The Moving Picture World has already commended this glorious, two- reel feature made after the poem of Elizabeth Barrett Browning, and has pointed out the value of such releases to humanity and their civilizing power. This reviewer, however, takes pleasure in pointing the charm of the picture that most strongly appealed to him. It is in the character of the mill worker's youngest child, a vivid and quite fresh creation. The producer, in the way he has handled the possibilities that this character gave to him, shows a sensitive, poetic imagination. This child, played by the Thanhouser Kid, seems the very breath of poetry, and, to give one instance, that scene in which we see her beside the bunch of pussy willows, changes the effect of every other scene in the picture. The picture needed some such contrast in order to bring out its values at all, but this, coming as it does with the scene just before it, shoots like a poignant cry to the very last scene. We wish that all the contrasts offered by the picture were as sincere. These scenes really live. The picture, as a whole, has much living truth, and is very effective. The camera work is good. - The Moving Picture World, May 11, 1912