Um trio de oficiais veteranos dos Mosqueteiros, uma tropa de elite à serviço do Rei da França, acompanhados de um jovem recruta, cumprem uma série de missões à serviço da Pátria, ao mesmo te... Ler tudoUm trio de oficiais veteranos dos Mosqueteiros, uma tropa de elite à serviço do Rei da França, acompanhados de um jovem recruta, cumprem uma série de missões à serviço da Pátria, ao mesmo tempo em que se enredam em conspirações políticas.Um trio de oficiais veteranos dos Mosqueteiros, uma tropa de elite à serviço do Rei da França, acompanhados de um jovem recruta, cumprem uma série de missões à serviço da Pátria, ao mesmo tempo em que se enredam em conspirações políticas.
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If you enjoy watching sexy guys engaging in sword fighting, romancing women, cracking a few jokes and battling the enemy - and all of it set within 17th century France - then this is the show for you..
It's a series of stand-alone episodes but with a long-term story arc developing in the background, which finally comes together by the series final. It's not a drama that has complex story lines or anti-heroes and it doesn't stick faithfully to the original book source, which may annoy purists - though all the main characters are present - it's just a 'lighter' drama for those who want to watch something different to the almost constant dark and gritty crime dramas that are common today. It does have a modern twist, with issues such as slavery and women's rights coming up in two episodes and even Constance is a bit of a modern girl at the side of many previous and dull incarnations of the character - and this time she's married, as the books author originally intended. The series also looks gorgeous ( filmed in Prague because parts of the city are untouched by modern buildings, unlike much of Paris today ) with no tacky blue tabards and feathery hats in sight, giving 17th century Paris a realistic feel, with dirty streets and even dirty hair in the case of D'artagnan.
The four main characters are well cast and distinctive from one another in a realistic fashion, from young D'artagnan ( Luke Pasqualino does a good job of bringing warmth and humour but also a little darkness to a character who's often the dullest of the main characters or too boyish for some viewers to take seriously. At 23 years of age, he still makes a young, immature and cocky D'artagnan but one with hints of the handsome man and great Musketeer he will become - important in a potentially long-running series ) to brooding Athos to ladies-man Aramis ( though he has dark aspects to his character as well, crucial to a character who could so easily be 2 dimensional ) to a Porthas who's clearly Porthas but not as cliché or OTT as previous incarnations, making him just as handsome as the other three musketeers. The characters feel a bit darker, three dimensional and more 'real' than some past incarnations.
Peter Capaldie plays a villain who is far from pantomime, very much lingering in the background during the first half of the series and gradually becoming more unstable as the series goes on, as he tries to prevent Queen Anne and others from having too much influence over the good natured but child-like King Louis. Peter does a fine job of portraying a character who's not really a villain in his own mind because he genuinely wants what's best for France. He's even charming before his need for control becomes more dangerous.
There is a lot of violence in the show, which you'd expect with a drama that involves lots of sword fighting, guns & knives but there's no sex scenes ( only bed scenes ) and very little swearing, which means you could watch it with your parents or older children, as long as you were comfortable with the level of violence.
The show isn't perfect - some elements are rushed ( such as how quickly D'artagnan is taken in by the 3 Musketeers as part of their group and the fact that most of the time, D'artagnan seems to be a Musketeer in all but name) some scenes are cliché ( in episode 1, Aramis has to quickly escape his lovers bedroom via the window )and whilst Constance is a likable, fun and strong female character ( even sounding a bit 'modern day' at times ) she becomes attached to D'artagnan quite quickly and it makes her vulnerable in her actions, which might be an issue for some viewers, though it wasn't for me - she's hard on the outside but soft on the inside. D'artagnan's attraction to her is more of a slow burn and this benefits the relationship because their feelings are growing from friendship and respect as well as physical attraction. Whilst Athos and Milady are very much enemies, they still have a lingering attraction, which argubly makes them the sexiest couple on the show.
This is very much a show where the boys rule but there are still good and strong moments for the female characters, a fun show but still with serious and intense moments ( especially as the series goes on, so you need to stick with it for several episodes, as episode 1 is generally regarded as the weakest of the series ) and whether you stick with it largely depends on whether you warm to the show's main characters and are longing for something 'lighter' than the dark dramas of modern times.
