Halfway through Netflix’s No Good Deed, Lydia Morgan (Lisa Kudrow), a former concert pianist now embroiled in the madness of trying to sell her house, reflects on a repetitively heightened situation, sighs and says, “I’m so sorry and I can’t believe this is happening again.”

I Can’t Believe This Is Happening Again could have been a good title for Liz Feldman’s Dead to Me, a murky comedy about female friendship and murder that managed to take a tenuously thin premise and elongate it over three seasons by virtue of wild and sometimes illogical pivots, plus the truly exceptional work from stars Christina Applegate and Linda Cardellini. It was an exhaustingly paced show and, by its series finale, it put you through an emotional ringer as well. But if you had the patience for Feldman’s dogged approach, it was rewarding.

That makes No Good Deed...