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Joseph J. Spagnuolo was born on October 28, 1936 in Manhattan, New York City at his family's apartment on 2nd Avenue. Spinell was a tough guy on and off the screen all his life. During his teen years, while still in high school, he acted in various plays on the New York stage, on and off Broadway, eventually earning a place in Joe Papp's Shakespeare Festival Theater. In 1960, he parlayed his stage work into a performing contract for MGM, where it was suggested that he change his name to Joe Spinell to make his name easier to pronounce. For nine years, Spinell worked with the group, which was also known as the Theater of the Forgotten, which also put on plays in prisons for the inmates. His minimal salary for his stage work forced him to hold down other jobs to make ends meet. Those jobs included working as a taxi driver, a post office clerk, and a liquor store clerk during Christmas holidays.

In 1972, Spinell was originally noticed when he appeared in his first movie role, a small, uncredited speaking part in The Godfather (1972), the right film for a tough, mean-looking Italian with a New York City accent. After his success, he became a familiar character actor who appeared in violent urban movies where he was usually cast as vicious thugs or seedy gang leaders. In both Godfather movies he played the hit man Willy Cici. In Rocky (1976), the first of several films he made with Sylvester Stallone, he played the loan shark Gazzo who employs Rocky as a collector.

His best (or worst) or most disgusting role is probably the one for which he is best remembered: the rare starring role of Frank Zito in Maniac (1980), a serial killer who kills women and uses their scalps to dress up female mannequins he keeps in his apartment. After Maniac (1980), Spinell continued acting with big-name Hollywood and independent movie directors, usually playing villainous thugs in small to medium roles.

During the last years of his life, Spinell's choice of projects became increasingly suspect; for example, imprisoned serial killer John Wayne Gacy wanted Spinell to play him in a movie. But with Maniac (1980) still on his mind, Spinell always wanted to do a sequel to the movie and with New York filmmaker Buddy Giovinazzo, they shot a 10-minute promo reel in 1986 titled Mr. Robbie, which was to be the sequel for Maniac (1980). After a few years of hard work and searching, Spinell found financing for the sequel, though just as pre-production was to begin, Joe Spinell suddenly passed away in his apartment in Sunnyside, Queens, New York on January 13, 1989, at age 52, due to undetermined causes, still the subject of much speculation. Some say he died of a heart attack because of his failing health in recent months due to his heavy drinking, drug use, and the emotional turmoil resulting from his mother's death in 1987. Others say he died from an asthma attack, or that he bled to death from an accidental (or deliberate) cut since he was a hemophiliac.

Spinell left behind an impressive body of film work all of which stand as a testament to his talent and unique screen presence as a character actor. He is survived by an ex-wife, a daughter, two brothers and a sister.

Jose Menendez was born to a prosperous family in Havana, Cuba. His father was a well-known soccer player who owned his own accounting firm. His mother was a swimmer who had been elected to Cuba's sports hall of fame. Although the family was not among the elite, Jose's parents were celebrity athletes and he and his two sisters wanted for nothing. But in 1959, this seemingly idyllic life was uprooted. Fidel Castro overthrew the ruling government and seized the property of the wealthy and upper-middle class. In 1960, a 16 year-old Jose left the country to live in the United States, flying with his sister's fiancé. In high school, he was a high achiever and won an athletic scholarship, but could not afford to attend an Ivy League college. While attending Southern Illinois University in Carbondale, he met his future wife, Mary Louise Anderson, nicknamed Kitty to those who knew her. They married in 1964. After graduating, he passed the CPA exam and he became a successful businessman. In all of his workplaces, he was credited with being an highly intelligent and diligent, but was widely disliked as arrogant and rude to co-workers and abrasive to subordinates. He became the father of two sons, Lyle Menendez and Erik Menendez, and was a stern and demanding father. He was also an unfaithful husband, with a string of mistresses. His family moved to southern California and he became an executive for RCA, and became acquainted with a number of show business celebrities. But he was experiencing marital problems and his relationship with both sons was deteriorating. In 1989, while he and his wife were watching television, they were shot to death by their sons.

Ruth Elizabeth Davis was born April 5, 1908, in Lowell, Massachusetts, to Ruth Augusta (Favor) and Harlow Morrell Davis, a patent attorney. Her parents divorced when she was 10. She and her sister were raised by their mother. Her early interest was dance. To Bette, dancers led a glamorous life, but then she discovered the stage, and gave up dancing for acting. To her, it presented much more of a challenge.

After graduation from Cushing Academy, she was refused admittance to Eva Le Gallienne's Manhattan Civic Repertory. She enrolled in John Murray Anderson's Dramatic School and was the star pupil. She was in the off-Broadway play "The Earth Between" (1923), and her Broadway debut in 1929 was in "Broken Dishes". She also appeared in "Solid South". Late in 1930, she was hired by Universal, where she made her first film, called Bad Sister (1931). When she arrived in Hollywood, the studio representative who went to meet her train left without her because he could find no one who looked like a movie star. An official at Universal complained she had "as much sex appeal as Slim Summerville" and her performance in "Bad Sister" didn't impress.

In 1932, she signed a seven-year deal with Warner Brothers Pictures. Her first film with them was The Man Who Played God (1932). She became a star after this appearance, known as the actress that could play a variety of very strong and complex roles. More fairly successful movies followed, but it was the role of Mildred Rogers in RKO's Of Human Bondage (1934) that would give Bette major acclaim from the film critics. She had a significant number of write-in votes for the Best Actress Oscar, but didn't win. Warner Bros. felt their seven-year deal with Bette was more than justified. They had a genuine star on their hands. With this success under her belt, she began pushing for stronger and more meaningful roles. In 1935, she received her first Oscar for her role in Dangerous (1935) as Joyce Heath.

In 1936, she was suspended without pay for turning down a role that she deemed unworthy of her talent. She went to England, where she had planned to make movies, but was stopped by Warner Bros. because she was still under contract to them. They did not want her to work anywhere. Although she sued to get out of her contract, she lost. Still, they began to take her more seriously after that.

Returning after losing her lawsuit, her roles improved dramatically. In 1938, Bette received a second Academy Award win for her work in Jezebel (1938) opposite the soon-to-be-legendary Henry Fonda. The only role she didn't get that she wanted was Scarlett O'Hara in Gone with the Wind (1939). Warners wouldn't loan her to David O. Selznick unless he hired Errol Flynn to play Rhett Butler, which both Selznick and Davis thought was a terrible choice. It was rumored she had numerous affairs, among them George Brent and William Wyler, and she was married four times, three of which ended in divorce. She admitted her career always came first.

She made many successful films in the 1940s, but each picture was weaker than the last and by the time her Warner Brothers contract had ended in 1949, she had been reduced to appearing in such films as the unintentionally hilarious Beyond the Forest (1949). She made a huge comeback in 1950 when she replaced an ill Claudette Colbert in, and received an Oscar nomination for, All About Eve (1950). She worked in films through the 1950s, but her career eventually came to a standstill, and in 1961 she placed a now famous Job Wanted ad in the trade papers.

She received an Oscar nomination for her role as a demented former child star in What Ever Happened to Baby Jane? (1962). This brought about a new round of super-stardom for generations of fans who were not familiar with her work. Two years later, she starred in Hush...Hush, Sweet Charlotte (1964). Bette was married four times.

