The Bank (1915) Poster

(1915)

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7/10
Charlie saves the day and gets the girl
TheOtherFool16 April 2004
Good Chaplin short with Charlie as a janitor in a bank. Movie consists of 3 parts. First Charlie gets in a fight with another janitor as they don't really help each other. Then we meet Edna, Charlie's secret love, but engaged to a cashier. The third part is when some gangsters try to rob the bank, but then Charlie comes in and saves the day, gaining the respect and love of Edna (or does he?).

Funny slapstick by Charlie, in particular in the last part when he fights of the robbers. Though not his best, certainly great entertainment for Chaplin fans (and boy am I one of them). Great, bittersweet ending as well.

Peculiar thing happened when I turned off my dvd player and the Dutch 'Tros tv-show' was on with Geraldine and young Oona as guests! Now that can't be a coincidence...

Final score: 7/10.
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6/10
One of Chaplin's best
Horst_In_Translation30 July 2015
Warning: Spoilers
I am probably not among the biggest fans of Chaplin or silent films in general, but I did enjoy watching this 25-minute short film "The Bank". It will have its 100th anniversary in about a week by the way. This is a silent, black-and-white movie and the reason why I loved it is that it has more than just a random collection of comedic slapstick moments from Chaplin. There is a bit of a romance tragedy in here and you just want to give him a hug when he realizes the letter was not for him. Poor Charlie. And there is some nice drama too and if you hear the bank, you probably already guess that this will be about a heist and you are correct in this case. Some gun action, but not in a way where you think wow they tried to make it look so spectacular, but rather in a way where it was not too much and yet enough too seem appropriate for the story. Thumbs up for this one. Eric Campbell is not yet in here, but Edna Purviance already is and she does a good job as usual. Recommended.
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6/10
A Janitor In A Bank
CitizenCaine13 July 2008
Warning: Spoilers
Chaplin edited, wrote, directed, and starred in The Bank, a film about rising above one's station in life and overcoming obstacles. Chaplin was raised in poverty, and because of that, often had himself portray characters victimized by or at odds with the upper classes. Here he plays a janitor in a bank who is frustrated with his lowly status but tries to make do anyway. He has trouble with a fellow janitor, and then he mistakes the secretary's gift for a cashier as being for himself. He sulks away before having a chance to win the secretary again during a bank robbery. Two of the robbers are future film directors: Lloyd Bacon and Wesley Ruggles. The ending seems to suggest to the lower classes that it's OK to have aspirations, but if they aren't achieved, one should be satisfied with one's lot in life. I'm not sure I buy that though. Chaplin, by now, was world famous, and his comedy was becoming more sophisticated and seamlessly integrated into his plots. The Bank tells a simple story with underpinnings of pathos as well as slapstick. **1/2 of 4 stars.
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A Fine Chaplin Short With Humor & Substance
Snow Leopard29 May 2001
This is one of the best of Charlie Chaplin's many early short films (i.e. from 1914-1916). Besides containing a lot of slapstick humor, the bank setting leads to some interesting subplots and themes.

Charlie is a janitor in the bank, and he usually manages to create more messes than he cleans up. Much of the first part of the movie is a series of comic misadventures while Charlie is trying to do his job, producing a lot of laughs. Then we find that Charlie has his eyes on a girl, and meanwhile some bank robbers come on the scene.

All of it leads to some good comedy, while also having some moments of humanity similar to those in the great films that Chaplin would create later. Charlie's character in this one is sympathetic and memorable. "The Bank" is a short feature with humor and substance, and it is one of the best examples of Chaplin's earlier work.
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7/10
One of the first action comedies
berlinertorti30 April 2021
The story is the same as most of the action movies a hundred years later.

Charlie Chaplin made a preview to Die Hard without words and more comedy.

Quiet interesting and funny.
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7/10
Really, really good except for the ending
planktonrules7 May 2006
Warning: Spoilers
Apart from the very end of this short, I think this might be one of the very best Chaplin shorts I have seen. The pacing was excellent, the story cute and involving and everything seemed to fit together just right--until the ending.

MAJOR SPOILER ALERT!!!