It's a series of stand-alone episodes but with a long-term story arc developing in the background, which finally comes together by the series final. It's not a drama that has complex story lines or anti-heroes and it doesn't stick faithfully to the original book source, which may annoy purists - though all the main characters are present - it's just a 'lighter' drama for those who want to watch something different to the almost constant dark and gritty crime dramas that are common today. It does have a modern twist, with issues such as slavery and women's rights coming up in two episodes and even Constance is a bit of a modern girl at the side of many previous and dull incarnations of the character - and this time she's married, as the books author originally intended. The series also looks gorgeous ( filmed in Prague because parts of the city are untouched by modern buildings, unlike much of Paris today ) with no tacky blue tabards and feathery hats in sight, giving 17th century Paris a realistic feel, with dirty streets and even dirty hair in the case of D'artagnan.
The four main characters are well cast and distinctive from one another in a realistic fashion, from young D'artagnan ( Luke Pasqualino does a good job of bringing warmth and humour but also a little darkness to a character who's often the dullest of the main characters or too boyish for some viewers to take seriously. At 23 years of age, he still makes a young, immature and cocky D'artagnan but one with hints of the handsome man and great Musketeer he will become - important in a potentially long-running series ) to brooding Athos to ladies-man Aramis ( though he has dark aspects to his character as well, crucial to a character who could so easily be 2 dimensional ) to a Porthas who's clearly Porthas but not as cliché or OTT as previous incarnations, making him just as handsome as the other three musketeers. The characters feel a bit darker, three dimensional and more 'real' than some past incarnations.
Peter Capaldie plays a villain who is far from pantomime, very much lingering in the background during the first half of the series and gradually becoming more unstable as the series goes on, as he tries to prevent Queen Anne and others from having too much influence over the good natured but child-like King Louis. Peter does a fine job of portraying a character who's not really a villain in his own mind because he genuinely wants what's best for France. He's even charming before his need for control becomes more dangerous.
There is a lot of violence in the show, which you'd expect with a drama that involves lots of sword fighting, guns & knives but there's no sex scenes ( only bed scenes ) and very little swearing, which means you could watch it with your parents or older children, as long as you were comfortable with the level of violence.
The show isn't perfect - some elements are rushed ( such as how quickly D'artagnan is taken in by the 3 Musketeers as part of their group and the fact that most of the time, D'artagnan seems to be a Musketeer in all but name) some scenes are cliché ( in episode 1, Aramis has to quickly escape his lovers bedroom via the window )and whilst Constance is a likable, fun and strong female character ( even sounding a bit 'modern day' at times ) she becomes attached to D'artagnan quite quickly and it makes her vulnerable in her actions, which might be an issue for some viewers, though it wasn't for me - she's hard on the outside but soft on the inside. D'artagnan's attraction to her is more of a slow burn and this benefits the relationship because their feelings are growing from friendship and respect as well as physical attraction. Whilst Athos and Milady are very much enemies, they still have a lingering attraction, which argubly makes them the sexiest couple on the show.
This is very much a show where the boys rule but there are still good and strong moments for the female characters, a fun show but still with serious and intense moments ( especially as the series goes on, so you need to stick with it for several episodes, as episode 1 is generally regarded as the weakest of the series ) and whether you stick with it largely depends on whether you warm to the show's main characters and are longing for something 'lighter' than the dark dramas of modern times.
Moving series created by Adrian Hodges , being partially based on Alexandre Dumas novel , though adding important changes . It is filled with derring-do , intrigue , love stories , drama , swashbuckling and moving swordplay . An awesome casting and big-budgeted production by BBC television , shot in Czech Studios and location make for a fairly amusement swashbuckler . This is the recent recounting of the Dumas's novel with a fine cast headed by handsome Luke Pascualino as hot-headed D'Artagnan in a brave role as a young and handsome soldier of fortune , a dashing , audacious lover and nimble athlete . When his father (Oliver Cotton) is killed , D'Artagnan travels from his family farm in Gascony to Paris and seeks vengeance against his murderers . But he meets with three two-fisted Musketeers : Athos (Tom Burke) , Porthos (Howard Charles) , and Aramis (Santiago Cabrera) , they're rollicking adventurers , fighting to live and living to love . The brightest and best musketeers of the King's Regiment are commanded by Mister Treville (Hugo Speer) , chief of Musketeers , and dispatched to risked assignments . D'Artagnan to be aware they are Musketeers and is invited to unite them in their objective to struggle against guards of Cardinal Richelieu well performed by Peter Capaldi and the astute Milady De Winter (Maimie McCoy) who is lovely as a jewel , deadly as a dagger the wickedest woman in all Christendom . They must defeat a beautiful double agent and her villainous employer from seizing the French throne and engulfing Europe in war . At the beginning of the movie , the map of Europe shows several states and kingdoms of that era ; as Spain is leader in the continent whose power is disputed by France and England , all of them entangled in a web of treachery and intrigue , including their cunning spies , crosses and doublé-crosses . Meanwhile , D'Artagnan falls in love with a gorgeous young , the married innkeeper , Constance (Tamia Kari) , she is a golden-haired beauty . Furthermore , there is developed a series of intrigues between Luis XIII (son of Henry IV) : Ryan Cage , Queen Anne of Spain : Alexandra Dowling , dazzling as her gilded palace for her , men dared a thousand perils ; and , of course , the nasty Richelieu (Peter Capaldi) , as evil as ever . The musketeers join forces for royal vengeance with the shout : ¨One for all and all for one¨. Then , the musketeers whose friendship has become a legend to stir the hearts of men and shouting their slogan set out to help the Queen . Straightforward as well as gallant D'Artagnan and the three musketeers scheme their peaceful plans that are turned upside down , clashing against a malicious Richelieu who is determined to make life as unbearable as possible for the intimate friends and carrying out several missions , such as : to get some valuable letters on behalf of King Louis -in first episode- or facing off a nasty villain , Vadim (Jason Fleming) -in 2º episode- , who attempts to kill Louis XIII and organize a full-scale robbing , while Athos , betrayed by Milady of Winter , is accused for killing and condemned to firing squad , among others .
