Lars von Trier founded the Dogme 95 movement alongside Thomas Vinterberg in the 1990s as a stripped-down, chaste approach to filmmaking — chaste, at least, on visual terms, as there is never anything chaste about a movie from the director of “Breaking the Waves,” “Antichrist,” and “The House That Jack Built.”

But in reality, von Trier only actually made one movie that adhered to Dogme 95’s criteria: including all shooting done on location, no props or sets brought in, diegetic sound and natural light only, and no credits for the filmmaker. That film was 1998’s Danish comedy-drama “The Idiots,” which upon release at the Cannes Film Festival provoked a firestorm of fiercely divided reactions for its fictionalized treatment of disability. Now, independent film distributor and streaming platform Mubi will re-release the film, restored and uncut, on June 16 theatrically at the Metrograph before it hits streaming on July 7. Watch the trailer for the new restoration,...