Some may like the way the film ended, but I felt REALLY disappointed and irritated at the way they chose to conclude the film. You see, Charlie is a janitor and when the bank is later robbed, Charlie foils the robbers and gets the girl--this works out so well and everything is perfect. However, this all turns out to be a dream! I think Chaplin did this because of his infatuation with pathos in many of his films and while this did make the ending very poignant and sad, it also seemed to undo and ruin everything that occurred before he awoke and found he was just a lowly janitor and not a hero after all.
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6/10
Poor man's dream
anthonyf9430 September 2019
Warning: Spoilers
Charlot has to deal with cleaning tasks in a bank but falls in love for the secretary. In order to obtain her, he has to effort different comically violent situations and also fight against robbers. But the love of the woman, in conclusion, is reveals as a dream.

The movie, so, contains all elements of Chaplin's Charlot era: slapstick sketches, struggling to get the love of a woman, fights and equivocal situations. And like the other movie, Charlot follows all unfortunate events: when he is happy, it's just a dream, and in this rule is concreted the popular class condition in the first decades of 900s that Chaplin, with his irony, want to denounce.
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6/10
The Bank
JoeytheBrit4 November 2009
Chaplin's comic persona still wasn't fully formed when he made this 1915 short for Essanay, but his development was gathering pace and, while there are still dislikeable elements about his character he is not as mean-spirited as he was in his earlier incarnations. Here he plays Charlie the janitor, a lowly worker at a bank who mistakenly believes the pretty teller (played by Edna Purviance) loves him, when she really loves a dapper bank clerk by the same name.

Chaplin's comic timing is perfect as always and he makes difficult tricks look easy as he wages war on a fellow worker. Oddly, while the film works a little too hard to tug at the audience's heartstrings, there is no happy ending to this one, and by the final credits the true colours of both Charlie and his love rival are exposed.
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9/10
One of Chaplin's better short comedies, which again focuses on his common theme of the rich vs. the poor.
Anonymous_Maxine23 April 2001
Warning: Spoilers
Once again as the loveable tramp, Chaplin again plays the part of the working man, which is particularly amusingly clarified in the opening scene. Charlie walks up to a huge vault door, twists knobs to open the combination locks, and after getting through several doors, he enters the impressive vault and comes out with a mop and bucket.

The simple story in this film is overshadowed by the hilarious slapstick comedy, such as the commonplace, fast paced fight scenes. In one scene, Charlie actually hands a guy his coat and hat to hold and then he gives him one of his characteristic punches, sending him rolling over backwards. There is another noteworthy scene in which one guy is looking at himself in a mirror, combing his hair and whatnot, and Charlie uproariously mocks him for prettying himself up like that.

(spoilers) While the slapstick comedy is probably the best element of this film, there is also a well-done love story presented that foreshadows that seen in the great City Lights. There is very good emotion in the scene where Edna, Charlie's love interest, tears up his love letter. The Bank is an example of Charlie's tendency to really keep you guessing, because although he almost always plays the protagonist, his films don't always end in his favor (the same is true for Caught In A Cabaret, another of his early short comedies). Ultimately, Charlie ends up getting the girl and saving the day, but then it turns out that it was all a dream, and he is alone. It's a good thing that he did this, too, because one of the things that made his tremendous amount of early short films remain interesting was that he mixed things around like that. And The Bank is among the best of those early films.
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4/10
The Bank
baxman256 February 2008
"The Bank" (1915, Chaplin) "The Bank" was one of Charlie's 1915 Essanay films. While these group of films are more watchable than their 1914 counterparts, this one seems a bit below average. The gag with the janitorial double combo-locked vault and the tough-luck ending that has Charlie waking up from a dream, in which he is stroking the lead lady's hair, only to be stroking the head of a mop he had used as a quasi pillow, are both classic Chaplin moments. They are both ironically the beginning and the end. The middle is filled in with fighting with the rival co-worker janitor and busting up a bank robbery to win the girl. The mop is probably the greatest physical prop of this movie and Charlie uses it to expert comedic effect whether while it is the intention of his character or not. The mop seems to be Charlie's alter-ego doing things he wishes he could do but wouldn't with his own two hands. Interesting stuff but there's better.
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10/10
"I'll clean you up"
Steffi_P12 November 2009
The genius of Charlie Chaplin lay in the fact that he didn't just do comedy. As he honed his craft, his stories became an intricate balance between pure comedy, action and poignancy. And yet he wove his comic style into the latter two, so they flowed seamlessly into the grand plan.

