It’s hard to believe something like 1991’s The Fisher King was a studio backed effort. An anomaly both as a mainstream cinematic event and within Gilliam’s own idiosyncratic filmography, the film received as much panning as praise upon its theatrical release (shortly after a premiere at the Venice Film Festival, where it was part of a three way tie with Zhang Yimou and Philippe Garrel for the Silver Lion). In the decades since, the film has garnered something of a cult following, as have many of Gilliam’s earlier works of note, filled with an often unbridled zaniness necessitating time to marinate for full appreciation. Stuffed to the point of emotional, narrative, and logical imbalance, there are as many moments of beauty as inelegance. But Gilliam’s ambitious odd-couple outfit, based on a script from Richard Lagravenese, revels in its own unique flavoring.

Radio shock jock Jack (Jeff Bridges...