Stranger Things fans may still have to do some waiting before Season 4 of the popular supernatural series lands at Netflix, but the streamer provided a welcome update on its premiere date.
During its Stranger Things Day event on Saturday, Netflix revealed that the series starring Millie Bobby Brown, Finn Wolfhard, Gaten Matarazzo, Caleb McLaughlin and Noah Schnapp will make its debut in Summer 2022.
Stranger Things has had a long wait for season four; the third season launched in July 2019 but as a result of the pandemic, which shut down its production, it will air in 2022, having only been able to get back into production in September 2020.
At the end of Season 3, following the explosion aimed at destroying the Soviet lab to the Upside Down deep under the new Starcourt Mall, Joyce Byers is seen taking her sons and Eleven out of the Indiana town to start a new life. There...
During its Stranger Things Day event on Saturday, Netflix revealed that the series starring Millie Bobby Brown, Finn Wolfhard, Gaten Matarazzo, Caleb McLaughlin and Noah Schnapp will make its debut in Summer 2022.
Stranger Things has had a long wait for season four; the third season launched in July 2019 but as a result of the pandemic, which shut down its production, it will air in 2022, having only been able to get back into production in September 2020.
At the end of Season 3, following the explosion aimed at destroying the Soviet lab to the Upside Down deep under the new Starcourt Mall, Joyce Byers is seen taking her sons and Eleven out of the Indiana town to start a new life. There...
- 11/6/2021
- by Alexandra Del Rosario
- Deadline Film + TV
Update:
Deadline is now reporting that the next film in Universal's Monster Slate will be The Wolf Man. According to the site, Aaron Guzikowski (Prisoners) is writing the movie.
Original Story:
Back in the day, Universal Pictures was the king of the monster mountain. Their stable of classic monsters, from Bela Lugosi's Dracula to Lon Chaney Jr's Wolfman, from Boris Karloff's iconic Frankenstein to...Boris Karloff's iconic Mummy, and more, Universal cornered the market on Hollywood monsters. From standalone films, to crossovers, to Monster v Monster movies, one could easily argue that they established the blueprint that modern day comic book films are now so eagerly adopting. So it makes sense now that Universal is looking around at what their rivals at Disney, Warner Bros, Sony, and Fox are doing and saying, "Oh, yeah? You want to talk about your 'cinematic universes'? Well, we're going to relaunch the granddaddy of'em all.
Deadline is now reporting that the next film in Universal's Monster Slate will be The Wolf Man. According to the site, Aaron Guzikowski (Prisoners) is writing the movie.
Original Story:
Back in the day, Universal Pictures was the king of the monster mountain. Their stable of classic monsters, from Bela Lugosi's Dracula to Lon Chaney Jr's Wolfman, from Boris Karloff's iconic Frankenstein to...Boris Karloff's iconic Mummy, and more, Universal cornered the market on Hollywood monsters. From standalone films, to crossovers, to Monster v Monster movies, one could easily argue that they established the blueprint that modern day comic book films are now so eagerly adopting. So it makes sense now that Universal is looking around at what their rivals at Disney, Warner Bros, Sony, and Fox are doing and saying, "Oh, yeah? You want to talk about your 'cinematic universes'? Well, we're going to relaunch the granddaddy of'em all.
- 11/12/2014
- by Mario-Francisco Robles
- LRMonline.com
Kicking off with a kick-ass party on a Friday night, monster makeup master Rick Baker celebrated his new collaboration with Mac Makeup by inviting just a few hundred of his closest friends.
Glad I made the cut... so to speak! There were lots of bogus blood wounds and knife nicks on display, as well as humorous Halloween costumes – my faves were the wags who went dressed as “Rick Baker.”
Baker himself was in a cyberpunk knight costume, complete with so many prosthetics even his own mum wouldn’t recognize him. This most supernaturally chic celebration of the season took place at Baker’s Cinovation Studios in L.A., and attendees included Slash and Perla Hudson, Kelly Osbourne, and Jason Priestley. Models wearing iconic makeup looks created for Mac, The Monster's Bride - Micheline Pitt, the Spider Queen - Ashley Sutton, and the Zombie - Jason Boyce, greeted guests on the gore-red carpet,...
Glad I made the cut... so to speak! There were lots of bogus blood wounds and knife nicks on display, as well as humorous Halloween costumes – my faves were the wags who went dressed as “Rick Baker.”
