O lendário mago Merlin conta a história de sua guerra contra a Rainha Mab dos Sidhe e sua criação de Camelot.O lendário mago Merlin conta a história de sua guerra contra a Rainha Mab dos Sidhe e sua criação de Camelot.O lendário mago Merlin conta a história de sua guerra contra a Rainha Mab dos Sidhe e sua criação de Camelot.
- Ganhou 4 Primetime Emmys
- 19 vitórias e 28 indicações no total
Explorar episódios
Avaliações em destaque
Growing up watching the "Hallmark Hall Of Fame" TV movies, I was very surprised by the time and expense that obviously went into this Hallmark production. Odd camera angles, wonderful effects, brilliant color all add to this magical story. Any director facing such a lush story as this with just a limited amount of time has to make cuts here and adjustments there to make the story have some sense. The first half of the movie concerns the birth and growth of Merlin, ther second half with the birth and growth of Arthur. The friendship between Merlin and Arthur really does come across in a way that few "King Arthur" movies have shown. The casting of major celebrities in this movie were all on the money, Martin Short is surprisingly good in his role as Flick, Queen Mab's servant, a creature that lives outside of time. You see him suddenly switching costumes and accents as he does various things. The role reminde me loosely of Tony Randall in "Seven Faces Of Dr. Lao". Very much recommended if you are a fan of Arthurian fantasy or just like a good epic.
It does not rely on special effects, though the ones it has are quite impressive. As mentioned in the reference it relies on good story-telling. You can also add a bunch of very vivid and weird characters each of whom is an "out-of-controller". The voice of Mab is extremely sweet and unforgettable. The transient effects are very creative. Like for example when a medieval soldier drops dead and the blood makes the snow change its colour around his body in a hyperbolic manner.
It feels like deep satisfaction to have it on DVD in one's home collection. Celtic legends, runes, the Lady of the Lake, Excalibur, and king Arthur – there is much talking about all that stuff now and then and here is a chance to see the whole story properly told.
There is also a strange feeling that it's not just a fairy-tale but a kind of history lesson as well. Even if it's a mistake to say so, this film is not historically empty.
Easily, it is an 8 out of 10. Thanks for attention.
It feels like deep satisfaction to have it on DVD in one's home collection. Celtic legends, runes, the Lady of the Lake, Excalibur, and king Arthur – there is much talking about all that stuff now and then and here is a chance to see the whole story properly told.
There is also a strange feeling that it's not just a fairy-tale but a kind of history lesson as well. Even if it's a mistake to say so, this film is not historically empty.
Easily, it is an 8 out of 10. Thanks for attention.
How do you pack together centuries of legends about the great King Arthur? It might seem like an impossible task, but Merlin finds a way to make it work: they change the focus.
I have always been a huge fan of the King Arthur legends, and I am familiar with most of them. Some films only cover portions of the legends, such as the disappointing "First Knight" and the stomach-churning Disney crud "Sword and the Stone." I was really wanting a film to come out that would cover all the important legends of the epic story, yet I realized it was a nearly impossible task. An excellent early eighties film did it, which was called "Excalibur," and I was hoping that they could do it again, with a more nineties zing to it, what with the new special effects coming out nowadays that could no doubt enhance the legends onscreen. Before "Merlin" came out, the only real films to come out in the nineties featuring Arthur were "First Knight" (which eradicated all myth and magic and put the legends on the status of Chick Flick) and "A Kid in King Arthur's Court" (which I won't even bring up).
Enter "Merlin." It covers everything, from the affair of Lancelot and Guinevere, to the Lady at the Lake, to the birth of the sword Excalibur, to Morgan la Fay and Mordred, and they even throw in the Lady of Shallot. And the cool thing is, they make it work so that it doesn't seem overplotted. Merlin is also given a side story which is beautiful and well-constructed, about his birth and his love life. It all is webbed together well, and the climax and characters are wonderfully painted.
Before this film, I saw Merlin only as a secondhand character, who is Arthur's mentor and friend, kind of like the world's first Obe Wan Kinobe. But now, I see him in an all new light, and to say the least, it is very effective, and I can say that it is the finest Arthur film ever made (though "Excalibur" is so close, it's barely worth a comparison). If you are interesting in Arthur, or if you are an Arthur fan who was discouraged that there were no good films about his awesome, thought-provoking legends, I urge you to watch this film. It will move you in a way few films can!