In 1977 she received the AFI's Lifetime Achievement Award and in 1979 she won a Best Actress Emmy for Strangers: The Story of a Mother and Daughter (1979). In 1977-78 she moved from Connecticut to Los Angeles and filmed a pilot for the series Hotel (1983), which she called Brothel. She refused to do the TV series and suffered a stroke during this time.

Her last marriage, to actor Gary Merrill, lasted ten years, longer than any of the previous three. In 1985, her daughter Barbara Davis ("B.D.") Hyman published a scandalous book about Bette called "My Mother's Keeper." Bette worked in the later 1980s in films and TV, even though a stroke had impaired her appearance and mobility. She wrote a book, "This 'N That", during her recovery from the stroke. Her last book was "Bette Davis, The Lonely Life", issued in paperback in 1990. It included an update from 1962 to 1989. She wrote the last chapter in San Sebastian, Spain.

Sadly, Bette Davis died on October 6, 1989, of metastasized breast cancer, in Neuilly-sur-Seine, Hauts-de-Seine, France. Many of her fans refused to believe she was gone.

John Daniel Tooz Matuszak was an American professional football defensive lineman in the National Football League and also an actor. Matuszak was born in Oak Creek, Wisconsin. He attended the University of Tampa and played for their football team. Matuszak also played for various NFL teams; his longest stint of six years having been spent with the Oakland/Los Angeles Raiders, and later joining the Houston Oilers. While playing for the Oilers, he joined the Houston Texans of the World Football League (WFL), playing a total of seven plays before a restraining order was served to him during a game, barring him from playing for two teams at the same time.

His first major role as an actor was in the 1979 movie "North Dallas Forty" as a football player. He also appeared in the movies "Caveman", "The Ice Pirates", and "One Crazy Summer" but is known for his role in "The Goonies". He also had guest appearances on popular TV shows "Perfect Strangers", "M*A*S*H", "The Dukes of Hazzard", "Hunter", "Silver Spoons", "The A-Team", "1st & Ten", "Miami Vice" and "Cheers". He died on June 17, 1989 aged 38 due to a heart failure.

John Cassavetes was a Greek-American actor, film director, and screenwriter. He is considered a pioneer of American independent film, as he often financed his own films.

Cassavetes was born in New York City in 1929 to Nicholas John Cassavetes (1893-1979) and his wife, Katherine Demetre (1906-1983). Nicholas was an immigrant from Greece, while Katherine was Greek-American who had been born in New York City. The Cassavetes family moved back to Greece in the early 1930s, and John learned Greek as his primary language. The family moved back to the United States around 1936, possibly to evade Greece's new dictatorship, the 4th of August Regime (1936-1941). Young John had to learn to speak English. He spent his late childhood and most of his teenage years in Long Island, New York. From 1945-47, he attended the Port Washington High School. He wrote for the school newspaper and the school yearbook. The 18-year-old Cassavetes was then transferred to the Blair Academy, a boarding school located in Blairstown, New Jersey. When the time came for him to start college, Cassavetes enrolled at Champlain College (in Burlington, Vermont) but was expelled owing to poor grades.

After a brief vacation to Florida, Cassavetes enrolled at the American Academy of Dramatic Arts (AADA), in New York City. Several of his old friends were already students there and had recommended it to Cassavetes, who would be mentored by Don Richardson (1918-1996). After graduating, he began to regularly perform on stage while also appearing in small roles in films and television shows.

Cassavetes's first notable film role was that of Robert Batsford, one of the three villains (along with Vince Edwards and David Cross) in The Night Holds Terror (1955). His next major role was juvenile delinquent Frankie Dane in the crime film "Crime in the Streets" (1956). He won a lead role in Edge of the City (1957) as drifter Axel Nordmann. His co-star for the film was Sidney Poitier, who played stevedore Tommy Tyler. The film helped break new ground, portraying a working-class interracial friendship. Cassavetes gained critical acclaim for his role, and film critics compared him to Marlon Brando. Cassavetes's success as an actor led to his becoming a contract player for MGM. In 1959, he directed his first film, Shadows (1958). It depicted the lives of three African-American siblings in New York City. It won the Critics Award at the Venice Film Festival.

His next directing effort, Too Late Blues (1961), was about the professional and romantic problems of a struggling jazz musician. The film was poorly received at the time, though its autobiographical elements are considered remarkable. Cassavetes then directed A Child Is Waiting (1963), which depicted life in a state institution for mentally handicapped and emotionally disturbed children. The film was a documentary-style portrayal of problems in the social services. It was praised by critics but failed at the box office.

In 1968, Cassavetes had a comeback as a director with Faces (1968), which depicts a single night in the life of a middle-aged married couple. After 14 years of marriage, the two feel rather miserable and seek happiness in the company of friends and the beds of younger lovers, but neither manages to cure their sense of misery. The film gained critical acclaim, and, in 2011, was selected for preservation in the United States National Film Registry.

Cassavetes returned to the theme of a midlife crisis in his next film, Husbands (1970). The film depicts three middle-aged men, professionally successful and seemingly happily married. The death of a close childhood friend reminds them of their own mortality, and of their fading memories of youth. They flee their ordinary lives with a shared vacation to London, but their attempts to rejuvenate themselves fail. This film attracted mixed reviews, with some critics praising its "moments of piercing honesty" and others finding fault with its rambling dialogue.

Cassavetes's next film was Minnie and Moskowitz (1971), about the romantic relationship between a seemingly incompatible couple, jaded museum curator Minnie Moore and the temperamental drifter Seymour Moskowitz. It was well received and garnered Cassavetes a Writers Guild of America Award for Best Comedy Written Directly for the Screen. His next film was A Woman Under the Influence (1974), concerning the effects of mental illness on a working-class family. In the film, ordinary housewife Mabel Longhetti starts displaying signs of a mental disorder. She undergoes psychiatric treatment for six months while her husband, Nick Longhetti, attempts to play the role of a single father. But Nick seems to be a social misfit in his own right, and neither parent seems to be "normal". Cassavetes was nominated for an Academy Award for Best Director for this film, but the award was won by Francis Ford Coppola.

Cassavetes next directed the gritty crime film, The Killing of a Chinese Bookie (1976). In the film, Korean War veteran and cabaret owner Cosmo Vittelli owes a large debt to a criminal organization and is coerced to serve as their hit-man in an assassination scheme. He has been told that the target is an insignificant bookie, but after the assassination Vittelli learns that he just killed a high-ranking crime boss of the Chinese mafia and that he himself is now a target for assassination. The film gained good reviews and a cult following.

His next film, Opening Night (1977), was more enigmatic, mixing drama with horror elements. Protagonist Myrtle Gordon (played by Cassavetes's wife, Gena Rowlands) is a famous actress, but aging and dissatisfied with the only theatrical role available to her. After seeing teenager Nancy Stein, one of her obsessive fans , get killed in a car accident, Myrtle starts having visions of Nancy's ghost. As she keeps fighting the ghost, drinking heavily and chain-smoking, the film ends without explaining what seems to be going wrong with Myrtle's perception of reality. The film was a hit in Europe but flopped in the United States.

