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1-11 of 11
- Actor
- Soundtrack
Mean, miserly and miserable-looking, they didn't come packaged with a more annoying and irksome bow than Charles Lane. Glimpsing even a bent smile from this unending sourpuss was extremely rare, unless one perhaps caught him in a moment of insidious glee after carrying out one of his many nefarious schemes. Certainly not a man's man on film or TV by any stretch, Lane was a character's character. An omnipresent face in hundreds of movies and TV sitcoms, the scrawny, scowling, beady-eyed, beak-nosed killjoy who usually could be found peering disdainfully over a pair of specs, brought out many a comic moment simply by dampening the spirit of his nemesis. Whether a Grinch-like rent collector, IRS agent, judge, doctor, salesman, reporter, inspector or neighbor from hell, Lane made a comfortable acting niche for himself making life wretched for someone somewhere.
He was born Charles Gerstle Levison on January 26, 1905 in San Francisco and was actually one of the last survivors of that city's famous 1906 earthquake. He started out his working-class existence selling insurance but that soon changed. After dabbling here and there in various theatre shows, he was prodded by a friend, director Irving Pichel, to consider acting as a profession. In 1928 he joined the Pasadena Playhouse company, which, at the time, had built up a solid reputation for training stage actors for the cinema. While there he performed in scores of classical and contemporary plays. He made his film debut anonymously as a hotel clerk in Smart Money (1931) starring Edward G. Robinson and James Cagney and was one of the first to join the Screen Actor's Guild. He typically performed many of his early atmospheric roles without screen credit and at a cost of $35 per day, but he always managed to seize the moment with whatever brief bit he happened to be in. People always remembered that face and raspy drone of a voice. He appeared in so many pictures (in 1933 alone he made 23 films!), that he would occasionally go out and treat himself to a movie only to find himself on screen, forgetting completely that he had done a role in the film. By 1947 the popular character actor was making $750 a week.
Among his scores of cookie-cutter crank roles, Lane was in top form as the stage manager in Twentieth Century (1934); the Internal Revenue Service agent in You Can't Take It with You (1938); the newsman in Mr. Smith Goes to Washington (1939); the rent collector in It's a Wonderful Life (1946); the recurring role of Doc Jed Prouty, in the "Ellery Queen" film series of the 1940s, and as the draft board driver in No Time for Sergeants (1958). A minor mainstay for Frank Capra, the famed director utilized the actor's services for nine of his finest films, including a few of the aforementioned plus Mr. Deeds Goes to Town (1936), Arsenic and Old Lace (1944) and State of the Union (1948).
Lane's career was interrupted for a time serving in the Coast Guard during WWII. In post-war years, he found TV quite welcoming, settling there as well for well over four decades. Practically every week during the 1950s and 1960s, one could find him displaying somewhere his patented "slow burn" on a popular sitcom - Topper (1953), The Real McCoys (1957), The Many Loves of Dobie Gillis (1959), Mister Ed (1961), Bewitched (1964), Get Smart (1965), Gomer Pyle: USMC (1964), The Munsters (1964), Green Acres (1965), The Flying Nun (1967) and Maude (1972). He hassled the best sitcom stars of the day, notably Lucille Ball (an old friend from the RKO days with whom he worked multiple times), Andy Griffith and Danny Thomas. Recurring roles on Dennis the Menace (1959), The Beverly Hillbillies (1962) and Soap (1977) made him just as familiar to young and old alike. Tops on the list had to be his crusty railroad exec Homer Bedloe who periodically caused bucolic bedlam with his nefarious schemes to shut down the Hooterville Cannonball on Petticoat Junction (1963). He could also play it straightforward and serious as demonstrated by his work in The Twilight Zone (1959), Perry Mason (1957), Little House on the Prairie (1974) and L.A. Law (1986).
A benevolent gent in real life, Lane was seen less and less as time went by. One memorable role in his twilight years was as the rueful child pediatrician who chose to overlook the warning signs of child abuse in the excellent TV movie Sybil (1976). One of Lane's last on-screen roles was in the TV-movie remake of The Computer Wore Tennis Shoes (1995) at age 90. Just before his death he was working on a documentary on his long career entitled "You Know the Face".
Cinematically speaking, perhaps the good ones do die young, for the irascible Lane lived to be 102 years old. He died peacefully at his Brentwood, California home, outliving his wife of 71 years, former actress Ruth Covell, who died in 2002. A daughter, a son and a granddaughter all survived him.- Peter Tuddenham, actor, born November 27 1918; died July 9 2007.
The amiable actor Peter Tuddenham died aged 88, he was always content to remain in supporting roles; in fact, he was most recognised for his off-screen work. He provided the contrasting voices of the computers in the science-fiction series Blake's 7 (BBC, 1978-81).
Tuddenham, who was born in Ipswich, Suffolk, and brought up in the seaside resort of Felixstowe, had made his professional debut before the second world war, in repertory on the pier at Hastings. In the wartime Royal Army Service Corps, he was one of many who honed their performing skills appearing with Stars in Battledress.
Demobbed after the war, he joined a production of Ivor Novello's The Dancing Years; later, in 1959, BBC productions of this and another Novello musical, Perchance to Deam, were among his early television appearances. In 1950, he appeared in Noel Coward's Ace Of Cards, but although the play was well received on tour, it had negative reviews in London's West End.
