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- A terminally ill woman must deal with her ex-husband's new lover, who will be their children's stepmother.
- A beautiful New York model and socialite enjoys a very active night-life, but all things change when she falls for a married man and the consequences are tragic.
- A kid strives to be perfect, and in the end realizes that individuality is more fun.
- Rudy Vaspar, a dangerous and violent convict, sits comfortably behind bars in a maximum security prison. His day is interrupted by a surprise visit from Monica Klee and her assistant, Vince, as Rudy soon discovers he has been selected for a scientific study.
- A pink-haired perverse girl-next-door named Penny falls in love with her stalker, a disturbed genius named Mira. Caught up in a devastating love affair and a world of drugs, their dreams and realties begin to blur.
- A teenage vampire's friends push him closer and closer to a mental breakdown as he navigates love, drugs, and a peculiar diet in the suburbs.
- When the wolf mother finds herself at the mercy of a genocidal madman, the hunter quickly finds himself hunted.
- A recent college graduate questions his medical school plans while his dad tries to hide his new unemployment.
- In the shortfilm Hotel existentialism meets sensuality: The Superintendent invites four Trainees into the privacy of the Hotel, where they are led through a series of lessons. Each room in the Hotel has a unique function relating to an Easy-to-Believe system. A hierarchy exists between staff members according to their experience, knowledge and social class. The staff consists of: The Bellboy, The Superintendent and The Hotel Owner. When the four Trainees enter the Hotel searching for fame, they must undergo a series of theoretical and practical exercises, absurd physical and mental lessons, reminiscent of body art, administered by the Bellboy, the Superintendent and the Hotel Owner. Each Trainee is assessed according to his or her performance and willingness to submit to the Easy-to-Believe system. The Hotel and its apparatus raises the question of a subculture's limitations and, in contrast, the infinite territory of their "Inner space, it is a wonder!" Hotel's visual presentation is synonymous with Hollywood era filmmaking. The bizarre narrative finds contrast by the originality of dialogue and the sensuality of absurd actions. Consequently, the seemingly ordinary shortfilm maneuvers into one of a live performance, captured on video. The setting of Hotel, as a semi private, semi public and semi personal space, becomes a metaphor for our culture: a society run by service, filled with competition and commercial interest. Beneath its surface: a lack of identity, individualism and motif. By creating a set of "personae" who fully commit to this system, I enfold a comparison to emotions, psychological mechanisms and authorities in our own culture and education; thereby probing beneath the surface of human interaction. Driven by romantic motif, I attempt to break down complex situations into experiences that are at once absurd and transparent, while mirroring the contradictions of our time and our basic human necessities.
- Taken off Larchmont, July 8. Boats are shown one after the other, rounding the south-east stake boat, the Columbia leading. As they approach the Judge's boat the wonderful spread of canvas is shown, three jibs, sheets, topsail and spinnaker set. The Defender's boom dips into the water every now and then, throwing the spray high into the air. Close views of both yachts are also shown, giving details of crews and rigging. The nearby view of the Defender shows her swinging off on another tack.
- Christina loves her online life. After accepting a friend request from a stranger, she has to deal with the consequences as the line begins to blur between online stalking and real life danger.
- Wealthy businessman Gilbert Rawlings is ignorant of the fact that his wife has ceased to care for him and is overwhelmed with shock when he discovers that she has gone, and receives a letter telling him that she will never return to him. Heartbroken, he pursues the eloping couple, but his chase is short: the auto in which his wife and her companion are riding plunges over a cliff and they are killed. Returning to his home, Rawlings gazes upon his infant son and his mind, effected by the shock, feels overwhelming hatred towards all womankind. He dreams that he takes his son out to the wilderness and teaches him to be a savage and to hate women. A young girl traveling with a party of tourists strays into the forest and Rawlings makes her a drudge. The son, primitive by training, yet feels a great regard for her, which Rawlings abused with hatred, and in consequence treats her with greatest severity. Finally she induces the boy to aid her to escape. Rawlings pursues them and in a fight with his son, when he is about to kill him, he suddenly awakens and finds that the dream in which he played so important a part, was only a dream, but it has a good effect, for it teaches him that his wife might have been false, but the majority of women are true.
- "A very pretty view of a half-dozen of the speediest craft of the Larchmont fleet in a cup race. The boats are shown following each other in close order, turning one of the buoys. A collision between one of the boats and the buoy lends an added interest to the picture."
- Comparing boats, speed boats, canoes, yachts, etc.
- A South Korean banker immigrates to New York and finds himself becoming the local cobbler of a dying trade.
- Babysitting can be a tough life: movies, popcorn, and monsters! As Amanda quickly finds out, she should have never disturbed Danny's ability to watch his scary movies.
- Little Miss Muffet goes missing in fairy tale land and it is up to a nosy reporter and mad camera man to break the story.