Cassavetes had another directing comeback with "Gloria" (1980). In the film, Gloria Swenson (formerly a gangster's girlfriend) is asked to protect Phil Dawn, the young son of an FBI informant within a New York crime family. After the apparent assassination of Phil's parents, Gloria finds herself targeted by gangsters and wanted by the police as a kidnapping suspect. The film won the Golden Lion award at the Venice Film Festival, and protagonist Gena Rowlands was nominated for several acting awards.

Cassavetes's 11th directing effort was the rather unconventional drama Love Streams (1984), about the relationship between two middle-aged siblings. In the film, Sarah Lawson suffers from depression following a messy divorce and moves in with her brother, Robert Harmon, an alcoholic writer with self-destructive tendencies. Though estranged from his ex-wife and his only son and unable to protect himself from violent foes, in the end Robert finally has someone for whom to care. The film won the Golden Bear at the Berlin International Film Festival.

Cassavetes' swan song as a director was the comedy Big Trouble (1986), replacing the much younger Andrew Bergman. The film concerns an insurance agent who needs $40,000 for college tuition for his three daughters. He agrees to cooperate in an insurance scam with the wife of one of his clients, though the plan may require them to murder her husband. Several elements of the film were recycled from the plot of the iconic film noir Double Indemnity (1944), and "Big Trouble" served as its unofficial remake. The film was unsuccessful, and Cassavetes himself reportedly disliked the script.

In the late 1980s, Cassavetes suffered from health problems and his career was in decline. He died in 1989 from cirrhosis of the liver caused by many years of heavy drinking. He was only 59 years old. He is buried at the Westwood Village Memorial Park in Los Angeles, having left more than 40 unproduced screenplays and an unpublished novel. His son, Nick Cassavetes, eventually used one of the unproduced screenplays to direct a new film, the romantic drama, She's So Lovely (1997). It was released eight years after the death of John Cassavetes, and was well received by critics.

Laurence Olivier could speak William Shakespeare's lines as naturally as if he were "actually thinking them", said English playwright Charles Bennett, who met Olivier in 1927. Laurence Kerr Olivier was born in Dorking, Surrey, England, to Agnes Louise (Crookenden) and Gerard Kerr Olivier, a High Anglican priest. His surname came from a great-great-grandfather who was of French Huguenot origin.

One of Olivier's earliest successes as a Shakespearean actor on the London stage came in 1935 when he played "Romeo" and "Mercutio" in alternate performances of "Romeo and Juliet" with John Gielgud. A young Englishwoman just beginning her career on the stage fell in love with Olivier's Romeo. In 1937, she was "Ophelia" to his "Hamlet" in a special performance at Kronborg Castle, Elsinore (Helsingør), Denmark. In 1940, she became his second wife after both returned from making films in America that were major box office hits of 1939. His film was Wuthering Heights (1939), her film was Gone with the Wind (1939). Vivien Leigh and Olivier were screen lovers in Fire Over England (1937), 21 Days Together (1940) and That Hamilton Woman (1941).

There was almost a fourth film together in 1944 when Olivier and Leigh traveled to Scotland with Charles C. Bennett to research the real-life story of a Scottish girl accused of murdering her French lover. Bennett recalled that Olivier researched the story "with all the thoroughness of Sherlock Holmes" and "we unearthed evidence, never known or produced at the trial, that would most certainly have sent the young lady to the gallows". The film project was then abandoned. During their two-decade marriage, Olivier and Leigh appeared on the stage in England and America and made films whenever they really needed to make some money.

In 1951, Olivier was working on a screen adaptation of Theodore Dreiser's novel "Sister Carrie" (Carrie (1952)) while Leigh was completing work on the film version of the Tennessee Williams' play, A Streetcar Named Desire (1951). She won her second Oscar for bringing "Blanche DuBois" to the screen. Carrie (1952) was a film that Olivier never talked about. George Hurstwood, a middle-aged married man from Chicago who tricked a young woman into leaving a younger man about to marry her, became a New York street person in the novel. Olivier played him as a somewhat nicer person who didn't fall quite as low. A PBS documentary on Olivier's career broadcast in 1987 covered his first sojourn in Hollywood in the early 1930s with his first wife, Jill Esmond, and noted that her star was higher than his at that time. On film, he was upstaged by his second wife, too, even though the list of films he made is four times as long as hers.

More than half of his film credits come after The Entertainer (1960), which started out as a play in London in 1957. When the play moved across the Atlantic to Broadway in 1958, the role of "Archie Rice"'s daughter was taken over by Joan Plowright, who was also in the film. They married soon after the release of The Entertainer (1960).

The woman who will always be remembered as the crazy, accident-prone, lovable Lucy Ricardo was born Lucille Desiree Ball on August 6, 1911 in Jamestown, New York, the daughter of Desiree Evelyn "DeDe" (Hunt) and Henry Durrell "Had" Ball. Her father died before she was four, and her mother worked several jobs, so she and her younger brother were raised by their grandparents. Always willing to take responsibility for her brother and young cousins, she was a restless teenager who yearned to "make some noise". She entered a dramatic school in New York City, but while her classmate Bette Davis received all the raves, she was sent home; "too shy". She found some work modeling for Hattie Carnegie's and, in 1933, she was chosen to be a "Goldwyn Girl" and appear in the film Roman Scandals (1933).

She was put under contract to RKO Radio Pictures and several small roles, including one in Top Hat (1935), followed. Eventually, she received starring roles in B-pictures and, occasionally, a good role in an A-picture, like in Stage Door (1937) or The Big Street (1942). While filming Too Many Girls (1940), she met and fell madly in love with a young Cuban actor-musician named Desi Arnaz. Despite different personalities, lifestyles, religions and ages (he was six years younger), he fell hard, too, and after a passionate romance, they eloped and were married in November 1940. Lucy soon switched to Metro-Goldwyn-Mayer, where she got better roles in films such as Du Barry Was a Lady (1943); Best Foot Forward (1943) and the Katharine Hepburn-Spencer Tracy vehicle Without Love (1945). In 1948, she took a starring role in the radio comedy "My Favorite Husband", in which she played the scatterbrained wife of a Midwestern banker. In 1950, CBS came knocking with the offer of turning it into a television series. After convincing the network brass to let Desi play her husband and to sign over the rights to and creative control over the series to them, work began on the most popular and universally beloved sitcom of all time.

With I Love Lucy (1951), she and Desi promoted the 3-camera technique now the standard in filming sitcoms using 35mm film (the earliest known example of the 3-camera technique is the first Russian feature film, "Defence of Sevastopol" in 1911). Desi syndicated I Love Lucy. Lucille Ball was the first woman to own her own studio as the head of Desilu Productions.

Lucille Ball died at Cedars-Sinai Medical Center, age 77, of an acute aortic aneurysm on April 26, 1989 in Los Angeles, CA.