10 out of 10!
I have always been a huge fan of the King Arthur legends, and I am familiar with most of them. Some films only cover portions of the legends, such as the disappointing "First Knight" and the stomach-churning Disney crud "Sword and the Stone." I was really wanting a film to come out that would cover all the important legends of the epic story, yet I realized it was a nearly impossible task. An excellent early eighties film did it, which was called "Excalibur," and I was hoping that they could do it again, with a more nineties zing to it, what with the new special effects coming out nowadays that could no doubt enhance the legends onscreen. Before "Merlin" came out, the only real films to come out in the nineties featuring Arthur were "First Knight" (which eradicated all myth and magic and put the legends on the status of Chick Flick) and "A Kid in King Arthur's Court" (which I won't even bring up).
Enter "Merlin." It covers everything, from the affair of Lancelot and Guinevere, to the Lady at the Lake, to the birth of the sword Excalibur, to Morgan la Fay and Mordred, and they even throw in the Lady of Shallot. And the cool thing is, they make it work so that it doesn't seem overplotted. Merlin is also given a side story which is beautiful and well-constructed, about his birth and his love life. It all is webbed together well, and the climax and characters are wonderfully painted.
Before this film, I saw Merlin only as a secondhand character, who is Arthur's mentor and friend, kind of like the world's first Obe Wan Kinobe. But now, I see him in an all new light, and to say the least, it is very effective, and I can say that it is the finest Arthur film ever made (though "Excalibur" is so close, it's barely worth a comparison). If you are interesting in Arthur, or if you are an Arthur fan who was discouraged that there were no good films about his awesome, thought-provoking legends, I urge you to watch this film. It will move you in a way few films can!
10 out of 10!
Now here's a conundrum: This miniseries/T.V. film is perhaps guilty of every flaw you can think of. And at the same time, it manages to be the best interpretation of the Arthurian legend and a thing to cherish and admire, despite its glaring defects. How can this be?
Merlin has the ambition, scope and in many respects, talent pool of a first rate film. You have a great cast with some fine stars and even some relatively unknowns at the time who would go on to gain fame (like Lena Headey), a good director (Steve Barron was an X-Files regular), a first rate composer (Trevor Jones) and a truly great script, that shifts the focus from King Arthur to the wizard Merlin. But... this happens to be a T.V. movie, not a big production and when striving to adapt a tale like this with severe demands on the production level, budget limitations are hard to overcome.
This shows in many instances. Make-up is especially problematic, since the story is supposed to encompass events spanning decades, with many characters being played by the same actors with little to no make-up to account for aging. As a result, Isabella Rossellini hardly ages at all throughout most of the film and Paul Curran who plays Arthur goes from puberty to adulthood through the addition of facial hair. Production design can't hold up to the demands of the script either, although there are a couple of battle sequences that are well done given the circumstances. There is also the occasional bad CGI present (those where the late 90's after all).
And then you have the performances, that are extremely uneven. Some of the actors are across the board excellent (like Sam Neil as Merlin, Rutger Hauer and Miranda Richardson) and consistent. Others are hit and miss, including some of the known ones like Martin Short and Helena Bonham Carter. There are several instances where the movie isn't certain of the tone it aims for and as a result you get weird lapses into bad comedy with at times cringe- worthy performances.
So, with all these problems, how can this thing be worthy of your attention? Surprisingly, what Merlin lacks on the technical/skill level, it makes for in storytelling and heart and for once, the whole is far far more than the sum of its parts, to the point where all the imperfections get eventually ironed out and forgotten. If you can give the movie a break for its occasional CGI dragons and the odd cheesy line, you are in for a spellbinding tale, one of the best you've ever seen. Merlin is also well served by its almost 3 hours of running time and manages to achieve its desired epic scale by using the time available to unfold its intricate plot instead of resolving to grand sets and special effects.
Barron may be responsible in part for the uneven tone of the film, but when he goes for tragedy and seriousness (which is thankfully the majority of the time), he delivers in a big big way. We even get to see a prototype of bullet- time photography, one year before the Matrix. What also helps Merlin transcend its humble origins is the majestic score of Trevor Jones, that lends an epic, tragic dimension to the events unfolding on screen.