Baker himself was in a cyberpunk knight costume, complete with so many prosthetics even his own mum wouldn’t recognize him. This most supernaturally chic celebration of the season took place at Baker’s Cinovation Studios in L.A., and attendees included Slash and Perla Hudson, Kelly Osbourne, and Jason Priestley. Models wearing iconic makeup looks created for Mac, The Monster's Bride - Micheline Pitt, the Spider Queen - Ashley Sutton, and the Zombie - Jason Boyce, greeted guests on the gore-red carpet,...
- 10/25/2013
- by Staci Layne Wilson
- DreadCentral.com
Lon Chaney didn't speak during early childhood, as his parents were deaf and mute, and he communicated with them via sign language. When silent movies came along, he was a natural. And at the end of his life, stricken with throat cancer, he lost his voice and again relied on pantomime to make himself understood. He came from silence and went back to silence.
Chaney was a unique kind of movie star, in that his success rested more on variety than reliability: if his audiences had any expectations going into a Chaney film, surely they must have been expectations of surprise, perhaps of an encounter with the unfamiliar and bizarre.
Outside the Law (1920) was Chaney's second film for director Tod Browning, whose concerns seemed to merge with his own in a particularly conducive way: separately and apart, both men pursued stories of humiliation, disfigurement, and revenge, featuring bizarre, displaced menageries and elaborate and uncomfortable disguises.
Chaney was a unique kind of movie star, in that his success rested more on variety than reliability: if his audiences had any expectations going into a Chaney film, surely they must have been expectations of surprise, perhaps of an encounter with the unfamiliar and bizarre.
Outside the Law (1920) was Chaney's second film for director Tod Browning, whose concerns seemed to merge with his own in a particularly conducive way: separately and apart, both men pursued stories of humiliation, disfigurement, and revenge, featuring bizarre, displaced menageries and elaborate and uncomfortable disguises.
- 10/3/2013
- by David Cairns
- MUBI
Submit your vote for Reviewer of the Year!
Every year, the Classic Horror Film Board recognizes the best in the horror/sci-fi/fantasy realm with the Rondo Hatton Classic Horror Awards. Fans of the genre can vote for their favorites in over thirty categories, and this year, Cinelinx would like to ask you to vote for one of our own, staff writer Victor Medina, as Reviewer of the Year (Category 29)! We've even included the ballot below so you can vote!
Votes must be submitted by copying and pasting the ballot into your personal email, making your choices, including your name, and sending it in. Votes for Reviewer of the Year are write-in only, so you must be sure to include Vic's name yourself under Category 29 when you vote. Pre-filled ballots are not allowed, so we can't do it for you! Remember, you must write in "Victor Medina, Cinelinx.com" yourself.
Every year, the Classic Horror Film Board recognizes the best in the horror/sci-fi/fantasy realm with the Rondo Hatton Classic Horror Awards. Fans of the genre can vote for their favorites in over thirty categories, and this year, Cinelinx would like to ask you to vote for one of our own, staff writer Victor Medina, as Reviewer of the Year (Category 29)! We've even included the ballot below so you can vote!
Votes must be submitted by copying and pasting the ballot into your personal email, making your choices, including your name, and sending it in. Votes for Reviewer of the Year are write-in only, so you must be sure to include Vic's name yourself under Category 29 when you vote. Pre-filled ballots are not allowed, so we can't do it for you! Remember, you must write in "Victor Medina, Cinelinx.com" yourself.
- 2/26/2013
- by feeds@cinelinx.com (Jordan Maison)
- Cinelinx
Film #7 on Doctor Gash’s Top 10 Greatest Horror Movies… Ever! is a classic that was censored and scrutinized in its day for scenes of blasphemy and violence against children.
That’s right, today we may think of Frankenstein as just an old black and white monster movie, but upon its release in 1931, this movie was shocking.
#7-Frankenstein
Henry Frankenstein: Look! It's moving. It's alive. It's alive...It's alive, it's moving, it's alive, it's alive, it's alive, it's alive, It's Alive!
Victor Moritz: Henry - In the name of God!
Henry Frankenstein: Oh, in the name of God! Now I know what it feels like to be God! "
We’ve been completely numbed to the power of Frankenstein. We’re hyper-exposed to The Monster as a cute, smiling Halloween staple, a clown (Herman Munster) and a character in children’s books (Frankenstein Makes a Sandwich by Adam Rex,...