One of the great movie villains, Clarence Leroy Van Cleef, Jr. was born in Somerville, New Jersey, to Marion Lavinia (Van Fleet) and Clarence LeRoy Van Cleef, Sr. His parents were of Dutch ancestry. Van Cleef started out as an accountant. He served in the U.S. Navy aboard minesweepers and sub chasers during World War II. After the war he worked as an office administrator, becoming involved in amateur theatrics in his spare time. An audition for a professional role led to a touring company job in "Mr. Roberts". His performance was seen by Stanley Kramer, who cast him as henchman Jack Colby in High Noon (1952), a role that brought him great recognition despite the fact that he had no dialogue. For the next decade, he played a string of memorably villainous characters, primarily in westerns but also in crime dramas such as The Big Combo (1955). His hawk nose and steely, slit eyes seemed destined to keep him always in the realm of heavies, but in the mid 1960s Sergio Leone cast him as the tough but decent Col. Mortimer opposite Clint Eastwood in For a Few Dollars More (1965). A new career as a western hero (or at least anti-hero) opened up, and Van Cleef became an international star, though in films of decreasing quality. In the 1980s, he moved easily into action and martial-arts movies and starred in The Master (1984), a TV series featuring almost non-stop martial arts action. He died of a heart attack in December 1989 and was buried at Forest Lawn in the Hollywood Hills.

Kitty Menendez was born to a middle-class family in suburban Chicago, where her father owned an air-conditioning business. Her home life was very unhappy, with a cruel, abusive father and a despondent, battered mother. While Kitty was still a child her father abandoned the family to move in with a mistress. Embittered, she turned into a moody and depressed child and had few friends. Eventually she cut off all contact with her father, whom she came to despise. She attended college at Southern Illinois University in Carbondale, Illinois. There she met her future husband, Jose Menendez, whom she married in 1964. Both of their families were opposed to the marriage, his because her parents were divorced, hers because of Jose's Cuban heritage. In their early married life she was an elementary school teacher, but after giving birth to her children, Lyle Menendez and Erik Menendez, she became a full-time homemaker. As her husband climbed up the corporate ladder, their life looked idyllic on the surface. Intelligent, attractive, charming in public, she appeared to be the ideal wife and mother. However, those who came to know her described her as a high-strung woman who had great difficulty coping with stress, and her husband's repeated extramarital affairs drove her to despair. She coped with her problems by consuming increasing amounts of alcohol and prescription pills and some of her friends feared she had become dependent on them.. In 1987 she attempted suicide, ingesting a bottle of sleeping pills. She recovered, but she and Jose continued to have marital problems, and their relationships with their sons became increasingly strained. On August 20, 1989, she and her husband were shot to death in their living room while watching television together. The killers were their sons.

Sergio Leone was virtually born into the cinema - he was the son of Roberto Roberti (A.K.A. Vincenzo Leone), one of Italy's cinema pioneers, and actress Bice Valerian. Leone entered films in his late teens, working as an assistant director to both Italian directors and U.S. directors working in Italy (usually making Biblical and Roman epics, much in vogue at the time). Towards the end of the 1950s he started writing screenplays, and began directing after taking over The Last Days of Pompeii (1959) in mid-shoot after its original director fell ill. His first solo feature, The Colossus of Rhodes (1961), was a routine Roman epic, but his second feature, A Fistful of Dollars (1964), a shameless remake of Akira Kurosawa's Yojimbo (1961), caused a revolution. It was the first Spaghetti Western, and shot T.V. cowboy Clint Eastwood to stardom (Leone wanted Henry Fonda or Charles Bronson but couldn't afford them). The two sequels, For a Few Dollars More (1965) and The Good, the Bad and the Ugly (1966), were shot on much higher budgets and were even more successful, though his masterpiece, Once Upon a Time in the West (1968), in which Leone finally worked with Fonda and Bronson, was mutilated by Paramount Pictures and flopped at the U.S. box office. He directed Duck, You Sucker! (1971) reluctantly (as producer he hired Peter Bogdanovich to direct but he left before shooting began), and turned down offers to direct The Godfather (1972) in favor of his dream project, which became Once Upon a Time in America (1984). He died in 1989 after preparing an even more expensive Soviet co-production on the World War II siege of Leningrad.

Mel Blanc, known as "The Man of Thousand Voices" is regarded as the most prolific actor to ever work in Hollywood with over a thousand screen credits. He developed and performed nearly 400 distinct character voices with precision and a uniquely expressive vocal range. The legendary specialist from radio programs, television series, cartoon shorts and movie was rarely seen by his audience but his voice characterizations were famous around the world.

Blanc under exclusive contract until 1960 to Warner Brothers voiced virtually every major character in the Warner Brothers' Looney Tunes and Merry Melodies cartoon pantheon. Characters including Porky Pig, Bugs Bunny, Daffy Duck, Elmer Fudd, Tweety Bird, Sylvester the Cat, Wile E. Coyote,The Roadrunner, Yosemite Sam, Sam the Sheepdog, Taz the Tazmanian Devil, Speedy Gonzales, Marvin the Martian, Foghorn Leghorn, Pepé la Pew, Charlie the Dog, Blacque Jacque Shellacque, Pussyfoot, Private Snafu among others were voiced by Blanc.

After 1960, Blanc continued to work for Warner Brothers but began to work for other companies once his exclusive contract ended. He worked for Hanna-Barbera voicing characters including Barney Rubble, Dino the Dinosaur, Cosmo Spacely, Secret Squirrel, Captain Caveman, Speed Buggy, Wally Gator among others. He provided vocal effects for Tom & Jerry in the mid 1960's working with fellow Warner Bros. alum, Chuck Jones at what would become MGM Animation. In the mid 1960's, Blanc originated and voiced Toucan Sam for the Kellogg's Fruit Loops commercials. He would later go to originate and voice Twiki for Buck Rogers and Heathcliff in the late 1970's and early 1980's.

Victor French was the son of a stuntman. His debut was a small role in Lassie (1954), uncredited. He had his first real acting experiences in western-films, where he usually played the "bad guy" due to his rather gruff look. This changed with Little House on the Prairie (1974), (as Isaiah Edwards). In 1977, he left Little House on the Prairie (1974) to play in his own sitcom Carter Country (1977), which lasted for two seasons. French then teamed up again with Michael Landon in Highway to Heaven (1984), as (Mark Gordon). French, along with Leonard Nimoy, founded LA's "Company of Angels", one of the area's earliest attempts to establish LA as a type of "Off-Broadway-West Coast". Its limited seating arrangement (99 seats) served as the prototype of LA's Equity-Waiver code. After he left the company in the mid 1970s, he went on to teach acting privately. He was well sought-after, and it became apparent that he had to take students on "by referral only". His philosophy and style was gentle and encouraging to young actors just entering the field. He directed in LA Theaters and won the Critics Circle Award for "12 Angry Men." In the 1980s, he declined to play "bad guys." Victor French died 1989 after finishing the last episode of Highway to Heaven (1984).

Gilda Radner was one of the great comic geniuses of the 20th century, ranked with Lucille Ball and other comedy legends of the highest caliber. She was born on June 28, 1946, in Detroit, Michigan, the younger of two children of Henrietta (Dworkin), a legal secretary, and Herman Radner, a businessman.

She had an older brother, Michael. Her family were Jewish immigrants (from Russia, Poland, and Lithuania). Radner grew up with a nanny she always called Dibby, on whom she based her famous Saturday Night Live (1975) character, hard-of-hearing news correspondent Emily Litella.

She was very close to her father, not as close to her mother, and tragically, her father died when she was 14, leaving her heartbroken. She was very overweight as a child, and because of this, she suffered from anorexia and bulimia and became very thin. She overcame these disorders by 16 and was normal weight, yet if you watch some of her episodes of Saturday Night Live (1975) you can see that her weight sometimes goes down very low and she looks anorexic again.

