Zero Fucks Given (Rien à foutre) | Review
Ground Control: Exarchopoulos Takes Flight in Portrait of Repressed Anguish
For their directorial debut Zero Fucks Given, Julie Lecoustre and Emmanuel Marre opt for a much less anarchic portrait of working class ennui than their title indicates. Splicing a character portrait with a detailed portrayal of daily travails faced by flight attendants, at times it plays like an exercise at odds with itself. Juxtaposing these two elements, both fight for dominance, with a surprisingly nuanced performance from Adèle Exarchopoulos coming out on top. One of the best roles for the actor following her 2013 breakthrough in Blue is the Warmest Color, the facade of a glamorous, jet-setting existence reveals itself to be a vehicle for escapism.…...
For their directorial debut Zero Fucks Given, Julie Lecoustre and Emmanuel Marre opt for a much less anarchic portrait of working class ennui than their title indicates. Splicing a character portrait with a detailed portrayal of daily travails faced by flight attendants, at times it plays like an exercise at odds with itself. Juxtaposing these two elements, both fight for dominance, with a surprisingly nuanced performance from Adèle Exarchopoulos coming out on top. One of the best roles for the actor following her 2013 breakthrough in Blue is the Warmest Color, the facade of a glamorous, jet-setting existence reveals itself to be a vehicle for escapism.…...
- 3/30/2022
- by Nicholas Bell
- IONCINEMA.com
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