That’s right, today we may think of Frankenstein as just an old black and white monster movie, but upon its release in 1931, this movie was shocking.
#7-Frankenstein
Henry Frankenstein: Look! It's moving. It's alive. It's alive...It's alive, it's moving, it's alive, it's alive, it's alive, it's alive, It's Alive!
Victor Moritz: Henry - In the name of God!
Henry Frankenstein: Oh, in the name of God! Now I know what it feels like to be God! "
We’ve been completely numbed to the power of Frankenstein. We’re hyper-exposed to The Monster as a cute, smiling Halloween staple, a clown (Herman Munster) and a character in children’s books (Frankenstein Makes a Sandwich by Adam Rex,...
- 2/21/2013
- by Doctor Gash
- DreadCentral.com
The utimate midnight movie Chillerama hits store shelves today on Blu-ray and DVD. From Image Entertainment, Chillerama is a horror anthology featuring four unique films from four talented up-and-coming directors. Each film takes a different classic monster movie era and spins it on its head — including a ’50s Atomic Monster movie about a giant killer sperm (Wadzilla), a ’60s beach movie about a hairy monster in leather bondage (I Was A Teenage Wearbear), a ’30s German monster movie starring Hitler and Eva Braun (The Diary Of Anne Frankenstein) and a gruesome ’70s-’80s zombie flick (Zom-b-movie).
The Blu-ray is unrated and will include special features such as Deleted Scenes, Making-Of Videos, Director Interviews and Video Commentary from the four directors, Adam Green, Adam Rifkin, Joe Lynch and Tim Sullivan. StarPulse sat down with the filmmakers and talked to them about the movie.
Check out several highlights from the interview below:...
The Blu-ray is unrated and will include special features such as Deleted Scenes, Making-Of Videos, Director Interviews and Video Commentary from the four directors, Adam Green, Adam Rifkin, Joe Lynch and Tim Sullivan. StarPulse sat down with the filmmakers and talked to them about the movie.
Check out several highlights from the interview below:...
- 11/29/2011
- by Elvis
- FamousMonsters of Filmland
Everyone around the office has been raving about this amazing book, so much so that I have no problem giving it my complete endorsement. Everyone who considers themselves a horror fan should go buy it. Right now. Seriously. Go.
All right… I guess you can read this first and then go buy it.
John Landis’ Monsters In The Movies: 100 Years Of Cinematic Nightmares is a venerable treasure trove of horror history, containing gems from all the way back in the silent era to today’s CGI blockbuster creations. More so, this is one of those rare books that you should feel free to judge by its cover.
Before it's even opened, it steals your very soul...
Split into chapters based on the different types of monsters, the book contains separate sections for Vampires, Werewolves, Mad Scientists, Zombies, Ghosts, Mummies, Myths Legends & Fairy Tales, Monstrous Apes, Atomic Mutations, The Devil’s Work (The Devil,...
All right… I guess you can read this first and then go buy it.
John Landis’ Monsters In The Movies: 100 Years Of Cinematic Nightmares is a venerable treasure trove of horror history, containing gems from all the way back in the silent era to today’s CGI blockbuster creations. More so, this is one of those rare books that you should feel free to judge by its cover.
Before it's even opened, it steals your very soul...
Split into chapters based on the different types of monsters, the book contains separate sections for Vampires, Werewolves, Mad Scientists, Zombies, Ghosts, Mummies, Myths Legends & Fairy Tales, Monstrous Apes, Atomic Mutations, The Devil’s Work (The Devil,...
- 10/5/2011
- by Barrett
- FamousMonsters of Filmland
Randy goes monster huntin’!
The thing that always amazed me about Frankenstein is how easily he went from horror to comedy. In the movies, the good doctor’s scrapheap project was scary. On TV, Fred Gwynne’s footstomping caricature of Frankenstein’s monster in “The Munsters” took only a little reworking to make Herman Munster a lovable TV dad, even if he was built in a mad scientist’s workshop.
“The Ghost Of Frankenstein” continues the series of Universal sequels in the Frankenstein house of horrors with Lon Chaney as The Monster and Bela Lugosi as Ygor. Ygor brings the big guy to Dr. Frankenstein’s son and before long, the villagers are breaking out the torches again.
There’s no comedic flair here – “Lily, they want to set me on Fire! Haw ha ha ha” – but a fair dose of horror and a wash of pathos is enough to...
