Batman: O Cavaleiro das Trevas - Parte 1

No one does it better than the Bat at any age he is still the same, too smart for those who what to get on his bad side.

This part1 is so good I can't wait to see the rest; I hope veterans like the joker will be there to make it all crazy like.

Batman: The Dark Knight Returns is a two-part animated superhero film, an adaptation of the four-issue story arc The Dark Knight Returns by Frank Miller, printed in 1986.

This animation is nowhere near the movies (i.e. story wise), and it focuses on the future, wrong choice of words it is about the future, Bruce Wayne is 55 and the bat has not been seen for 10 years.

The story arc curved around the bat after retirement. Gotham now seemed to be overrun by a group called Mutants. The Mutants weren't just any gang they were absolutely ruthless and in a way useless.

Also in this flick we get to see Harvey Dent/Two face after he has undergone plastic surgery to fix his face. Harvey now looked normal but he was so paranoid and out of it that he went back to his old ways.

Things weren't changing in Gotham and with the ongoing nightmares and Bruce sleep walking and sleep doing things in the night; it was obvious he could no longer cage the bat any more.

Bruce carved to the urges. In the dark is the "billionairelly" in sane Batman, is seen jumping over roof tops and doing things other billionaires could only dream that their bodyguards could do (because no sane billionaire jumps around in the dark. Imagine one day you look out the window only to see Bill Gates in his underwear and a cape on your roof…would you say Bill still got all his screws nicely tight?) I don't know what I liked better is it watching Bat being Bat again in his old age, or the bad guys not knowing in time to skip town when they found out he was out of retirement (you can't blame them though, some didn't know who he was).

Well, the directing of this wonderful flick was done by Jay Oliva, who worked as a storyboard artist on Man of Steel, Batman: Year One and Batman: Under the Red Hood.

The animation was well drawn, far better… sorry, far far far better than what we saw in Superman vs. the Elite.

The only downside to this wonderful movie is the news casting; it was boring and looked too much like child's play I hope you are not still reading this, because I expect by now that you have hit the stores to go grab your copy of The Dark Knight Returns Part 1.

www.lagsreviews.com

One of the most beloved Batman tales finally gets the animation treatment. So influential was Frank Miller's "The Dark Knight Returns" that it inspired Tim Burton and Christopher Nolan when they were crafting their live action Batman movies, as well as the 1990s Batman animated series (which gave birth to an entire universe of DC animated shows). Warner decided to split the tale, originally spread over 4 issues, into 2 movies. Turns out that it was an excellent decision which not only successfully adapted the first half of Frank Miller's epic, but added layers to the story and characters that the limited page count of the graphic novel could not leave in.

Rarely does an adaptation surpass the original source material. But Dark Knight Returns part 1 is just such an example of an animated movie that is not only true to its source material, but expands upon it. The original was great; the animated adaptation makes it better. The story will sound familiar to anyone who watched Christopher Nolan's "The dark Knight Rises". It has been years since Batman went into retirement. Billionaire Bruce Wayne now drifts from day to day hoping that the people of Gotham can take care of themselves. But now, a new threat emerges: The Mutants. A vast gang of street thugs led by their grotesque but incredibly strong and savage leader. Despite his age, Bruce is forced to become Batman once again to save his city. But can the aging crime fighter stand up to a threat that is faster, stronger and more powerful than he has ever been? And what happens when Batman comes face to face with his old nemesis Two-Face? Beyond the narrative lies a thorough deconstruction of the Batman character, especially when played opposite the two main villains, Two Face and the Mutant Leader. Both villains serve as a dark reflection of Batman himself. Like Two Face, Bruce Wayne and Batman are presented as two separate personalities fighting for control. But is Batman truly just a mask Bruce wears? Or is it the other way around? And as for the mutant leader, both he and Batman operate as a symbol to inspire others to action. One a symbol of chaos and crime, the other a symbol of hope and justice. But if the mutant leader's extreme acts can rouse Batman to return to vigilantism, so too can Batman's actions rouse criminals to return to their old ways (as one character claims in the story).

The characters are brought to life by a fine voice cast who nail their roles perfectly. Peter Weller of Robocop fame takes the role of Batman; a role that may comes across as a monotone baritone at first. But Weller infuses Batman's voice with nuance and subtlety which fits the character well. The only downside is that despite wanting to show a dichotomy between Batman and Bruce Wayne, Weller uses the same tone of voice throughout the whole movie; Compared to previous voice actors, like Kevin Conroy, who used different speech patterns and tones for Wayne and Batman.

A lot of deep themes about the nature of heroism vs vigilantism abound in this tale, all of which were in the original comic but just expanded upon in the animation medium. On that note, the animation presented here is the perfect balance of fluidity and art detail. Iconic frames, memorable battles and atmospheric scenes are replicated faithfully. Movie goers will be able to see many scenes that Nolan's Batman trilogy lifted from THE DARK KNIGHT RETURNS, including a fight scene illuminated intermittently by a gun's muzzle flash. Its only downside is that Warner decided to use its generic color palate rather than replicate the muted tones and heavy grays colored by Lynn Varley in the original artwork.

