Is there any star working today with a career as varied as Marion Cotillard? Anyone who has moved as effortlessly between Hollywood blockbusters — Inception, Dark Knight, Public Enemies — and indies (The Immigrant and Macbeth), from slapstick action comedy like the Taxi films — the French pre-Fast and the Furious car racing franchise that first made her a star — to auteur dramas like Rust and Bone, Annette, and Two Days, One Night?

“I just read scripts and, no matter the genre, if it’s a comedy or a drama, when I feel I can bring something to the movie, that’s when I choose to be part of it,” Cotillard says, speaking via Zoom from her home in Paris. “I don’t plan anything [but] I feel very lucky that I can go between totally different worlds.”

The world Cotillard enters in The Ice Tower, which has its world premiere at the Berlin Film Festival on Feb.