The series formed by 30 episodes , though won't return for season 4 . This delightful adaptation based on Alexandre Dumas classic novel starts with the youngster D'Artagnan who arrives in Paris and subsequently takes place the known swordplay against the three Musketeers . And shortly after , both of whom join forces versus their enemies . Adequate and colorful cinematography , stunningly shown on the splendorous images being filmed in Czech Republic , including Chateaus , monasteries and palaces such as Château Ploskovice , Strahov Monastery , among others . Glamorous production design is well reflected on the luxurious interiors , impressive sets and exteriors stunningly filmed . Besides , a thrilling as well as evocative musical score . It was professionally realized , including a cool and well provided visual style , fencing , drama and clangorous action in equal proportions .
This classy story has been remade on several versions , as the MGM classic version in musical style by George Sidney with Gene Kelly , Paul Lukas , Gig Young , Vincent Price , Frank Morgan and Lana Turner as Milady ; 1973 amusing version by Richard Lester with Michael York, Oliver Reed and Raquel Welch ; 1993 modern adaptation by Stephen Herek with Charlie Sheen , Kiefer Sutherland , Oliver Platt and Chris O'Donnell, and 2001 rendition by Peter Hyams with Justin Chambers, Mena Suvari and Tim Roth , among others. And other recent version : ¨The three Musketeers¨ (2011) that bears remarkable resemblance to this one , being starred by Logan Lerman , Luke Evans , Matthew Macfadyen , Milla Jovovich , Mads Mikkelsen , Orlando Bloom , Til Schweiger , Dexter Fletcher and directed by Paul W. Anderson . ¨The musketeers¨ series (2014) is an outstanding and entertaining adaptation of the classy that will appeal to the costumer genre buffs and it results to be acceptable adaptation with big budget based on the classic .
The series formed by 30 episodes , though won't return for season 4 . This delightful adaptation based on Alexandre Dumas classic novel starts with the youngster D'Artagnan who arrives in Paris and subsequently takes place the known swordplay against the three Musketeers . And shortly after , both of whom join forces versus their enemies . Adequate and colorful cinematography , stunningly shown on the splendorous images being filmed in Czech Republic , including Chateaus , monasteries and palaces such as Château Ploskovice , Strahov Monastery , among others . Glamorous production design is well reflected on the luxurious interiors , impressive sets and exteriors stunningly filmed . Besides , a thrilling as well as evocative musical score . It was professionally realized , including a cool and well provided visual style , fencing , drama and clangorous action in equal proportions .
This classy story has been remade on several versions , as the MGM classic version in musical style by George Sidney with Gene Kelly , Paul Lukas , Gig Young , Vincent Price , Frank Morgan and Lana Turner as Milady ; 1973 amusing version by Richard Lester with Michael York, Oliver Reed and Raquel Welch ; 1993 modern adaptation by Stephen Herek with Charlie Sheen , Kiefer Sutherland , Oliver Platt and Chris O'Donnell, and 2001 rendition by Peter Hyams with Justin Chambers, Mena Suvari and Tim Roth , among others. And other recent version : ¨The three Musketeers¨ (2011) that bears remarkable resemblance to this one , being starred by Logan Lerman , Luke Evans , Matthew Macfadyen , Milla Jovovich , Mads Mikkelsen , Orlando Bloom , Til Schweiger , Dexter Fletcher and directed by Paul W. Anderson . ¨The musketeers¨ series (2014) is an outstanding and entertaining adaptation of the classy that will appeal to the costumer genre buffs and it results to be acceptable adaptation with big budget based on the classic .
