In The Return, a soldier comes home after being away for many years at war, looking haggard and exhausted. His friends don’t recognize him, he has a difficult time readjusting to society and even his wife doesn’t seem to know who he is. It seems a fairly familiar story, except that the main characters’ names are Odysseus and Penelope, the setting is the island of Ithaca and the war took place in Troy. Yes, this film — receiving its world premiere at the Toronto International Film Festival before a theatrical release later this year — is an adaptation of a section of Homer’s The Odyssey.

But don’t expect appearances by gods or goddesses or mythological creatures created by the likes of Ray Harryhausen. Rather, director/co-screenwriter Uberto Pasolini (Still Life, Nowhere Special) strips the tale to its bare essentials, resulting in a stark, solemnly paced experience that viewers...