, Songs From the North, for which filmmaker Soon-Mi Yoo compiled footage from popular films, state-organized demonstrations and home video from her own visits to the country.
Highlights of the fest include a three-film retrospective of documentarian William Greaves, Still a Brother, The Fight and Symbiopsychotaxiplasm: Take One; a new consumerist exploration by Cory Arcangel, Freshbuzz (www.subway.com); the oblique narrative Don’t Go Back to Sleep by Stanya Kahn; and the Hong Kong experimental post-apocalyptic The Midnight After by Fruit Chan.
The full lineup for the 2014 Migrating Forms is below:
December 10
8:00 p.m.: Songs From the North, dir. Soon-Mi Yoo. This portrait of North Korea has been crafted...
- 12/10/2014
- by Mike Everleth
- Underground Film Journal
We're very excited to bring you the trailer for the much-anticipated new feature by Gina Telaroli, Here's to the Future!, which is premiering at Migrating Forms this December at BAMcinématek in Brooklyn.
One a late-summer Sunday in 2011, a female director (Telaroli herself) gathers a team of filmmakers, writers, musicians, artists, critics and friends in an apartment to recreate a scene from Michael Curtiz's Depression-era drama The Cabin in the Cotton. Over plates of pasta and glasses of red wine, a round robin of non-professional actors take turns performing the same scene, again and again, in different permutations. With a freedom influenced by pre-Code Hollywood, cameras, phones, and laptops are scattered around the set at almost every possible angle, documenting the action - both in front of and behind the camera - as it unfolds, from rehearsals to equipment adjustments to the banter between takes. An intimate, playful, and spontaneous...
One a late-summer Sunday in 2011, a female director (Telaroli herself) gathers a team of filmmakers, writers, musicians, artists, critics and friends in an apartment to recreate a scene from Michael Curtiz's Depression-era drama The Cabin in the Cotton. Over plates of pasta and glasses of red wine, a round robin of non-professional actors take turns performing the same scene, again and again, in different permutations. With a freedom influenced by pre-Code Hollywood, cameras, phones, and laptops are scattered around the set at almost every possible angle, documenting the action - both in front of and behind the camera - as it unfolds, from rehearsals to equipment adjustments to the banter between takes. An intimate, playful, and spontaneous...
- 11/19/2014
- by Notebook
- MUBI
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