She graduated from the Liggett school for Girls and enrolled at the University of Michigan but dropped out and followed a boyfriend to Canada, where she made her stage debut in Godspell. In 1975, Gilda was the first person ever cast for Saturday Night Live (1975), the show that would make her famous.

She stayed on SNL for 5 years, from 1975 to 1980 and had a brief marriage to the SNL band guitarist G.E. Smith. On this show, she created characters like Emily Litella, loudmouthed Roseanne Roseannadanna, nerd Lisa Loopner, and Baba Wawa, a talk show host with a speech impediment.

Gilda left the show in 1980 and married actor Gene Wilder, whom she met on a movie set and fell in love with nearly on the spot. A short while after, Gilda started having pains in her upper legs, and she was eventually diagnosed with ovarian cancer.

She went through lots of chemotherapy and treatment, and finally her doctors told her that she was in remission. In this period of time, Gilda wrote her autobiography, called "It's Always Something," about her battles with cancer.

However, cancer was found in her liver and her lungs after a more comprehensive check a while later. Now it was too late to do anything. Gilda died in her sleep on May 20, 1989.

Amanda Blake was born in Buffalo, NY, of English and Scottish descent. She and her parents moved to Claremont, California, while Amanda was still in high school, and she graduated from Claremont High. She enrolled at Pomona College but, due to her avid participation in community and theater productions, she was devoting much more time to acting than her schoolwork. Amanda started on a full acting schedule, doing summer stock in New England. She followed that up with theater and radio acting in Buffalo and then movies in Hollywood. While acting in small theater and stock companies she also painted backdrops and scenery. She was still in her teens when she debuted in MGM"s Stars in My Crown (1950), and her first television role was in Double Exposure (1952). Her most famous role, however, came in 1955, when she starred in the classic western series Gunsmoke (1955) as "Miss Kitty" Russell, the feisty madame and proprietor of Dodge City's Long Branch Saloon opposite James Arness' Marshal Matt Dillon.

An exceptionally handsome and charismatic performer with a serene baritone voice, Guy Williams was born Armand Joseph Catalano (nicknamed "Armando" by his family) of Italian parentage in New York City on January 14, 1924. The elder child of an insurance broker (he had a younger sister, Valerie), he was raised in the Washington Heights area. Attending Peekskill Military Academy during his formative years, he originally broke into the entertainment field as a male fashion model. Guy subsequently joined New York's Neighborhood Playhouse, which led to such TV assignments as Studio One (1948), and he debuted in films with a featured role as the bombardier on the Enola Gay in the feature film The Beginning or the End (1947), the story about the first US-deployed atom bomb.

In 1952 he was given a screen test and signed by Universal Pictures. As tall, dark and athletic (6'3", 190 lb.) in Hollywood nearly always fits the bill, the highly photogenic Williams began paying his dues in unbilled bits in such standard movies as Back at the Front (1952), All I Desire (1953), The Golden Blade (1953) and Take Me to Town (1953). When he did manage to receive billing, he was rather benignly used: Bonzo Goes to College (1952) (sequel to Ronald Reagan's cult classic Bedtime for Bonzo (1951)), The Mississippi Gambler (1953) with Tyrone Power and The Man from the Alamo (1953) with Glenn Ford.

Guy eventually left Universal and freelanced in films, which would include a minor role as a cop in the cult horror classic I Was a Teenage Werewolf (1957) starring Michael Landon, and also added scattered TV appearances (Highway Patrol (1955), The Lone Ranger (1949)) to his resumé. Nothing, however, of major significance happened until Walt Disney came into the picture. His signing at age 33 to play Don Diego de la Vega, aka Zorro (1957), thrust Guy immediately into the celebrity limelight. His dashing good looks, eloquence and charm had female hearts fluttering, while the male audiences admired his fencing dexterity and effortless ladies'-man appeal. The Disney series was so popular that certain episodes were culled together and released into two feature films: The Sign of Zorro (1958) and Zorro, the Avenger (1959).

Further propelled by Disney with his captivating role in The Prince and the Pauper: The Pauper King (1962), Guy was handed fully-bearded heroes to play in a couple of fantasy film adventures, portraying Damon in the costumer Damon and Pythias (1962) a/k/a "Damon and Pythias", and the title role in Captain Sindbad (1963), an MGM attraction. In 1964 he reunited with "Teen Werewolf" Michael Landon when he arrived on the Bonanza (1959) set to play cousin Will Cartwright for a few episodes.

The cult science fiction series Lost in Space (1965) would be Guy's last hurrah in show business. Although overshadowed extensively by the nefariously campy antics of Jonathan Harris' Dr. Smith character, Guy nevertheless provided a necessary strong anchor to the family show, which included June Lockhart as the silver-suited wife and mother of his three intergalactic offspring. Battling aliens and the forces of nature, the show's popularity went stratospheric at first. However, much like Batman (1966), it faded very quickly and ended up having a short life--three seasons.

When Guy first visited Argentina in 1973 he was quite taken by the signs of admiration and fascination the Argentines expressed for him and his signature character of "El Zorro." In turn Guy fell in love with the people and culture of Argentina. Eventually he retired, except for personal appearances, to Recoleta in the 1970s, an upscale neighborhood of Buenos Aires. He died there of a brain aneurysm at the age of 65 on April 30, 1989. Long married (since 1948) to Janice Cooper, he was survived by their two children.

Over his 40-year career as one of Hollywood's veteran character actors, Robert Webber always marked his spot by playing all types of roles and was not stereotyped into playing just one kind of character. Sometimes he even got to play a leading role (see Hysteria (1965)). Webber first started out in small stage shows and a few Broadway plays before he landed the role of Juror 12 in 12 Angry Men (1957). He was also known for numerous war films, playing Lee Marvin's general in The Dirty Dozen (1967) or as real-life Admiral Frank J. Fletcher in Midway (1976). Webber's other best known movies include The Great White Hope (1970), Revenge of the Pink Panther (1978), 10 (1979) (as composer Dudley Moore's lyricist partner), Private Benjamin (1980), Wild Geese II (1985) and co-starring with Richard Dreyfuss and Barbra Streisand as prosecutor Francis McMillian in Nuts (1987). In 1989 he died of Lou Gehrig's disease (amyotrophic lateral sclerosis) in Malibu, California, shortly after completing the 1988 TV production Something Is Out There (1988). He bore a resemblance to character actor Kevin McCarthy.

Graham Chapman was born on January 8, 1941 in Leicester, England while a German air raid was in progress. Graham's father was a chief police inspector and probably inspired the constables Graham often portrayed later in comedy sketches. Graham studied medicine in college and earned an M.D., but he practiced medicine for only a few years.

At Cambridge, he took part in a series of comedy revues and shortly after completing his medical studies at St. Bartholomew's Hospital, Graham realized what he wanted to do with his life. He wanted to perform comedy. In 1969, Graham along with University friends John Cleese, Eric Idle, Michael Palin, Terry Jones and American Terry Gilliam formed their own comedy group called Monty Python. Their BBC TV series Monty Python's Flying Circus (1969), which aired a short while later was a an instant hit. Their often self-referential style of humor was delightfully original but completely accessible to most audiences in the UK.

