Numbered Men (1930) User Reviews

Numbered Men-Number Our Days & Minutes to See This **

[edwagreen · 4/10 · 5 February 2012]

The acting by the lead characters is amateurish at best.

The film discusses the honor system among the road gang in jail. It's as if there is an advantage to doing road work. Remember, "I Am a Member of A Chain Gang," that got to the real gritty about road or chain work in prisons. This picture actually thinks it's an honor to achieve such a task.

As the head of the road workers, Conrad Nagel acts more like he is a college professor; the guy who is known as the kid is more like a college preppy. When you hear the latter speak, you know that the only thing he is guilty of is appearing in this corny film.

Then there is Mary, who works on a farm near the road gang. She does this so that she can be near the kid. She falls for the claims of the guy who framed the kid who tells her that he can help her guy escape.

There is the typical member of the gang who sounds like he came out of Flatbush Avenue in Brooklyn, New York. He really did a great imitation of Leo Gorcey of the Our Gang Group.

Nagel takes the fall for the kind. That doesn't surprise one. He may have taken the fall for the entire 75 minutes of this junior high school type production.

Not a terrible film until the ending...that made it terrible!

[planktonrules · 4/10 · 26 September 2013]

This is the story of a group of men in an honors unit at the local prison. Because these men have earned the warden's trust, they are able to work in the community and have special privileges. Unfortunately, somehow a complete thug was admitted to the honors unit and threatens to ruin the program for everyone. And, when this bad egg escapes, the rest of the inmates in the program help track down the guy and dispense justice. In the midst of all this is a story about a guy who was framed--framed by the same guy who just escaped.

Have you ever seen a film that is pretty good only to have an ending so preposterous and stupid that it made you wish you hadn't wasted your time? That's exactly my experience with "Numbered Men". The plot isn't bad at all and there are some nice performances--but the ending was just so dumb it pretty much sours me on the film. It earns a 4 simply because the first 90% of the film is decent and probably would have earned a 6.

some camp value

[jaguar-4 · 4/10 · 17 January 1999]

silly, very hammy, kind of annoying prison flick has some campy lines here and there; not a Warners pic, therefore not striving for realism. the leading lady is cute.

A Prison Movie For Those Who Love Hogans Heroes

[alonzoiii-1 · 3/10 · 3 February 2012]

The opening credits, listing the jail characters only by their numbers, and an opening title card, grandly proclaiming how convicts give up the right to a name, promise a grim drama of men imprisoned, and railing against their fate. The director -- Mervyn LeRoy, who would later helm I am A Fugitive From A Chain Gang -- also promises something serious, and perhaps grim. Instead, however, what is delivered is entertaining for all the wrong reasons, as, when the script does not dwell on all the long-standing prison clichés, it fixes on some of the most absurd plotting ever seen in a prison movie.

The story features Conrad Nagel as a good-hearted ex-counterfeiter who takes a callow new inmate under his wing, and who, later, helps out the warden when a really nasty convict escapes by generating a prison riot. Nagel's performance is fine, but gets lost in the plot silliness, typified by a prison "honor system" where the warden shows a lack of concern about security that rivals Col. Klink. Other moments of plot outrageousness (mostly involving the lengths Conrad Nagel will go to sacrifice himself for the somewhat dimwitted juvenile hero) destroy any sort of believability, but add a sort of Ed Wood zaniness to the proceedings, particularly in the movie's final reel. LeRoy is a good enough director that the action in this film does not drag, so, if you like "so bad its good cinema", you will probably like this.

Prisoners of Love

[dogwater-1 · 3/10 · 31 January 2012]

If only prison was like this. The "numbered men" seem mostly to sit around in the lounge of privilege, play games, smoke and josh each other like they are just fellas at the fire house waiting for an alarm. The object is to get on the road gang where they will be on "the honor system". Those words are always spoken with quotes, by the way, by any of the actors. A special treat after work is to pile into the old truck like it's a hayride and visit a farm for home-made doughnuts. Very early talkie and shows the seams of that transition. Bernice Claire has a corn-fed niceness with a touch of vinegar that is appealing.The rest of the cast does not fare well. From a play and not much removed from a stage. Mervyn LeRoy directed. This is where so many prison picture clichés come from, it fun to ring the bell on them, although I don't remember another big house drama with doughnuts.