Comparing books to on screen representations is always tricky; what you see on the page isn't going to be the same as others may. The Musketeers have appeared in so many guises, from Charlie Sheen and Kiefer Sutherland camping it up in 1993 (between this and Batman and Robin, it's amazing Chris O'Donnell has continued to do so well), through to the kiddy cartoon 'Dogtanian and the Three Muskehounds'. Do a search for a picture of Porthos, and you'll likely find Captain Archers Beagle from Enterprise. They have become a pastiche of themselves, more known for their catch phrase as their actual back stories.
None have really got as close to the original books as this series.
Aramis may be a former priest, who seems able to charm any lady he comes into contact with, but neither of those qualities are over played. Athos is a dark, brooding, level headed father figure in the group. His back story with Milady de Winter becomes apparent quite quickly, and is sure to continue to be a thorn in the side of the Musketeers adventures. Porthos becomes much more real in this series. Still larger than life, still living life with violence and a smile, but with a much broader history and reason for being the way he is. They've fought in wars in the name of the King, and come out with not only the scars but the camaraderie that goes with it. Captain Treville does a great job in keeping them in line.
And D'Artagnan is the country bumpkin. Ruled by his passions, his skill as a Musketeer are evident, but he still need tempering. He has great great chemistry with Constance, who is friend, mummy and potential love interest to him, but like Athos/Milady, that journey will take a while to reach fruition.
This is definitely the best Cardinal. Yes, he's evil. Yes, he plots and schemes to destroy the Musketeers. And, yes, his motivations are driven by more..fiscal..desires. Yet, he's also a lot more believable and watchable for doing so. Not just some one dimensional monster, with a single plan, he even helps the Musketeers at times (for his own benefits, of course). The Musketeers may not like him, but nor can you see them running him through, like they do to many of their other foes.
The sets and costumes are great; from the Musketeers understated leather armour, to the Cardinals pitch black flowing cloak that make him look like a Dr Who baddie (yes, the irony). From the Royal palaces with their sumptuous ceilings, to the hustle of the newly redesigned Paris. It flows. The quality may be film set clean (and there may be the occasional Hollywood explosion), but it all adds to the overall rip roaring adventure, that fits perfectly into the time slot allowed, while the characters and their interplay pulls the stories along at a brisk pace.
None have really got as close to the original books as this series.
Aramis may be a former priest, who seems able to charm any lady he comes into contact with, but neither of those qualities are over played. Athos is a dark, brooding, level headed father figure in the group. His back story with Milady de Winter becomes apparent quite quickly, and is sure to continue to be a thorn in the side of the Musketeers adventures. Porthos becomes much more real in this series. Still larger than life, still living life with violence and a smile, but with a much broader history and reason for being the way he is. They've fought in wars in the name of the King, and come out with not only the scars but the camaraderie that goes with it. Captain Treville does a great job in keeping them in line.
And D'Artagnan is the country bumpkin. Ruled by his passions, his skill as a Musketeer are evident, but he still need tempering. He has great great chemistry with Constance, who is friend, mummy and potential love interest to him, but like Athos/Milady, that journey will take a while to reach fruition.
This is definitely the best Cardinal. Yes, he's evil. Yes, he plots and schemes to destroy the Musketeers. And, yes, his motivations are driven by more..fiscal..desires. Yet, he's also a lot more believable and watchable for doing so. Not just some one dimensional monster, with a single plan, he even helps the Musketeers at times (for his own benefits, of course). The Musketeers may not like him, but nor can you see them running him through, like they do to many of their other foes.
The sets and costumes are great; from the Musketeers understated leather armour, to the Cardinals pitch black flowing cloak that make him look like a Dr Who baddie (yes, the irony). From the Royal palaces with their sumptuous ceilings, to the hustle of the newly redesigned Paris. It flows. The quality may be film set clean (and there may be the occasional Hollywood explosion), but it all adds to the overall rip roaring adventure, that fits perfectly into the time slot allowed, while the characters and their interplay pulls the stories along at a brisk pace.
I'm not one to squabble over mismatches between source material and movies - as long as the story is consistent within its own universe.
From this point of view, this series has managed to put all of the recent Hollywood adaptations to an absolute shame.