The thing that always amazed me about Frankenstein is how easily he went from horror to comedy. In the movies, the good doctor’s scrapheap project was scary. On TV, Fred Gwynne’s footstomping caricature of Frankenstein’s monster in “The Munsters” took only a little reworking to make Herman Munster a lovable TV dad, even if he was built in a mad scientist’s workshop.
“The Ghost Of Frankenstein” continues the series of Universal sequels in the Frankenstein house of horrors with Lon Chaney as The Monster and Bela Lugosi as Ygor. Ygor brings the big guy to Dr. Frankenstein’s son and before long, the villagers are breaking out the torches again.
There’s no comedic flair here – “Lily, they want to set me on Fire! Haw ha ha ha” – but a fair dose of horror and a wash of pathos is enough to...
- 9/22/2011
- by Danny
- Trailers from Hell
Lon Chaney on TCM: He Who Gets Slapped, The Unknown, Mr. Wu Get ready for more extreme perversity in West of Zanzibar (1928), as Chaney abuses both Warner Baxter and Mary Nolan, while the great-looking Mr. Wu (1927) offers Chaney as a Chinese creep about to destroy the life of lovely Renée Adorée — one of the best and prettiest actresses of the 1920s. Adorée — who was just as effective in her few early talkies — died of tuberculosis in 1933. Also worth mentioning, the great John Arnold was Mr. Wu's cinematographer. I'm no fan of Laugh, Clown, Laugh (1928), The Hunchback of Notre Dame (1923), or The Phantom of the Opera (1925), but Chaney's work in them — especially in Hunchback — is quite remarkable. I mean, his performances aren't necessarily great, but they're certainly unforgettable. Chaney's leading ladies — all of whom are in love with younger, better-looking men — are Loretta Young (Laugh, Clown, Laugh), Patsy Ruth Miller...
- 8/15/2011
- by Andre Soares
- Alt Film Guide
Lon Chaney, He Who Gets Slapped Lon Chaney is one of the most fascinating movie stars in film history. Throughout the 1920s, Chaney was one the biggest box-office draws the world over despite what could kindly be described as an unhandsome face — one that was often disguised by heavy layers of makeup to make him look ancient, deformed, Chinese, female, etc. His roles usually fell into two categories: total fiends, or fiends and semi-fiends in love/lust with or protective of some pretty young thing or other. On Monday, August 15, Turner Classic Movies will be showing 15 Lon Chaney movies, in addition to the reconstructed — by way of stills — London After Midnight (1927), perhaps the most talked about lost film ever. TCM will also present the premiere of the 1922 version of Oliver Twist, directed by future Oscar winner Frank Lloyd (Cavalcade, Mutiny on the Bounty), and starring Chaney as Fagin, The Kid's Jackie Coogan as Oliver,...
- 8/15/2011
- by Andre Soares
- Alt Film Guide
By Doug Gerbino
The Warner Archive Collection released six rare Lon Chaney, Sr. films on October 26 -- five silents and one talkie (his one and only talkie). The films are He Who Gets Slapped (1924); The Monster and The Unholy Three (both 1925); Mr. Wu and Mockery (both 1927); and The Unholy 3 (1930), the sound remake of the 1925 film with a numerical title and a different ending. Lon Chaney, Sr. was a fascinating actor. It's a shame that he is pigeon-holed as a horror star. This is due to the over-availability of two of his most famous films: Hunchback of Notre Dame (1923) and Phantom of the Opera (1925/29). The fact that these two films are public domain has made them the most widely available of his movies. Within recent years, Warner Home Video has been releasing some of Chaney's MGM films. In 2003, Warner Home Video and TCM released The Lon Chaney Collection, which contained three films: The Aces of Hearts,...
The Warner Archive Collection released six rare Lon Chaney, Sr. films on October 26 -- five silents and one talkie (his one and only talkie). The films are He Who Gets Slapped (1924); The Monster and The Unholy Three (both 1925); Mr. Wu and Mockery (both 1927); and The Unholy 3 (1930), the sound remake of the 1925 film with a numerical title and a different ending. Lon Chaney, Sr. was a fascinating actor. It's a shame that he is pigeon-holed as a horror star. This is due to the over-availability of two of his most famous films: Hunchback of Notre Dame (1923) and Phantom of the Opera (1925/29). The fact that these two films are public domain has made them the most widely available of his movies. Within recent years, Warner Home Video has been releasing some of Chaney's MGM films. In 2003, Warner Home Video and TCM released The Lon Chaney Collection, which contained three films: The Aces of Hearts,...
