Film Review: Mimang (2023) Kim Tae-yang

The word “mimang” holds multiple meanings in Korean. One, being unable to make sense from ignorance. Two, being unable to forget what one wants to forget. And three, searching far and wide. Following the rather successful short “Snail”, Kim Tae-yang, in his feature debut that was shot for four years in Seoul, presents a film that implements the meanings of the word in three different chapters, through a distinct ‘walk-and-talk' style.
Mimang is screening at Qcinema
A female curator reunites with an old friend (probably something more) by accident, when they stumble upon each other on the street, where he informs her that currently, he is undertaking urban sketching lessons. As she finds it difficult to navigate the area (in a recurring theme in the movie) he walks her close to her destination. Later on, he meets his partner and she meets the organizer of a screening she gave a speech after,...
Mimang is screening at Qcinema
A female curator reunites with an old friend (probably something more) by accident, when they stumble upon each other on the street, where he informs her that currently, he is undertaking urban sketching lessons. As she finds it difficult to navigate the area (in a recurring theme in the movie) he walks her close to her destination. Later on, he meets his partner and she meets the organizer of a screening she gave a speech after,...
- 25.11.2023
- von Panos Kotzathanasis
- AsianMoviePulse
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