Omen (Augure) review – Baloji offers secrets and sorcery in Congolese homecoming

Musician and film-maker’s story about a Belgian-Congolese man who takes his white wife to Drc to meet the family is complex, risky and bold
Congolese-born rapper, musician and film-maker Baloji (né Serge Baloji Tshiani) was a prizewinner at Cannes last year with this feature directing debut: a dynamic, teemingly populated, multistranded and tonally elusive picture which I initially thought would benefit from comparisons with Jordan Peele’s horror classic Get Out. In fact, it’s more complicated than that.
Koffi (Marc Zinga) is a Congolese man living in Belgium and married to a white woman, Alice (Lucie Debay). They are about to have twins and Koffi feels that he cannot put it off any further: whatever his family will think, the couple must journey back to the Democratic Republic of the Congo to let them see Alice and let them get used to the idea. It particularly means propitiating...
Congolese-born rapper, musician and film-maker Baloji (né Serge Baloji Tshiani) was a prizewinner at Cannes last year with this feature directing debut: a dynamic, teemingly populated, multistranded and tonally elusive picture which I initially thought would benefit from comparisons with Jordan Peele’s horror classic Get Out. In fact, it’s more complicated than that.
Koffi (Marc Zinga) is a Congolese man living in Belgium and married to a white woman, Alice (Lucie Debay). They are about to have twins and Koffi feels that he cannot put it off any further: whatever his family will think, the couple must journey back to the Democratic Republic of the Congo to let them see Alice and let them get used to the idea. It particularly means propitiating...
- 24/04/2024
- di Peter Bradshaw
- The Guardian - Film News
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