Bland Prison Drama

[Michael_Elliott · 3 February 2012]

Numbered Men (1930)

** (out of 4)

Flat prison drama about an ex-counterfeiter (Conrad Nagel) who takes a newbie (Raymond Hackett) under his wing. The two eventually get on the road crew, which allows them to work outside the prison and the newbies girlfriend (Bernice Claire) just happens to be working at a local diner. While those two love birds talk about their future there's a prison riot, which might cost them everything. NUMBERED MEN is a pretty bland and rather forgettable picture that just grows more and more confusing as it moves along. Even though it clocks in at just 65-minutes, the movie is so poorly paced that you can't help but grow tired within the first twenty-minutes and it never picks up any speed. I think the biggest problem is the actual story, which is all over the place and it really never comes together. We learn that the newbie is of course innocent but he's going to need someone to come forward to prove it. We learn that the newbie is terrified that his girl won't wait for him. Then, of course, a big break will eventually come. I'm not exactly sure why various subplots enter the picture as many of them go unanswered or at least none of them really add up to anything. Bagel is pretty good in his role but the screenplay really doesn't give him much to do other than stand around and give out advice. Hackett is pretty forgettable in his part as his acting really doesn't do anything to help the character. Claire, who was mainly in musicals, comes off pretty poorly as her vocal tone is always out of place and she just doesn't give a very good performance. The surprising thing is that this was directed by Mervyn LeRoy who would go onto direct the classic I WAS A FUGITIVE FROM A CHAIN GANG.

The country club of prisons.

[mark.waltz · 2/10 · 24 June 2022]

Prisoners pretty much come and go as they please. A friendly farm woman makes the trustees on the work gang donuts. Girlfriends visit their boyfriends in jail as if it was dance night at the local college. All threatened to end when someone escapes. Not a very realistic men's prison film, especially coming from the studio that you could count on realism from, Warner Brothers. The same here, MGM made "The Big House" starring Wallace Beery which one a lot of acclaim and an Academy Award nomination. This creaky programmer, directed by the great Mervyn Leroy, is so silly in its story that it's more comparable to Laurel and Hardy's "Pardon Us" and Wheeler and Woolsey's "Hold Em' Jail".

It is easy to forgive films from 1929 and 1930 for their creakiness due to research being done on improving early sound techniques, but it is impossible to forgive a film that takes on a serious subject treats it in a frivolous light. Bernice Claire visits boyfriend Conrad Nagel, and while alone in a barn is all of a sudden held hostage by the escaped prisoner, hiding nearby with a weapon.

Just half an hour before, a group of prisoners were sitting around the kitchen of farm woman Blanche Friderici waiting for the donuts to be completed frying. This does have some decent dialogue and the actors are not speaking at a snail's pace, so it's obvious that there had been progress in filmmaking and having movies truly have motion. But considering the pedigree behind the film, this one truly deserves to be locked up rather than have the audience held prisoner by fugitives from a chain gang.

Men Without Names!!!

[kidboots · 8/10 · 24 May 2012]

Bernice Claire was billed as "California's Youngest Soprano" and had the most beautiful voice. No one will ever know why she fell by the wayside after the first rash of early movie musicals were over. Even though by 1931 she was touring vaudeville, First National obviously had enough faith in her to put her into "Numbered Men", a film about prison life and definitely not a musical. The star was Conrad Nagel, probably one of the most over worked actors of the early sound period because of his beautiful diction. In 1930 he made 11 pictures, in 1931 he did 10. When talkies were being cast, the word went out "Get Nagel - he can talk"!!! - talkies had refreshed his wilting career.

This was a pretty good film with realistic sets and helped by some excellent acting. When prison tough guy Callahan (Ralph Ince) is transferred to the "Honor Wing" (who knows why? - he is as nasty as they come) the other prisoners are up in arms. They are men without names and 26521 (Nagel) is the leader whom the others go to for advice. 31857 (Raymond Hackett) is the eager young kid who was obviously framed (by gangster Rinaldo (Maurice Black)). His girl on the outside Mary (Claire) has promised to wait (10 long years!!) but Rinaldo finds her working at a country diner and convinces her that Buddy will want someone younger when he does get out so she reluctantly agrees to help organise an escape. Meanwhile Callahan has planned a prison riot that gives him a chance to escape with "Babyface" (Ivan Linow, who starred with Lon Chaney in that years "The Unholy Three"), another prisoner, mad with grief because his mother had just died. The warden wants to dismantle the whole honor system but 26521 promises that he and the rest of the road gang will capture Callahan dead or alive if the warden will only keep the system going. Mary can't convince Bud to escape, he feels he owes it to his friends to stick it out but just as she locks him in the store room Callahan climbs in through the window....

