Enfermeiras de Guerra

I watch a lot of obscure movies, films which 99.9% of people will never watch. It's like discovering a world that only I know about. Occasionally I will come across a hidden gem which I absolutely love usually because it meets my personal preferences. But then there are movies like War Nurse in which I'm in disbelief that a movie of such quality on many levels could fall tough the cracks of obscurity.

War Nurse follows a group of women who volunteer for nursing duties in France at the outbreak of the First World War. The film is a perfect companion piece to All Quiet on the Western Front, released the same year. Similar to how the young army recruits in All Quiet... have a distorted, glamorised view of what war will be like, so do the nurses at the beginning of War Nurse (some of them are barely into adulthood) expecting to be "holding hands all night with good looking sick officers" and to spend "Moonlight nights up on no man's land, with a general in each arm". Little do they expect the extremely strenuous work, horrendous conditions, the lack of supplies and the near insanity caused by the constant firing of shells.

One scene in which the nurses retreat to bed for the night only to be woken up shortly afterward by the arrival of injured troops during the middle of the night, I can feel just how tired and physically exhausted these people must be. War Nurse is full of powerful moments both big and subtle such as when a soldier played Robert Montgomery asks a nurse played by Anita Page out on a date, literally seconds after she told him one of his close comrades just died; death is that common of an occurrence

The copy of War Nurse I watched was not of the greatest of quality so I couldn't always distinguish the cast members apart. Yet I was still fully engaged and can say the production values are superb. I don't have any information on the filmmaking locations for War Nurse but the exteriors feature lush countryside backdrops to large-scale recreations of baron no man's land with shells constantly exploding.

Get this baby onto the Warner Achieve Collection!

Anita Page gets the chance to be someone other than the rich socialite or the poor girl from the lower east side. In WAR NURSE, she shines as the teenage social butterfly who signs on, one imagines on a whim, to be a nurse in WWI. She is shipped overseas with a group of other girls who are all anxious to be nurses. At first she is afraid and cries for the easy life she used to have, but quickly becomes a competent nurse. Hedda Hopper, in a role before she became a gossip queen, plays the matron of the nurses. Look for the marvelous wisecracking Marie Prevost, one of the 1920's favorite flappers, and Helen Jerome Eddy as two of the other nurses.

In this film, Anita loses her heart to an American soldier she meets, only to find herself bitterly disappointed later. Suave, sexy Robert Montgomery provides the love interest for a nurse named Babs. Look also for Edward Neugent, playing another of his many "best buddy" roles, as a friend of Montgomery. This movie looks like it's used stock WWI war footage to document the war, but that only adds to the realism. Things look dark, dirty and, well, like a war is going on! Contrast these scenes with one later in the picture of the wild party at the nightclub, and I imagine you have some idea of what things were like at some point during WWI.

Like WATERLOO BRIDGE (1930), this movie provides viewers of today with a look back at the WWI era--it's conventions, morals, worries, and fascinating stories. If you can find this movie, it's worth the time it takes to see it.

I was a bit surprised by the premise of this film. It seems that not all the nurses used during WWI were actually trained nurses. In other words, while the Red Cross provided many well-trained nurses with surgical and nursing experience, many of the volunteers were just ladies who were willing to give it a try! This film is specifically about these ladies.

As far as the types of women you see in the film, they all are a bit different. Some are very professional and dedicated and some are more flighty and annoying. One of the worst of them is actually the leading lady, Anita Page, who plays a nurse who seems awfully interested in romance and who seems ready to crack up at a moment's notice! While annoying, however, this is probably pretty realistic- -and it was very tough work to say the least.

Overall, this is a pretty good little film. At times it's gritty and blunt about sex for 1930, though in some ways it is all a bit sanitized as you really see no blood and the horrors of war aren't nearly as horrific as you'll see in contemporary films like "All Quiet on the Western Front". Not a brilliant film but one that is worth seeing, well acted and well written.

This film tells the tale of a group of young "war nurses". The opening scenes show them drinking and thinking that being a war nurse will be relatively easy. This is especially apparent with the character played by Anita Page. Most of these girls are unprepared and have no idea of what they are about to go through. Soon enough, the harsh realities of war hits them in the face. War Nurse doesn't rank up there with The Big Parade or All Quiet on the Western Front but it does have several points in it's favor. The performances are all good. Anita Page is perfectly cast and she convincingly portrays the wide-eyed, innocent young girl. Helene Jerome Eddy, a popular silent player who also had a long career in talkies, is especially good, as is Marie Prevost. The war atmosphere is well presented. And these nurses are portrayed as valiant, selfless and always ready to do their share. Not a major motion picture but still a pretty good one.

Although its style is clearly 'old school' or pre- pre-code, this has an almost modern feel with respect to its cynical attitudes and brutal realistic content. Its evocative depiction of WW1 is genuinely harrowing.

If you're a shallow voyeur who watched this just to see Anita Page bouncing around in her undies you'll feel very guilty and a little soiled because this is proper film. It's a hard hitting condemnation of war. It's a life affirming story of how amazing the human spirit is.

Veteran director Edgar Selwyn wasn't one of those experimental filmmakers pushing boundaries in the late twenties but neither was he one to make those appalling stodgy static filmed stage play types of thing. By focusing on how it affects real people, Selwyn evokes the never ending relentless horror and despair of war by making it personal.

It's based on a notorious anonymously written autobiography of an actual war nurse which caused quite a scandal with its no holds barred revelations of what life was like for those young amazing heroines. Although this was made in 'the pre-code era' the saucy story was heavily censored and sanitised - in terms of any sexual shenanigans anyway. The true mental and physical brutality of conflict however was left undiluted.

Like all the best stories this tells its tale through the eyes and experiences of real people. The acting style is a bit more 1920s than 1930s but once you acclimatise, the characters do feel authentic, like real people. It's a story about how war doesn't just change people but society. These volunteer girls, hundreds and in the case of the Americans, thousands of miles from home, like the men there, realise that have to live as though each day might be their last. Consequences and convention have no role in a world without a future. The only way to survive was to pretend it's just a nightmare and live in a sphere of self deception.

Overall it's a clever and engaging fast-moving film. It's professionally made and a lot more entertaining than you might imagine... and if you're still wondering, yes Anita Page does bounce around in her undies!