Before the show appeared on public television in the US, many people assumed that Americans would find Monty Python much too British to consider it funny. But PBS never had a larger audience than when stations began to air it during the early 1970s. The classic routines have since become standard college humor.

So enduring was the Python humor that fans know entire sketches such as "The Pet Shop," "Nudge-Nudge, Wink-Wink," "Argument Clinic," and "Penguin on the Telly." Graham was a standout of the group with his tall, blond profile and his zany characters (one of the more memorable was Colonel Muriel Volestrangler, a vaguely military-type character who would stop a sketch because it was "much too silly").

Graham was openly gay long before it was socially acceptable, and was open about his long-term relationship with writer David Sherlock, who lived with him for 24 years. He even adopted and raised a teenage runaway named John Tomiczek. Graham played the title role in the movie Monty Python's Life of Brian (1979) as well as King Arthur in Monty Python and the Holy Grail (1975). By the late 1970s, most of the Python members were pursuing independent movie projects and the group was slowly fading into obscurity after their last successful effort The Meaning of Life (1983). Also in 1983, Graham co-wrote and starred in the movie Yellowbeard (1983), which received negative reviews.

In 1988, Graham began working on another series when his health began to decline. A longtime alcoholic, who suffered liver damage before he stopped drinking for good in 1977, Graham began to have trouble concentrating at work. In November 1988, a routine visit to a dentist revealed a malignant tumor on one of his tonsils which was surgically removed. A visit to the doctor a few months later revealed another tumor on his spine which had to be removed which confined him to a wheelchair. During most of 1989, he underwent a series of surgical operations and radiation therapy but for every tumor that was found and removed, another would form either along his spine or in his throat. By July 1989, his cancer was declared terminal and that he would not survive the year, yet he continued to pursue treatments which included chemotherapy. In his wheelchair, he attended the September 1989 taping for the Monty Python's 20th anniversary special. But on October 1, he was hospitalized after a massive stroke which turned into a hemorrhage. He died at the Maidstone hospital at age 48 on October 4, 1989 from complications of the stroke as well as throat and spinal cancer.

Jean Willes is best known for her roles in a number of B-movies in the 1950s and 1960s, as well as on the small screen. Lovely and curvaceous, she usually played hard-boiled gold-diggers, party girls, gun molls, and saloon girls. She came off as a wily, smarter version of Barbara Nichols or Iris Adrian, and although she was versatile, she never rose to the first tier of stardom; in retrospect, she seems to have been capable of much more than she was given during her three-decade-plus career.

Born in Los Angeles on April 15, 1923, she was raised in Utah and in Seattle. Interested in an acting career, she returned to the town of her birth and in 1942 started showing up in comedy film shorts for Columbia under her birth name. She was a smart and sexy foil to, among others, such enjoyable comics as Harry Langdon, Andy Clyde, Eddie Foy Jr., Joe DeRita, Sterling Holloway, and Hugh Herbert. After bit parts in such feature-length films as So Proudly We Hail! (1943), Here Come the Waves (1944), and Salty O'Rourke (1945), she began earning co-star status in such post-war feature-length programs as Revenue Agent (1950) opposite Douglas Kennedy, in A Yank in Indo-China (1952), and in one of Johnny Weissmuller's "Jungle Jim" outings.

Willes became a cheesecake fixture in Hollywood, and film and TV work was steady. But when she was lucky enough to score a role in an "A" film, she was barely glimpsed, as in the Bob Hope comedy Son of Paleface (1952) and the "Best Picture" war epic From Here to Eternity (1953). She had the most screen time in an "A" film as Dr. Miles Bennell (Kevin McCarthy)'s beautiful nurse and, reading between the lines, former paramour, in the sci-fi cult classic, Invasion of the Body Snatchers (1956). (SPOILER: She succumbs to the aliens, like everyone else aside from Bennell, in the fictional California town of Santa Mira.) She was one of the four women vying for an aging Clark Gable's attentions in The King and Four Queens (1956), one of his lesser efforts. Guest spots on TV gave her greater visibility, and she frequently was seen in westerns (The Life and Legend of Wyatt Earp (1955), Maverick (1957)) and crime dramas (Perry Mason (1957)), usually playing unsympathetic women although occasionally playing more agreeable or respectable characters. Her last feature films roles were in McHale's Navy (1964), The Cheyenne Social Club (1970), and Bite the Bullet (1975). After a few more TV roles, she retired in 1976.

Willes died of liver cancer on January 3, 1989 at the age of 65. Her second husband, NFL football player Gerard Cowhig, died at their Van Nuys, California, home in 1995. They had one son, Gerry.

Frances Bavier was born in New York City on December 14, 1902. Her first Broadway appearance was in April 1925 in "The Poor Nut," the start of a successful Broadway career. She traveled with the USO to entertain the U.S. troops in the Pacific during World War II. Her last appearance on Broadway was in the 1951 play, "Point of No Return" starring Henry Fonda. It ran for 356 performances.

Her first movie was the 1951 sci-fi classic The Day the Earth Stood Still (1951), which was also the first time Frances appeared with Olan Soule. He later went on to play Mayberry's choir director, John Masters, on the The Andy Griffith Show (1960). In the movie, they were both boarders in the rooming house where the alien stayed. She made many movies during the 50s and appeared on TV as featured characters on shows like It's a Great Life (1954) and The Eve Arden Show (1957) before what would become her most famous role, that of Aunt Bee to Andy Taylor (Andy Griffith) and Opie Taylor (Ron Howard) on The Andy Griffith Show (1960).

Mahoney is of French and Irish extraction, with some Cherokee. At the University of Iowa, he was outstanding in swimming, basketball and football. When World War II broke out, he enlisted as a Marine fighter pilot and instructor. In Hollywood, he was a noted stunt man, doubling for Errol Flynn, John Wayne, and Gregory Peck. Gene Autry signed him for the lead in his 78-episode The Range Rider (1951) TV series. He tested to replace Johnny Weissmuller, as Tarzan but lost out to Lex Barker. In 1960, he played the heavy in Gordon Scott's Tarzan the Magnificent (1960), and his part there led Sy Weintraub to hire him as Scott's replacement. In his two Tarzan movies, he did all his own stunts. In Tarzan's Three Challenges (1963), he continued working in spite of dysentery, dengue fever and pneumonia. By this time, Weintraub was looking for a younger Tarzan, envisioning a future TV series. By mutual agreement, his contract with Mahoney was dissolved. After a couple of years regaining his strength and weight, Jock returned to making action films.

Rebecca began modeling at the age of 16, going off to New York on her own to begin her career. Four months later, she found herself in Japan, modeling. Eventually, she landed a co-starring role on My Sister Sam (1986), for which she is now best known. In 1989 she also became a spokesperson for Thursday's Child, a charity for at-risk teens.

In April of that same year, having missed a signing due to filming, she reluctantly went to a girls' shelter to sign autographs. "No one will recognize me", she insisted, "or want my autograph," but as it turned out all of them did. In fact, the girls were so in awe that they invited her to the Renaissance Fair in May; Rebecca accepted.