Tuddenham's small-screen debut was in The Granville Melodramas (1955), one of ITV's earliest productions, starring then husband and wife Hattie Jacques and John Le Mesurier. He took a regular role in Anglia Television's Weavers Green (1966), a short-lived, twice-weekly soap that made an early use of location videotape recording. As an expert on the Suffolk accents, he became Anglia's regular dialect coach.
Characteristically, Tuddenham was heard but not seen as the spirit of East Anglia, in Akenfield (1974), Sir Peter Hall's film adaptation of Ronald Blythe's book, which had an otherwise amateur cast. In a now commonplace move, most of the funding came from London Weekend Television in exchange for the cinema rights; unlike subsequent cinema crossovers it was first screened on television and then released theatrically. This led to good ratings but poor box office. Still, Tuddenham became the dialogue coach for Hall's 1985 production at Glyndebourne of Benjamin Britten's opera, Albert Herring, which was televised on BBC2.
After much radio work, including the soaps Mrs Dale's Diary and Waggoner's Walk, Tuddenham became an off-screen voice in the Doctor Who stories The Ark in Space and The Masque of Mandragora, in 1975 and 1976, both starring Tom Baker. He was then cast in Blake's 7, the adventures of interplanetary rebels fighting an omnipotent Federation. This was created by Terry Nation, who had previously given the world the Daleks.
Tuddenham provided the voices of the computers (eventually three of them - Zen, Orac and Slave) in the show that featured the ship which Clive James, in the Observer, described as "a tasteless light-fitting known as the Liberator". James's view that the series was "flaring nonsense from beyond the galaxy" was widespread among critics. Jokes about the sets and special effects were frequent, and even the large audiences who enjoyed the series generally viewed it as nothing more than hokum.
However, it developed a passionate and vocal cult following, and many maintain that it and Doctor Who represent the pinnacle of British television. Tuddenham reprised his roles in revivals for radio, and in audio tapes made by fans.
Not that he lacked for work in serious drama, generally playing doctors and authority figures. He was in North and South (1975), after the novel by Elizabeth Gaskell, and supported Ian Holm as JM Barrie in The Lost Boys (1978), and Eileen Atkins in The Burston Rebellion (1985), about two Norfolk teachers in 1914 who were dismissed for their leftwing beliefs: their pupils went on strike. Anything More Would Be Greedy (1989), again for Anglia, a six-part critique of the 1980s by Malcolm Bradbury, gave Tuddenham the small but vital role of the returning officer at the local elections.
His lighter guest appearances included Nearest and Dearest, Only Fools and Horses, and One Foot in the Grave. He appeared regularly as the friend of academic dropout Michael Williams in the gentle comedy Double First (1988).
Tuddenham remained a genial character, and was an unfailingly popular guest at sci-fi conventions. Rosie, his second wife, and their son Julian survived him in 2007, together with a son from his first marriage. Another son had predeceased him. - Jerry Itô was born on 12 July 1927 in New York City, New York, USA. He was an actor, known for Mothra (1961), Message from Space (1978) and Interpol Code 8 (1963). He died on 9 July 2007 in Los Angeles, California, USA.
- Nancy Mansfield was born on 19 September 1925 in London, England, UK. She was an actress, known for Bergerac (1981), The House of Eliott (1991) and Grange Hill (1978). She died on 9 July 2007 in London, England, UK.
- Edna Callahan was born on 7 July 1912 in Alameda, California, USA. She was an actress, known for Blue Blackbirds (1933). She was married to Bernie Benesh. She died on 9 July 2007 in Morro Bay, California, USA.
- Music Department
- Soundtrack
Eileen Hall was born on 17 September 1913 in England, UK. She is known for Young@Heart (2007). She was married to Maxwell L. Hall. She died on 9 July 2007 in Massachusetts, USA.- Gianfranco Cifali was born in 1938 in Milan, Italy. He was an actor, known for Il terzo invitato (1976), Le retour d'Arsène Lupin (1989) and Call Girl (1996). He died on 9 July 2007 in Milan, Lombardy, Italy.
- Actress
Was born to Margaret and Hubert Greenwood in England, but was raised in Hollywood, California.
As a young woman her interests included tennis, horsemanship and dance.
With her sister, she was a dancer at Grauman's Chinese Theatre for one season which resulted in a short lived movie career as a dancer. Left films after marrying an army officer.
Led a very active life right up until her death at age 93.
2 children: Pamela and Michael- Sound Department
Rune J:son Berg was born on 25 January 1922 in Norway. He is known for While the City Sleeps (1950) and Fästmö uthyres (1950). He died on 9 July 2007.- Actress
- Producer
- Production Manager
Penny Thomson was born on 14 November 1950 in Manila, Philippines. She was an actress and producer, known for Conquest of the South Pole (1989), Sean Connery's Edinburgh (1983) and Billy Connolly: Big Banana Feet (1977). She was married to Allan Ross. She died on 9 July 2007 in Edinburgh, Scotland, UK.- Klaus Boysen was born on 7 July 1938 in Kiel, Germany. He was an actor, known for Tatort (1970), Der Götz und seine Burg Hornberg (1999) and Sterben ist gesünder (1997). He died on 9 July 2007 in Oldenburg, Germany.