The Bank begins, sensibly, with the out-and-out comedy. Like many of the shorts he made at Essanay, this involves Charlie's little tramp character causing mayhem in a once-orderly environment. His role here as a janitor in a bank is ideal for this pattern. While most of the time our eyes will be on the tramp and his antics, Chaplin actually often draws our attention to the trail of destruction he leaves behind him, resulting in maximum laughs. For example, in one shot the tramp messes up the workstation of a couple of suited employees, and while he saunters casually into the background, we are left with the two clerks fuming in the foreground. In the shot where Charlie inadvertently puts his mop in a clerk's hat, he draws our eyes towards the point where the gag is about to take place by having that clerk move around more and putting a white space around him. The arrangement looks random but this is a genuine technique that works upon audiences.

Gradually, a plot begins to crystallize out of all this silliness. This is where the emotional angle comes in. Unusually for him, Chaplin uses a lot of close-ups, putting the slapstick on hold for a bit, and highlighting the expressions of his characters. He demonstrates his considerable acting talent, showing how his complete control over his body could be turned to giving a deep and moving performance. He lets the moment run long enough for the audience to appreciate, but prevents it from overbalancing the whole picture by punctuating it with a couple of gags as Charlie takes out his suffering on his rival janitor.

The action finale of the Bank is probably the most elaborate and precise of its kind that Chaplin had constructed so far. It works both as part of the comedy and as an exciting moment in its own right. It has the frenetic pace of a good action sequence, but it is also effectively a series of gags, as characters are knocked down into roly-poly pratfalls, or Charlie's fight with a robber spins into a dance. The whole thing is impeccably staged and timed.

This might be a good time to mention a few of the supporting players from the Bank. Billy Armstrong plays the second janitor, with whom Charlie evidently has an inexplicable (yet very funny) feud. There was usually a character like this in Chaplin's Essanay pictures, and on several memorable occasions it was Armstrong. With his gangly form and spectacular pratfalling, he was ideal. This was also the first time Chaplin worked with John Rand, here playing the top-hatted chief bank robber. He had a kind of preposterous look to him, but was versatile enough to fulfil a variety of roles in Chaplin's pictures over the next twenty years.

The Bank is Chaplin's first truly perfect feature, and due to its excellence should be seen by absolutely everyone.

Last but not least, the all-important statistic – Number of kicks up the arse: 4 (2 for, 1 against, 1 other)
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My view of the film The Bank
marshallscott-owens18 October 2007
Warning: Spoilers
The Bank- In an art that isn't completely lost today in big time Hollywood, yet quite possibly hasn't been perfected since, Charlie Chaplin wrote, directed, and starred in his own films. Chaplin shows off his ability to let his actions speak for him. While watching the film it seemed almost as if the music was the dialogue for the movie. Every emotion that Chaplin and the other actors were conveying in the film only seems to be enhanced by the music. Every action by each actor seems as if it is mirrored flawlessly and in sync with the film. No doubt that is the whole concept of silent film; nonetheless it hadn't been completely utilized in cinema during the early part of American film history. The story itself is funny throughout, but still produces emotions from opposite ends of the spectrum. Charlie, the janitor, carries himself with so much pride, as he goes to work, that you are initially under the impression that he is the owner of the bank or the person who runs it. Oddly enough he is nothing more but a janitor and poor janitor at best. His own follies make work harder on him. He doesn't get along with co-workers well and makes bigger messes then he has to clean up. A misunderstanding with another employee over a note to a different Charlie causes him some confusion. Charlie is flattered by the love letter left by the female employee and leaves flowers for her. Then she leaves them behind for Charlie to find. He is hurt by this discovery, so like the good janitor that he is he needs to take a nap while on the job.

Suddenly during the middle of his nap he is awoken by robbers trying to steal money from the bank. Charlie, in his clumsy fashion, intends to save the day. He battles his foes displaying a superior boxing talent. He triumphs over his adversaries one at a time, the he saves his lady. A robber almost gets the best of Charlie when his new lady saves him which leads to the discovery of her old man hiding under the desk. Charlie goes in for a heroic victory kiss with his gal, for he had just showed the world he is capable of more than being just a janitor. He is a hero; surely a new promotion at the bank will await him. As the kiss occurs in what seems like the final shot of the movie Charlie finds himself swapping spit with the mop that was by his side during his nap. Charlie is still nothing more than a janitor, and he is still all alone.