Only two months later, she lay dead on the pavement in front of her new apartment in West Hollywood, having been shot to death by a paranoid schizophrenic fan around her age, Robert John Bardo, who came to her apartment asking for an autograph. She obliged, even though she was busy rehearsing in her apartment for the most important role of her short career. He later said he felt rejected by her because she didn't spend more time with him at her door.

He returned a few minutes later, pressed the buzzer, and when she again opened the door for him, he shot her once in the chest, placing the bullet directly into her heart. Rebecca screamed out, "Why?" then fell backward in the doorway, and was pronounced dead at Cedars-Sinai hospital within minutes of arriving there by ambulance after the shooting.

The killer fled to Tucson, AZ, and the next morning the previously diagnosed "psychiatric patient" was found walking blindly, appearing to be hoping to be hit and killed by a car or truck on a major highway. He was subsequently arrested, transferred back to Los Angeles, and plea-bargained for a life sentence without the possibility of parole, with a then-young assistant district attorney named Marcia Clark, who later became famous for her failed attempt to convict O.J. Simpson of murder. There was a trial by Judge that lasted a month, because the obsessed fan changed his mind about the plea bargain agreement, and pleaded an 'insanity defense'. He was found guilty, and sentenced to life in prison without the possibility of parole.

Perhaps not so surprisingly, John Payne maintained that his favorite movie of all time was one of his own -- Miracle on 34th Street (1947) -- simply because it reflected his own strong and spiritual belief system. Today, of course, the film, which co-stars beautiful Maureen O'Hara, Oscar-winning Edmund Gwenn as Kris Kringle and little non-believing scene-steal Natalie Wood, is a perennial holiday favorite and his best-remembered film role despite the mighty fine product he turned out over the years.

Born John Howard Payne on May 28, 1912 (not May 23, according to his daughter, actress Julie Payne), he was the middle son of three boys (Peter and Robert were the others). His parents, businessman George Washington Payne and Ida Hope (ne Schaeffer) Payne were quite well-to-do and came from a rich heritage. John was named after an ancestor who wrote the song, "Home, Sweet, Home." The boys grew up privileged on a Roanoke, Virginia estate complete with equestrian stables and swimming pools. At his mother's request, John took singing lessons in order to curb an extreme shyness problem. During his teens, the boy was shipped off to Mercersburg Academy, a prep school in Pennsylvania, and later was studying at Roanoke College at the time his father died. John was forced to give up his studies in an effort to help support his family, finding work as a male nurse and, better yet, a radio singer at a local station. Eventually, he was able to return to his studies, enrolling at the Pulitzer School of Journalism at Columbia University. John continued to find work as a singer and even earned some extra cash as a boxer and wrestler.

The tall (6'2"), dark, and handsome Payne, in his mid-20s, eventually turned to the stage and, while understudying Reginald Gardiner in the musical "At Home Abroad," was spotted by Samuel Goldwyn during a performance signed for film work. Billed initially as John Howard Payne, he made his debut with a minor role in Dodsworth (1936), but nothing else came of it and he was released. Freelancing in minor musicals and comedies, he appeared in a starring role (billed now as John Payne) opposite soon-to-be acting guru Stella Adler in Love on Toast (1937), and also teamed up vocally with Betty Grable on a radio show. Payne met actress Anne Shirley during this time and the couple married in August of 1937. Three years later they had a daughter, Julie Payne, who would become an actress in her own right. The happiness for John and Anne wouldn't last, however, and the couple divorced in 1943.

In 1937, Paramount took over the actor's interest with a featured part in Bob Hope's College Swing (1938). Warner Bros. then signed him up briefly, allowing him a third-billed role in the Busby Berkeley musical Garden of the Moon (1938) starring Pat O'Brien and Margaret Lindsay in which he sang the title song as well as the tune "Love Is Where You Find It," among others. Again, John didn't have the right studio fit until 20th Century-Fox came along in 1940. Then it all began to happen for him. Co-starring roles opposite Alice Faye in the musicals Tin Pan Alley (1940) and Week-End in Havana (1941), and with popular skating star Sonja Henie in Sun Valley Serenade (1941) and Iceland (1942) started the ball rolling. But it was a starring role in the war tearjerker Remember the Day (1941), in which he was romantically paired with Claudette Colbert, that secured his place as a dramatic actor and gave him one of his best career showcases.

After co-starring with former radio partner Betty Grable in Springtime in the Rockies (1942), John served a two-year hitch (1942-1944) with the Army. Upon his discharge he went right back to courting Betty Grable in the musical film The Dolly Sisters (1945) and met 18-year-old singer/actress Gloria DeHaven during its shoot. The twosome wed in 1945 and a daughter and son were born within three years. Problems arose when Gloria insisted on continuing her career and the couple, after on and off separations, finally divorced in 1950. John's early post-WWII work offered some of his finest roles with significant non-singing parts coming in the form of Sentimental Journey (1946) with Maureen O'Hara which was a project he bought for himself, the glossy epic The Razor's Edge (1946) co-starring Gene Tierney, Miracle on 34th Street (1947), again paired up magically with O'Hara, and Larceny (1948) with Joan Caulfield.

After John left 20th Century-Fox, his film vehicles grew more routine. Crimers, war drama, and westerns became the norm but a smart and lucrative business arrangement (that included a seven-picture deal) with action producers William H. Pine and William C. Thomas (Pine-Thomas Productions) compensated greatly. As such John appeared in El Paso (1949), Tripoli (1950), Passage West (1951), Kansas City Confidential (1952). 99 River Street (1953), Silver Lode (1954) and ended the deal with Slightly Scarlet (1956). A shrewd businessman, Payne also obtained rights to these films in the aftermath. In 1953, he entered into his third and final marriage to Alexandra ("Sandy") Crowell Curtis, the former wife of actor Alan Curtis. In addition to returning to his singing roots with Las Vegas showroom engagements, John went on to star in his own western TV series The Restless Gun (1957) which lasted two seasons. Daughter Julie appeared in one episode.

A very serious 1961 accident, however, in which John was hit by a car in New York City, slowed him down considerably. It took well over two years for him to recover enough from his leg fractures and facial/scalp wounds to return to acting. In 1964, he co-starred on Broadway with Lisa Kirk in the Broadway musical "Here's Love". A decade later he returned to the arms of Alice Faye when they reunited on stage with a Broadway revival of "Good News". Unfortunately he had to leave the show prematurely as the dancing required was re-aggravating his leg pain. His 70s career ended with TV roles on such shows as "Gunsmoke," "Cade's Country" and "Columbo".

Retiring in 1975, John focused quietly on reading, writing short stories, flying, and cooking. In addition to daughter Julie, two of his grandchildren went on to become actresses as well -- Katharine Towne and Holly Payne. The 77-year-old Payne died on December 6, 1989 at his Malibu home of congestive heart failure. A reliable and steady leading man who may not have been a great mover or shaker on screen, he nonetheless brought tremendous entertainment to the industry and his fans both musically and dramatically in a career that lasted four decades.

Merritt Butrick was an American actor from Gainesville, Florida. He is primarily remembered for portraying Dr. David Marcus in the science fiction films "Star Trek II: The Wrath of Khan" (1982) and "Star Trek III: The Search for Spock" (1984). His character was depicted as a son of the Starfleet officer James Tiberius "Jim" Kirk (played by William Shatner) and the leading scientist Dr. Carol Marcus (played by Bibi Besch). Butrick also portrayed the one-shot character of Captain T'Jon in a 1988 episode of the science fiction series "Star Trek: The Next Generation". His character was depicted as a ship's commanding officer who had been tasked with transporting medication, but had become addicted to the drug felicium.