- 11/7/2010
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Frankenstein Conquers the World, Monster from a Prehistoric Planet, Yonggary: Monster from the Deep, House of Usher, The Pit and the Pendulum, The Raven, The Masque of the Red Death. All classics, baby, and just like Hammer, another great motion picture studio from yesteryear, Aip: American-International Pictures, is now back and ready to churn out the horror for a new generation!
From the Press Release
Legendary low-budget film production company American-International Pictures, founded in 1953, and Visionary Cinema have joined forces to produce three original feature films.
As with the original Aip, the films will have modest budgets and be geared to the independent theatrical and worldwide DVD market.
Best know for the Roger Corman exploitation pictures, Aip is now the proprietorship of Craig Scott Lamb. Writer-director Scott Essman founded Visionary Cinema in New York City in 1988. The goal of both firms – leading to the natural collaboration - is to produce...
From the Press Release
Legendary low-budget film production company American-International Pictures, founded in 1953, and Visionary Cinema have joined forces to produce three original feature films.
As with the original Aip, the films will have modest budgets and be geared to the independent theatrical and worldwide DVD market.
Best know for the Roger Corman exploitation pictures, Aip is now the proprietorship of Craig Scott Lamb. Writer-director Scott Essman founded Visionary Cinema in New York City in 1988. The goal of both firms – leading to the natural collaboration - is to produce...
- 6/11/2010
- by Uncle Creepy
- DreadCentral.com
We're exactly two months away from the second annual Monsterpalooza, which is returning to the Marriott Burbank Convention Center April 9-11, 2010. To help get people fired up for the event, which features special effects artists from the horror industry along with their many works, the promoters have revealed the expanded guest list along with a slew of presentations and demos that will be taking place over the weekend.
Confirmed guests so far include:
Verne Langdon - Monster Of Ceremonies
Michael Westmore - Academy Award Winning Makeup Artist - Mask, Star Trek, Raging Bull
Tom Burman - Award Winning Makeup Artist - Island Of Dr. Moreau, The Goonies, Nip/Tuck
Barney Burman - Proteus F/X - Dawn Of The Dead, Matrix Reloaded, Star Trek 09
Rob Burman - The Fly, The Thing, Star Trek 09
Amalgamated Dynamics - Academy Award Winners Tom Woodruff & Alec Gillis - Starship Troopers, Avp
Knb - Academy...
Confirmed guests so far include:
Verne Langdon - Monster Of Ceremonies
Michael Westmore - Academy Award Winning Makeup Artist - Mask, Star Trek, Raging Bull
Tom Burman - Award Winning Makeup Artist - Island Of Dr. Moreau, The Goonies, Nip/Tuck
Barney Burman - Proteus F/X - Dawn Of The Dead, Matrix Reloaded, Star Trek 09
Rob Burman - The Fly, The Thing, Star Trek 09
Amalgamated Dynamics - Academy Award Winners Tom Woodruff & Alec Gillis - Starship Troopers, Avp
Knb - Academy...
- 2/10/2010
- by Uncle Creepy
- DreadCentral.com
Ladies and gentlemen, boys and girls, this is your one chance to see the most fearless duo in cinema history face off in a battle of the ages. That’s right, yes sir, it’s the gruesome twosome, the horrifying pair that stalk the night in search of everything wicked: lusting for blood, for power, for revenge, but most of all, for blood!
Oh yes, for one night only the two most terrifying, electrifying, murder-minded monsters are going to appear together on stage and screen for a night of blood-curdling, bone-shaking, pant-soiling screams!
Are you tough enough to face these ghouls in the dark, danger-defying Ritz theatre? Oh you think so, hero? Just wait until you’re face to face with the Monster, a creature mixed up and sewn together from the parts of dead bodies from the cemetery and brought to life through the power of lightning! Wait until...
Oh yes, for one night only the two most terrifying, electrifying, murder-minded monsters are going to appear together on stage and screen for a night of blood-curdling, bone-shaking, pant-soiling screams!
Are you tough enough to face these ghouls in the dark, danger-defying Ritz theatre? Oh you think so, hero? Just wait until you’re face to face with the Monster, a creature mixed up and sewn together from the parts of dead bodies from the cemetery and brought to life through the power of lightning! Wait until...