Fans would be pleased at how true to the original this is and how it expands on the original, smoothening out the rough edges while adding a whole new dimension to the characters. The action is intense and beautifully animated, accompanied by an epic score by Christopher Drake. This is a true ADAPTATION that does not translate the comic wholesale but translates the comic while making full use of the animated movie medium.

Few artists have ever captured the depth of character and dark soul of one of D.C's most popular characters like Frank Miller. Miller's version of Batman has always been strangely non-cannon, and using his unique style of storytelling to his advantage, he sets himself apart from the main events of the Dark Knight. He created his own world for these characters, and was given free reign to do so. So, for those of you who have never read 'The Dark Knight Returns' (ISBN 1-56389-342-8); please go out and read it before delving into this spectacular animation.

The Dark Knight shows us an aged and heavily alcoholic Bruce Wayne, some years after he has given up the mantle of the Batman. He's in his mid fifties, still a strongly driven man, but without any purpose. After rounding up and beating down on Gotham's criminals for nearly three decades, he had to give up the fight for unknown reasons. Perhaps to let the city decide its own fate and let the people choose what is to become of Gotham. Maybe because they simply wouldn't stand for him anymore, nor would they let the Batman reign terror down on city streets at night, above the law of everyone else. But the time between then and now has weighed down on Bruce Wayne's shoulders, and the city is rife with even more corruption, crime, and violence than ever before. At the same time, the emergence of a new gang of criminals that go by the moniker 'The Mutants' only aggravates a city on the brink. Specifically violent, and always willing to sacrifice their own lives in the process, the Mutant's crimes are particularly heinous. Kidnapping, assault, and murder are their way of life. They have taken up a particular grudge with the now 70 year old Commissioner Gordon, and only a few short weeks before his retirement. Bruce is compelled by the Batman to once again don the cape and cowl, and seek out vengeance against those who would do harm to the innocent.

This is no children's story... not by any means. It is dark, perhaps only less so than Miller's more famous works in his 'Sin City' series. But this animation is not Miller's original comic. This is an interesting, if slightly more tame version of the comic released in 1986. The art itself is a wonderful rendition meant to emulate Miller's more contrastive style of art. Fortunately it is not too heavily altered, despite such heavy use of digital design. They keep the dialogue true to the original, if only for some slight altercations (Gordon's smoking habit for one). But Jay Oliva does a great job of approaching the theme of the original, which was such a violent and heavy theme in itself. The corruption and abuse of the innocent, and how good men and women are willing to do nothing to stop it. This movie shows us Batman at his oldest, perhaps weakest moments, and questions if he still has the will to continue the fight.

This film is not without the typical problems associated with comic to film renditions. There is heavy use of digital filler here in the framework, which leads to some repetitious use of the same scenes over and over again. Peter Weller did a good job overall with expressing that effort and exhaustion of Bruce Wayne through his voice. Several of the dialogue scenes between the mutant's and their way of talking seemed strangely dated and fairly silly or out of place. They also never quite seemed threatening enough in this version, to warrant the kind of media coverage they get, rather they seemed like Saturday morning cartoon goons, who await orders from their big boss, and never really get anything done. The saving point of the film however is the phenomenal soundtrack, which is reminiscent of the famous Christopher Nolan 'Dark Knight' series in which Hans Zimmer created some fantastic orchestral works. It keeps the pace of the film, and has some absolutely fantastic moments throughout which lends to that feeling that you are watching something of epic proportions.

It is a fantastic effort by the D.C animation crew. Something you don't want to miss if you are a Batman fan. Most importantly it is an excellent retelling of one of the best stories ever written about the Bat.

7/10

There has been a few really good straight to DVD Batman animations, but this one takes the cake. Having watched the last installment of Christpher Nolans Batman on the big screen, this little piece just keeps the fire burning. Im so impressed by the attention to detail and story line that i wont even begin to give you the low-down/plot, you just need to see it for yourself. Any fans out there will be glad to know this is part one of a series and when you watch it, you'll see how the story drives you straight into the cliff hanger , all the elements are there ,even as we get to understand that Batman/Bruce Wayne has aged significantly it doesn't slow down the action, after all "Old Heroes never die , they just get Darker". i cant wait for part II . Well done and Respect to the Director and his crew for putting this together so well.

It's definitely one of the best Batman features I've watched in a while (not a big fan of Christopher Nolan's "Gotham's Jesus"). It's a different Batman, faithful to the character tailored by Frank Miller. This Batman is old, angry and not a bit soft. He knows what he needs to do and he does it.

The animation is dynamic and nicely drawn (not in the anime- influenced style of Flashpoint: Paradox). This is exactly how comic book adaptations should be made.

Sad thing is, best DC adaptations come in direct-to-video format. Recently I tried watching Flash and Arrow, huge letdowns, if you ask me. But "The Dark Knigh Returns" is the real deal. It isn't fake, it has the spirit and the atmosphere.

Now I'm off to my Batcave to watch the second part.