Butrick received his high school education at the Tamalpais High School, located in Mill Valley, California. The city is part of the San Francisco Bay Area. Butrick graduated from high school in 1977, and subsequently attended the California Institute of the Arts with the intent of becoming an actor. He dropped out, as his instructors thought that he did not have the necessary skills to become an actor. He subsequently found steady work as an actor throughout the 1980s.

In his television debut, Butrick portrayed a recurring rapist in two episodes of the police procedural "Hill Street Blues". His first major role in television was portraying the supporting character Johnny Slash in the sitcom "Square Pegs" (1982-1983). His character was depicted as a geeky high school student. Johnny demonstrated eccentric behavior, but insisted that he was not on drugs. He hung out with the social misfit Patty Greene (played by Sarah Jessica Parker), and was hinted to be attracted to her. The series was praised for its realism, but it was canceled prematurely. The production company received several complains concerning drug and alcohol abuse by teenage members of the cast, and decided to pull the plug to avoid further controversy.

Butrick's other films included the telekinesis-themed comedy "Zapped! (1982)", the corporate corruption-themed black comedy "Head Office" (1985), the dysfunctional family-themed drama "Shy People" (1987), the vampire-themed horror film "Fright Night Part 2" (1988), and the ghost-themed horror film "Death Spa" (1989). He received praise in 1988 for his portrayal of a ditzy male prostitute in the stage play "Kingfish".

In March 1989, Butrick died at the age of 29. His death was caused by toxoplasmosis, complicated by an AIDS infection. Two panels were dedicated to him as part of the NAMES Project AIDS Memorial Quilt, both referencing his role as David Marcus. A few of his former co-stars have recorded anecdotes about his life and career in DVD featurettes, though Butrick had few confidants.

A curvaceous, dark-haired WWII pin-up beauty (aka "The Woo Woo Girl" and "The Girl with the Million Dollar Figure"), "B" film star Lynn Bari had the requisite looks and talent but few of the lucky breaks needed to penetrate the "A" rankings during her extensive Hollywood career. Nevertheless, some worthy performances of hers stand out in late-night viewings.

She was born with the elite-sounding name of Marjorie Schuyler Fisher on December 18, 1919 (various sources also list 1913, 1915 and 1917), in Roanoke, Virginia. She and her elder brother, John, moved with their mother to Boston following the death of their father in 1927. Her mother remarried, this time to a minister, and the family relocated once again when her stepfather was assigned a ministry in California (the Institute of Religious Science in Los Angeles).

Paying her dues for years as a snappy bit-part chorine, secretary, party girl and/or glorified extra while being groomed as a starlet under contract to MGM and Fox, her first released film was the MGM comedy Meet the Baron (1933), in which she provided typical window dressing as a collegian. For the next few years there was little growth at either studio, as she was usually standing amidst others in crowd scenes and looking excited. Finally in Lancer Spy (1937), she received her first billing on screen for a minor part as "Miss Fenwick". Though more bit parts were to dribble in, the year 1938 proved to be her breakthrough year. She finally gained some ground playing the "other woman" role in glossy soaps and musicals, first giving Barbara Stanwyck some trouble in Always Goodbye (1938).

Fox Studios finally handed her some smart co-leads and top supports in such second-tier films as The Return of the Cisco Kid (1939), Pack Up Your Troubles (1939), Hotel for Women (1939), and Hollywood Cavalcade (1939). Anxiously waiting for "the big one", she made do with her strong looks, tending toward unsympathetic parts. She enjoyed the attention she received playing disparaging society ladies, divas, villainesses, and even a strong-willed prairie flower in such films as Pier 13 (1940), Earthbound (1940), Kit Carson (1940), and Sun Valley Serenade (1941), but they did little to advance her in the ranks.

The very best role of her frisky career came with the grade "A" comedy The Magnificent Dope (1942), in which she shared top billing with Henry Fonda and Don Ameche. But good roles were hard to find in Lynn's case, and she good-naturedly took whatever was given her. Other above-average movies (she appeared in well over 150) of this period came with China Girl (1942), Hello Frisco, Hello (1943), The Bridge of San Luis Rey (1944), and Nocturne (1946).

With diminishing offers for film parts by the 1950s, she started leaning heavily towards stage and TV work. She continued her career until the late '60s and then retired. Her last work included the film The Young Runaways (1968) and TV episodes of "The Girl from U.N.C.L.E." and "The F.B.I." Divorced three times in all, husband #2 was volatile manager/producer Sidney Luft, better known as Judy Garland's hubby years later, who was the father of her only child. Her third husband was a doctor/psychiatrist, and she worked as his nurse for quite some time. They divorced in 1972. Plagued by arthritis in later years, Bari passed away from heart problems on November 20, 1989. Although she may have been labeled a "B" leading lady, she definitely was in the "A" ranks when it came to class and beauty.

Character actor Kenneth McMillan was born on July 2, 1932 in Brooklyn, New York. Prior to becoming an actor, McMillan was a manager at Gimbels Department Store. At age 30, McMillan decided to pursue an acting career. He attended the LaGuardia High School for Performing Arts and took acting lessons from Uta Hagen and Irene Dailey. He made his film debut at age 41 with a small role in Sidney Lumet's superbly gritty police drama Serpico (1973). Portly and ruddy-faced, with an often aggressive and cantankerous demeanor, McMillan was usually cast as gruff, hostile and unfriendly characters. McMillan's most notable parts include the borough commander in The Taking of Pelham One Two Three (1974), a cowardly small-town sheriff in Tobe Hooper's excellent miniseries Salem's Lot (1979), William Hurt's bitter paraplegic father in Eyewitness (1981), a racist fire chief in Ragtime (1981), a wily old safecracker in The Pope of Greenwich Village (1984), the vile and grotesquely obese Baron Vladimir Harkonnen in Dune (1984), Aidan Quinn's pathetic drunken father in Reckless (1984) and a sleazy high-roller gambler in "The Ledge" episode of the hugely enjoyable horror anthology Cat's Eye (1985).

Moreover, McMillan was equally adept at comedy, giving especially funny and engaging performances as a baseball club manager in Blue Skies Again (1983), Meg Ryan's corrupt police chief father in Armed and Dangerous (1986), and a dotty senile veterinarian in Three Fugitives (1989). McMillan had a steady recurring role as Valerie Harper's irate boss on the situation comedy Rhoda (1974). Among the television series McMillan guest-starred on are Dark Shadows (1966), Ryan's Hope (1975), Kojak (1973), Starsky and Hutch (1975), The Rockford Files (1974), Moonlighting (1985), Magnum, P.I. (1980) and Murder, She Wrote (1984). Outside of his substantial film and television credits, McMillan also frequently performed on stage at the New York Shakespeare Festival. He acted in the original Broadway productions of "Streamers" and "American Buffalo". He won an Obie for his performance in the off-Broadway play, "Weekends Like Other People". Kenneth McMillan died of liver disease at age 56 on January 8, 1989 in Santa Monica, California.