- 2/1/2010
- by daniel
- OriginalAlamo.com
Tana leaves brewing in the microwave, I spent seven days in full-on Mummy mode. It was such a dead-Egyptian-walking time for me that I considered binding myself in stray Band-aids before taking a nap, but, no, That would be crazy. Isn’t sipping hot, steaming tana leaves tea—with natural, Mummy-controlling powers—enough?
I’ve always been fascinated by The Mummy, that 1932 Universal picture starring Boris Karloff as the venerable Imhotep, resurrected by an inopportune reading of the life-giving Scroll of Thoth—first seen (however briefly) in slow-motion, wrapped-up Mummyness, later all parchment-faced, leathery, dried-out humanity as “Ardath Bey.” In this form, fez-topped Bey prefers “not to be touched,” because, of course, he might fall apart and break into ancient dust if someone should give his hand a good shaking.
Even today, I can remember when I first saw that fantasy film at age 10. I had spent most of Saturday...
I’ve always been fascinated by The Mummy, that 1932 Universal picture starring Boris Karloff as the venerable Imhotep, resurrected by an inopportune reading of the life-giving Scroll of Thoth—first seen (however briefly) in slow-motion, wrapped-up Mummyness, later all parchment-faced, leathery, dried-out humanity as “Ardath Bey.” In this form, fez-topped Bey prefers “not to be touched,” because, of course, he might fall apart and break into ancient dust if someone should give his hand a good shaking.
Even today, I can remember when I first saw that fantasy film at age 10. I had spent most of Saturday...
- 10/27/2009
- by no-reply@starlog.com (David McDonnell)
- Starlog
Curious to know what frightful films and devilish discs will be available to view in the privacy of your own digital dungeon this week? Fango's got you covered.
Below the jump you'll find the full list of titles arriving in-stores this Tuesday, September 8, 2009 in our weekly version of the famous Fangoria Chopping List - updated with all the last-minute additions and deletions.
Note: Clickable links lead to Amazon.com
Creepshow (Bd) - Warner Bros.
Amazon.com says: Inspired by the controversial E.C. Comics of the 1950s--which also provided the title and inspiration for the popular Tales from the Crypt TV series--director George Romero and screenwriter Stephen King serve up five delightfully frightful stories. Utilizing comic-book panels, animated segues, and exaggerated lighting and camera angles, Romero and cinematographer Michael Gornick come very close to replicating a horror comic in film format. The results mix fine acting with the morbid sense...
Below the jump you'll find the full list of titles arriving in-stores this Tuesday, September 8, 2009 in our weekly version of the famous Fangoria Chopping List - updated with all the last-minute additions and deletions.
Note: Clickable links lead to Amazon.com
Creepshow (Bd) - Warner Bros.
Amazon.com says: Inspired by the controversial E.C. Comics of the 1950s--which also provided the title and inspiration for the popular Tales from the Crypt TV series--director George Romero and screenwriter Stephen King serve up five delightfully frightful stories. Utilizing comic-book panels, animated segues, and exaggerated lighting and camera angles, Romero and cinematographer Michael Gornick come very close to replicating a horror comic in film format. The results mix fine acting with the morbid sense...
- 9/6/2009
- by no-reply@fangoria.com (James Zahn)
- Fangoria
Universal Pictures and Imagine Entertainment are in talks with Neil "The Illusionist" Burger to write/direct a remake of director James Whale's 1935 feature The Bride Of Frankenstein. The original film starred actor Boris Karloff as 'The Monster', with Elsa Lanchester as 'The Bride', in a sequel that began with the 1931 feature Frankenstein, rooted in a subplot of the 1818 horror novel Frankenstein: The Modern Prometheus. In Whale's The Bride, 'Henry Frankenstein' (Colin Clive) abandons his plans to create life, but is coerced by the Monster and encouraged by Henry's old mentor 'Dr Pretorius' into constructing a stitched-together re-animated 'mate' for him. Universal is looking forward to remaking its library of classic monster titles, including a new version of the 1954 feature Creature from the Black Lagoon and the release later this year of The Wolf Man, starring actor Benicio Del Toro, updating the 1941 Lon Chaney-starring feature... Sneak...
- 6/18/2009
- HollywoodNorthReport.com
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