First of all, the adaptation is so good that sometimes it's difficult to say where the Dumas novels end and where the adaptation begins. Sure enough, the events from the books aren't borrowed entirely and sequentially but rather they are somewhat transformed and scattered.
The main plot points are there, but with extra background and extended events which strengthen character building.
This is definitely a necessary step especially because the original story (so very popular) has turned the characters, their demeanor, names and status into stereotypes ... and stereotypes can be boring especially when the original context is transformed.
The musketeers keep their names, general demeanor but their background stories are enriched (while keeping the main points).
Aramis is a former priest with a soft spot for the ladies ... but there's much more in the hold. Athos remains somewhat misanthropic with lots of mystery behind him (and with a history alongside Milady de Winter) Porthos gets more of an overhaul especially given the original largely straightforward character type. D'Artagnan in turn seems to be more of a bon-vivant type now and although he keeps his original motivation and history, he is portrayed here a lot more child-like. I'm not saying this is necessarily bad, but we'll have to wait and see what the writers will make of it.
Richelieu gets a great portrayal from the future Doctor Who actor, greatly improving upon the original character with more details and more political plots which are mostly well-thought out as opposed to the incredibly brainless plots of the Hollywood movies. Let's hope they'll keep up the kind of work that we've been shown in the first few episodes.
Obviously, nothing is perfect. There are inconsistencies here and there as well as questions left hanging. But we've got at least a season to see where they lead.
From this point of view, this series has managed to put all of the recent Hollywood adaptations to an absolute shame.
First of all, the adaptation is so good that sometimes it's difficult to say where the Dumas novels end and where the adaptation begins. Sure enough, the events from the books aren't borrowed entirely and sequentially but rather they are somewhat transformed and scattered.
The main plot points are there, but with extra background and extended events which strengthen character building.
This is definitely a necessary step especially because the original story (so very popular) has turned the characters, their demeanor, names and status into stereotypes ... and stereotypes can be boring especially when the original context is transformed.
The musketeers keep their names, general demeanor but their background stories are enriched (while keeping the main points).
Aramis is a former priest with a soft spot for the ladies ... but there's much more in the hold. Athos remains somewhat misanthropic with lots of mystery behind him (and with a history alongside Milady de Winter) Porthos gets more of an overhaul especially given the original largely straightforward character type. D'Artagnan in turn seems to be more of a bon-vivant type now and although he keeps his original motivation and history, he is portrayed here a lot more child-like. I'm not saying this is necessarily bad, but we'll have to wait and see what the writers will make of it.
Richelieu gets a great portrayal from the future Doctor Who actor, greatly improving upon the original character with more details and more political plots which are mostly well-thought out as opposed to the incredibly brainless plots of the Hollywood movies. Let's hope they'll keep up the kind of work that we've been shown in the first few episodes.
Obviously, nothing is perfect. There are inconsistencies here and there as well as questions left hanging. But we've got at least a season to see where they lead.
I have to admit I found the first episode OK it wasn't amazing, but the second episode the characters started to grow on my - love the casting on all the musketeers and well.... its Peter Caapaldi!!
I always enjoy a light hearted historical adaptation and have to admit my favourite thing about this series so far is the costumes and the sets - the lighting is fantastic. It really gives the show the right atmosphere. it i'm being fussy the one thing that I wholly dislike is the theme tune - I just don't think it fits.
Give it a chance we are only just getting to know them, its fun, its frolicy, its BBC 1 on a Saturday night!
I always enjoy a light hearted historical adaptation and have to admit my favourite thing about this series so far is the costumes and the sets - the lighting is fantastic. It really gives the show the right atmosphere. it i'm being fussy the one thing that I wholly dislike is the theme tune - I just don't think it fits.
Give it a chance we are only just getting to know them, its fun, its frolicy, its BBC 1 on a Saturday night!
Você sabia?
- CuriosidadesDuring filming of the finale, Peter Capaldi dislocated his thumb during an 'overenthusiastic' take (according to actress Maimie McCoy). She said "...his thumb had completely dislocated - he'd quite instinctively just slipped it back in - and then the colour went from his face."
- Erros de gravaçãoThe characters are shown numerous times holding loaded firearms downwards. At the time all firearms were muzzle loaded weapons and pointing a gun downwards meant that the ball would travel back along the barrel and lessen the impact of any projectile. During this period it was a common practice to hold them upwards.
- ConexõesFeatured in The Wright Stuff: Episode #19.10 (2014)
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- The Musketeers
- Locações de filme
- Chateau Ploskovice, República Tcheca(King's Palace)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
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