The tale of Merlin and Arthur is very sad and tragic, starting decades before Arthur is even born, with at least two generations caught in the wheels of destiny and by the time all story lines are concluded, no one is left untouched. Especially the story of Merlin and Nimue (ostensibly the main characters) is heartbreaking. A great twist in this take of King Arthur, is that Merlin isn't an all powerful wizard and in fact, he is mostly restrained from using his powers, making all his choices harder and costlier for everyone around him, with his errors often having devastating effects. By the time you reach its unforgettable ending, you will have witnessed one of the best epics ever, if you only are willing to give it the chance to enchant you.
Merlin has the ambition, scope and in many respects, talent pool of a first rate film. You have a great cast with some fine stars and even some relatively unknowns at the time who would go on to gain fame (like Lena Headey), a good director (Steve Barron was an X-Files regular), a first rate composer (Trevor Jones) and a truly great script, that shifts the focus from King Arthur to the wizard Merlin. But... this happens to be a T.V. movie, not a big production and when striving to adapt a tale like this with severe demands on the production level, budget limitations are hard to overcome.
This shows in many instances. Make-up is especially problematic, since the story is supposed to encompass events spanning decades, with many characters being played by the same actors with little to no make-up to account for aging. As a result, Isabella Rossellini hardly ages at all throughout most of the film and Paul Curran who plays Arthur goes from puberty to adulthood through the addition of facial hair. Production design can't hold up to the demands of the script either, although there are a couple of battle sequences that are well done given the circumstances. There is also the occasional bad CGI present (those where the late 90's after all).
And then you have the performances, that are extremely uneven. Some of the actors are across the board excellent (like Sam Neil as Merlin, Rutger Hauer and Miranda Richardson) and consistent. Others are hit and miss, including some of the known ones like Martin Short and Helena Bonham Carter. There are several instances where the movie isn't certain of the tone it aims for and as a result you get weird lapses into bad comedy with at times cringe- worthy performances.
So, with all these problems, how can this thing be worthy of your attention? Surprisingly, what Merlin lacks on the technical/skill level, it makes for in storytelling and heart and for once, the whole is far far more than the sum of its parts, to the point where all the imperfections get eventually ironed out and forgotten. If you can give the movie a break for its occasional CGI dragons and the odd cheesy line, you are in for a spellbinding tale, one of the best you've ever seen. Merlin is also well served by its almost 3 hours of running time and manages to achieve its desired epic scale by using the time available to unfold its intricate plot instead of resolving to grand sets and special effects.
Barron may be responsible in part for the uneven tone of the film, but when he goes for tragedy and seriousness (which is thankfully the majority of the time), he delivers in a big big way. We even get to see a prototype of bullet- time photography, one year before the Matrix. What also helps Merlin transcend its humble origins is the majestic score of Trevor Jones, that lends an epic, tragic dimension to the events unfolding on screen.
The tale of Merlin and Arthur is very sad and tragic, starting decades before Arthur is even born, with at least two generations caught in the wheels of destiny and by the time all story lines are concluded, no one is left untouched. Especially the story of Merlin and Nimue (ostensibly the main characters) is heartbreaking. A great twist in this take of King Arthur, is that Merlin isn't an all powerful wizard and in fact, he is mostly restrained from using his powers, making all his choices harder and costlier for everyone around him, with his errors often having devastating effects. By the time you reach its unforgettable ending, you will have witnessed one of the best epics ever, if you only are willing to give it the chance to enchant you.
The Arthur legend has been done countless times, generally from the viewpoint of Arthur, but Merlin takes the rarely-used angle of Arthur's most trusted advisor. Also refreshing is the use of the conflict between Christianity and the previous, pagan religions to add a new take on the tales. The special effects are stunning, and they even coaxed a great performance out of Martin Short! Several such great achievements make this one of the best.
Você sabia?
- CuriosidadesIsabella Rossellini's voice was dubbed over Agnieszka Koson's for young Nimue.
- Erros de gravaçãoAlthough clothes, architecture, etc. heavily imply a barely post-Roman (5th-6th centuries AD) setting, characters still use the terms England and Normandy, which aren't recorded before the 9th century. It would be more appropiate to refer to them respectively as Britain and Armorica or variations thereof.
- Versões alternativasThe televised version has scenes that are not on the video version and viceversa.
- ConexõesFeatured in The 50th Annual Primetime Emmy Awards (1998)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How many seasons does Merlin have?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Merlin's Revenge: The Grail Wars
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 1 minuto
- Cor
- Mixagem de som
- Proporção
- 1.33 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente
