There’s a striking dissonance between the serene and realistic surface of Daniel Hoesel and Julia Niemann’s Veni Vidi Vici and the way it bludgeons its points home using the exaggerated methods of social critiques common to such genre pieces as Snowpiercer or Infinity Pool. How effective this will be depends in part on the viewer. Some will appreciate this class satire’s grim portrait of a venal polo-playing billionaire class who explain away their amoral behavior with self-aggrandizing business-speak. Others may thrill to the dark comedy of a serial killer operating so in the open that he’s practically begging to be caught. Either way, the message of Hoesel’s screenplay is blunt: Everyone not at society’s pinnacle is only prey.

The film’s serial killer is Amon (Laurence Rupp), a chipper Austrian billionaire with a thing for picking off strangers with a sniper rifle. He pursues his targets carefully,...