Conrad Nagel was the nominal star but he was over shadowed by a powerhouse performance by Ralph Ince as the desperate escapee. Raymond Hackett (later married to Blanche Sweet) had a few emotional scenes and Bernice Claire was just fine as Mary. This role proved she was a good emotional actress who didn't need to rely on singing to keep the public interested.

Pros and Cons

[lugonian · 11 February 2012]

NUMBERED MEN (First National Pictures, 1930), directed by Mervyn LeRoy, is an early sound prison melodrama virtually forgotten by better ones that were to come, and doesn't star legendary tough guys as James Cagney, Edward G. Robinson or George Raft to attract any avid film buff's attention. While NUMBERED MEN was released shortly before any of these three actors made their mark on the motion picture screen, this was indeed a dress rehearsal for director LeRoy, whose prison drama, I AM A FUGITIVE FROM A CHAIN GANG (1932) featuring Paul Muni, has become legendary during the course of the years. NUMBERED MEN, however, stars some lesser known names by today's standards. Conrad Nagel heads the cast with his name under the title before listed second under Bernice Claire's during the cast listings and their roles, followed by Raymond Hackett and others. Adapted from a stage play, "Jailbreak" by Dwight Taylor, NUMBERED MEN, probably inspired by the current trend of Broadway's "The Last Mile" (1929) and MGM's THE BIG HOUSE (1930), follows that pattern with a slight twist to it.

Following its opening title which reads: "In God's glorious sunshine, everyone and everything bears a name. It is man's birthright - yet behind pitiless walls built with bricks of shame, there exist humans - with names long forgotten - now known by numbers only," the camera takes its full view of Stoneyhurst State Penitentiary before leading to the visitor's room and introduction to various convicts: Bud Leonard (Raymond Hackett), Number 31857, is serving ten years on charges of counterfeiting. He is loved by Mary Dane (Bernice Claire), "a swell kid with red hair," who's willing to wait for him. Bud shares a cell with Bertie Gray (Conrad Nagel), Number 26521, a pipe smoker serving time on charges other than counterfeiting, with six more months to go on his term. Other prisoners include "Happy" Howard (George Cooper), a harmonica player; "Baby Face" Pollack (Ivan Linow), Number 41226, who gets calmed by Bertie when going stir crazy; Jimmy Martin (Frederic Howard), Number 51034; and King Callahan (Ralph Ince), Number 33410, a crook who arranges for a jail break. Warden Lansing (William Holden) awards Bertie and Bud the honor system by offering them temporary privileges working a road camp, becoming employees of the state. Their work takes them near a farm run by the kindly Mrs. Miller (Blanche Frederici), who provides trustees with food and donuts. To get her chance to see and be near Bud, Mary gets a job working for Mrs. Miller. Trouble lurks when gangster, Lou Rinaldo (Maurice Black), who framed Bud on counterfeit charge in the first place, arrives to force his intentions on Mary.

Playing like a "B" movie, which it was, this 64 minutes programmer might prove disappointing for anyone expecting a solid prison melodrama. While the early portions show convicts having recreation time playing cards and listening to the radio, the warden does put enough trust in some to put them to work outside the prison watched by guards with no guns to keep them in their place. One scene worthy of mention is one where Bertie and Jimmy talk about Lou Rinaldo, whose face is superimposed on the screen between these two men. Anyone familiar with Bernice Claire, she's an singer with an operatic voice who specialized in musicals. Starring in some early screen adaptations as NO, NO NANETTE (1929) and SONG OF THE FLAME (1930), and best known for her duets with Alexander Gray in three early talkies, NUMBERED MEN was her only non-singing assignment. NUMBERED MEN came at a time when her movie career was coming to a close. Conrad Nagel, a popular leading man for MGM with a very distinctive voice, makes a go as a convict, though not so convincing as a tough guy. Tully Marshall, a familiar face in many motion pictures dating back to the silent screen, provides some humor as Lamuel Barnes, Mrs. Miller's neighboring farmer who raises chickens, and puts his distrust on the cons working so close to his area. As much as director LeRoy keeps the pace going, with plot more outside the prison rather than in, one wishes more time spent on prison breaks, cell fights and shooting by the guards. One of those is actually used, but on a limited scale. Take note that the actor, William Holden, is not the same Academy Award winning Holden of STALAG 17 (Paramount, 1953) and other popular films from that era.

An early talkie that surprisingly has survived over the years, NUMBERED MEN is simply a curiosity and not much else. Never distributed on home video or DVD, it turns up on very rare occasions these days on Turner Classic Movies cable channel. (**)