Leave it to Edgar Wright to play with genre expectations and deliver yet another delightfully off-kilter thriller that also thrills with its undeniably trippy atmosphere and blast to the past of swinging 60’s London. The director of films like Baby Driver, Scott Pilgrim Vs. The World, The World’s End, and of course the cult classic Shaun Of The Dead has taken the seemingly glamorous and intriguing era of the 60s in Mod London circa ’65 and turned it into an increasingly menacing and dark period, but still fueled by a killer song selection that takes us from Cilla Black to Petula Clark. It is a mix that has you in its first half longing to go back to that period in time like protagonist Eloise (Thomasin McKenzie) , but then maybe rethink that decision. Just like many of Wright’s twisty movies he doesn’t easily let the audience off the hook.