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1-16 of 16
- A wealthy New York City investment banking executive, Patrick Bateman, hides his alternate psychopathic ego from his co-workers and friends as he delves deeper into his violent, hedonistic fantasies.
- James, an NYC cop, is hired by Agent K of a secret government agency that monitors extraterrestrial life on Earth. Together, they must recover an item that has been stolen by an intergalactic villain.
- A bookish CIA researcher in Manhattan finds all his co-workers dead, and must outwit those responsible until he figures out who he can really trust.
- The life of a divorced television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
- An Interpol agent attempts to expose a high-profile financial institution's role in an international arms dealing ring.
- The life of a businessman begins to change after he inherits six penguins, and as he transforms his apartment into a winter wonderland, his professional side starts to unravel.
- A dentist pretends to be married to avoid commitment, but when he falls for his girlfriend and proposes, he must recruit his lovelorn nurse to pose as his wife.
- Modern-day New York City adaptation of Shakespeare's immortal story about Hamlet's plight to avenge his father's murder.
- The third film of a five-part art-installation epic -- it's part-zombie movie, part-gangster film.
- A college student trying to decide on a career spends the summer before his senior year assisting social workers.
- Avant garde artist and bohemian Emile Norman is profiled and his life as an out and proud gay man in Big Sur, California is examined.
- 'What About American History' is an experimental short movie. The film has been made without a script, only using documentary footage, shot during several journey's throughout the United States. We follow the abstract tale of 4 young men. They are connected in a random way. They are bystanders in each others unique and abnormal situation. They are all partially masked. There is the idea of a constructed chaos. Questions about the self occur. Through the edit itself, this 'identity question', becomes the main theme of the film. On a specific moment the video screen breaks into two pieces. We see a transformation of the screen itself: two rectangles changing, slowly morphing into a face made of moving video cadres. The screen itself is becoming a face, a mask, starring at the audience. In a very organic way, this film enlarges its own theme and is growing into a very special own universe. -Inventing a new language, it is the task of the audience to find a key into this world of new myths. It is absurdism. It is a visual game. It is about filmic tools, it is about form. It is about playing with the rules of narrative cinema. It is about creating suspension. It is a way of thinking and rethinking concepts on a visual level. But it is also a pure philosophical expansion: trying to dig into the created fiction of the blackness of the video screen itself: how the black screen is taking over, how the frames are fighting with the wideness of the framework. The black. Always the black. What About American History is an associative journey into a world full of masks, tv and mystery. It explores new visual forms in video and narratives. And while doing so, it comments on a contemporary America and how we, as the mondial current generation, are influenced by its culture.
- Archival footage, still photographs, and contemporary interviews tell the story of Hilla Rebay (1890-1967), who convinced Solomon Guggenheim to establish the Guggenheim Foundation to promote and collect non-objective art, build the museum that bears his name, and use Frank Lloyd Wright as its architect. The film's thesis is that without Hilla there would be no museum. It traces her early talent, friendships in Zurich with artists, falling in love with Rudolf Bauer, coming to America in 1927, and becoming Guggenheim's guide to modern art. The arrogant Bauer spurns her, Guggenheim's death leads to her dismissal from the foundation, but she maintains her high spirits to the end.
- The Cremaster Cycle: A Conversation with Matthew Barney follows the artist and New York Times art critic, Michael Kimmelman as they discuss his mythic display at the Guggenheim Museum. While guiding the camera through his sculptures and films, Barney tells Kimmelman about his process, vision and intentions when creating the "Cremaster Cycle". The sculptures, constructed from the artist's signature materials, including plastic, metal, and Vaseline, are three-dimensional incarnations of characters and settings seen in Barney's films. They exist independently but embody the same content, now expressed in space rather than time.
- Still in shock from Becca's news, Marcus turns to friends and family for support before leaning on an unlikely source. As a wave of complicated emotions wash over him, he embraces the possibility of major life changes.
- The Guggenheim serves as the latest inspiration for the design teams who take in all the art to create their own print textiles for their garments. The challenge leaves one designer in tears and causes some cat-fighting off the runway show.