Throughout the movie you see Charles' ability to showcase comedy. He has an extraordinary talent for making each shot unique with his body movement alone. His writing, editing, and directing all have a profound sharpness to them. The continuity is almost perfect. He shot parts of the film at slower speeds which, when played in real time, make the scene look almost impossible for a human to perform naturally. This technique is something that works best in silent film because there is no sound to manipulate. It is as if Chaplin was able to link real time with sped up motion. This is a directing technique that isn't always possible in modern movies, although it is an old trick. Chaplin was known for never using a working script; this only adds to his creativity and his ability to construct greatness on the fly. The ending surely had to be a twist, a janitor goes from the bottom of the totem pole, to top dog, and in the end you find out that he is nothing more than a janitor once again. Chaplin at one point in his life was a butler, a servant in some ways, much like a janitor. You would think that he would want the little man to come out on top, but Chaplin was also a man who didn't care about riches. Instead of displaying a humorous case of sadism, Chaplin could be showing that people should be happy with what they have. Not that you should settle for less, but as a janitor he in no way showed that he deserved any type of promotion, and sadly enough the only way the janitor could come out on top was in his dreams. To understand The Bank you first have to understand Charles Chaplin. His comedy was more than just humor, was a drive for a better outlook on life. The Bank makes you wonder what the janitor would do to better himself. Maybe making us all ask ourselves the question, how can we better ourselves? With creative shots for the time period and technology you see the genius that Chaplin was and the greatness of the film The Bank.
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8/10
The bank job
TheLittleSongbird8 June 2018
Am a big fan of Charlie Chaplin, have been for over a decade now. Many films and shorts of his are very good to masterpiece, and like many others consider him a comedy genius and one of film's most important and influential directors.

From his Essanay period after leaving Keystone, 'The Bank is not one of his very best but is one of his best early efforts and among the better short films of his. It shows a noticeable step up in quality though from his Keystone period, where he was still evolving and in the infancy of his long career, from 1914, The Essanay period is something of Chaplin's adolescence period where his style had been found and starting to settle. Something that can be seen in the more than worthwhile 'The Bank'.

The story is still a little flimsy, there are times where it struggles to sustain the short length, and could have had more variety.

On the other hand, 'The Bank' looks pretty good, not incredible but it was obvious that Chaplin was taking more time with his work and not churning out countless shorts in the same year of very variable success like he did with Keystone. Appreciate the importance of his Keystone period and there is some good stuff he did there, but the more mature and careful quality seen here and later on is obvious.

While not one of his most hilarious or touching, 'The Bank' is still very funny with some clever, entertaining and well-timed slapstick and is one of his first to have substance and pathos. It moves quickly and there is no dullness in sight.

Chaplin directs more than competently, if not quite cinematic genius standard yet. He also, as usual, gives an amusing and expressive performance and at clear ease with the physicality and substance of the role. The supporting cast acquit themselves well.

In summary, very good and one of the best from Chaplin's Essanay period. 8/10 Bethany Cox
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10/10
Charlie's bank job
Petey-106 May 2009
Warning: Spoilers
Charlie works as a janitor at a bank.But when Charlie is holding the mop it means only more mess.Edna is the secretary of the bank and Charlie has a big crush on her.But she has a fiancé, the cashier that's also called Charlie.A big misunderstanding happens but Charlie gets to safe the day when he gets to rescue Edna from the bank robbers.But then he wakes up and realizes it was only a dream.The Bank from 1915 is Charles Chaplin's tenth picture for Essanay films and it's a departure from the tramp character.Tramp or no tramp, Charlie does his thing good.It's great to watch him mopping the floors and constantly hitting those big shots with his mop.It's most tragicomic when Charlie finds Edna's message to Charlie, that other Charlie, and he thinks it's for him.He gets her a rose and writes her a message and then finds out it's not him she loves.Chaplin works with his usual cast here.Edna Purviance is naturally the woman he loves.Leo White is Clerk.Billy Armstrong is Another Janitor.Lloyd Bacon plays Bank Robber.Carl Stockdale is Charles, the Cashier.This Chaplin short will make you laugh...after more than 90 years.
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